Hát tuá»Âng (, Chữ Nôm: Ã¥ÂÂå¾Â) or hát bá»Âi (, Chữ Nôm: Ã¥ÂÂ佩) is a form of Vietnamese theatre. Hát tuá»Âng is often referred to as classical "Vietnamese opera" influenced by Chinese opera.
Tuá»Âng is distinct from the older hát chèo genre of Vietnamese theatre which combines dance, song and poetry, and the more modern cải lðáng folk musical.
The origin of tuá»Âng is still unclear. It is believed that it was imported from China around the 13th century when Vietnam was warring against the Mongol Yuan Dynasty. A famous actor named Lý Nguyên Cát (Li Yuanji; ) was imprisoned by the Vietnamese. The imperial court asked him to spread his knowledge of Chinese theatre to the children of the elite, thus explaining how tuá»Âng had first had its beginnings in Vietnam in the royal court. Later on, it was adapted to travelling troupes who entertained commoners and peasants.
However, the first person to lay the foundations for the art of tuá»Âng in Vietnam was Dao Duy Tu. Under the Nguyen dynasty, under which he served, tuá»Âng reached its highest point and was favored by Nguyen kings. Many great playwrights, including ÃÂào Tấn, also lived during this period.
Along with hát chèo, tuá»Âng was one of the highly popular art forms for commoners until the 20th century. With the arrival of cải lðáng and modern theatrics, tuá»Âng gradually lost its position.
Stories in the opera tend to be ostensibly historical and frequently focus on the rules of social decorum, and can include legends from either the history of China or Vietnam.
Tuá»Âng employs the use of stock characters who are recognizable from their make-up and costumes, which are typically very elaborate and extravagant.
Usually, a character's personalities can be revealed through three features: the color of the face, the eyebrows, and the beard.