was a Japanese film producer. He served as the head of production for Toho Studios. He was co-producer of Akira Kurosawa's The Hidden Fortress. He also produced many other films, including YasujirÃ
 Ozu's The End of Summer, Kihachi Okamoto's The Sword of Doom and Japan's Longest Day and several films directed by Mikio Naruse.
After co-producing The Hidden Fortress, Fujimoto had the task as Toho's head of production of convincing Kurosawa to form his own production company. He had to convince Kurosawa that his own production company would be to his advantage, even though the main reason Toho wanted Kurosawa to form his own production company was to avoid the risk of cost overruns as had happened on The Hidden Fortress. Fujimoto then became a board member of Kurosawa Productions.
Selected filmography
- Repast (ãÂÂã Meshi), Mikio Naruse, (1951)
- Husband and Wife (夫婦 Fûfu), Mikio Naruse, (1953)
- Mr. Pu (Pu-san), Kon Ichikawa, (1953)
- Wife (妻 Tsuma), Mikio Naruse, (1953)
- Sound of the Mountain (å±±ã®é³ Yama no Oto), Mikio Naruse, (1954)
- Late Chrysanthemums (æÂ©è Bangiku), Mikio Naruse, (1954)
- Floating Clouds (æµ®é² Ukigumo), Mikio Naruse, (1955)
- Sudden Rain (é©Âé¨ ShÃ
«u), Mikio Naruse, (1956)
- A Wife's Heart (妻ã®忠Tsuma no kokoro), Mikio Naruse, (1956)
- Flowing (æµÂãÂÂã Nagareru), Mikio Naruse, (1956)
- Song for a Bride (è±å«Âä¸ÂéÂÂ奠Hanayome sanjuso), IshirÃ
 Honda, (1958)
- The Hidden Fortress (é ãÂÂç ¦ã®ä¸ÂæÂªäºº Kakushi toride no san akunin), Akira Kurosawa, (1958)
- A Daughter, a Wife, and a Mother (娠妻 毠Musume tsuma haha), Mikio Naruse, (1960)
- Sir Galahad in Campus (大å¦ã®è¥大尠Daigaku no WakadaishÃ
Â), Toshio Sugie, (1961)
- The Last War (ä¸ÂçÂÂ大æÂ¦äº Sekai DaisensÃ
Â), ShÃ
«e Matsubayashi, (1961)
- The End of Summer (å°ÂæÂ©å·Âå®¶ã®秠Kohayagawa-ke no aki), YasujirÃ
 Ozu, (1961)
- A Wanderer's Notebook (æÂ¾æµªè¨ Hourou-ki), Mikio Naruse, (1962)
- ' (å¿ è£èµãÂÂè±ã®巻ãÂÂéªã®巻 Hana no Maki, Yuki no Maki), Hiroshi Inagaki, (1962)
- Yearning (ä¹±ãÂÂã Midareru), Mikio Naruse, (1964)
- Godzilla vs. The Thing (ã¢ã¹ã©対ã´ã¸ã© Mosura tai Gojira), IshirÃ
 Honda, (1964)
- The Crazy Adventure (大åÂÂéº, Kureji no daiboken), Kengo Furusawa, (1965)
- The Stranger Within a Woman (女ã®ä¸Âã«ãÂÂãÂÂä»Â人 Onna no naka ni iru tanin), Mikio Naruse, (1966)
- The Sword of Doom (大è©è©峠Dai-bosatsu TÃ
Âge), Kihachi Okamoto, (1966)
- Japan's Longest Day (æÂ¥æÂ‹Â®ãÂÂã¡ã°ãÂÂé·ãÂÂæÂÂ¥ Nihon no ichiban nagai hi), Kihachi Okamoto, (1967)
- Goyokin (御ç¨é GoyÃ
Âkin), Hideo Gosha, (1969)
- The Scandalous Adventures of Buraikan (ç¡頼漢 Buraikan), Masahiro Shinoda, (1970)
- To Love Again (æÂÂãµãÂÂãÂÂã³ Ai futatabi), Kon Ichikawa, (1971)
- Battle of Okinawa (æ¿ÂÃ¥ÂÂã®æÂÂÃ¥ÂÂå² æ²Âç¸Â決æÂ¦ GekidÃ
 no ShÃ
Âwashi: Okinawa Kessen), Kihachi Okamoto, (1971)
- The Wolves (Shussho Iwai), Hideo Gosha, (1971)
- The Gate of Youth (éÂÂæÂ¥ã®é Seishun no mon), KirirÃ
 Urayama, (1975)
References