was a Japanese filmmaker who worked on over 100 films in a career spanning over five decades. He is one of the most successful and critically acclaimed filmmakers in the history of Japanese cinema, having directed several jidaigeki epics such as the 1954 Academy Award-winning film ', and its two sequels ' (1955) and ' (1956).
Career
Born in Tokyo as the son of a shinpa actor, Inagaki appeared on stage in his childhood before joining the Nikkatsu studio as an actor in 1922. Wishing to become a director, he joined ChiezÃ
 Kataoka's ChiezÃ
 Productions and made his directorial debut with Tenka taiheiki (1928). Returning to Nikkatsu, he continued making jidaigeki and participated in the Naritaki Group of young filmmakers such as Sadao Yamanaka and Fuji Yahiro who collaboratively wrote screenplays under the made up name "Kinpachi Kajiwara". Like others in the group, Inagaki was known for his cheerful and intelligent samurai films. Inagaki later moved to Daiei and then Toho, where he made big budget color spectacles as well as delicate works depicting the feelings of children. He also produced many films and wrote the scripts for dozens of others. He directed Toshiro Mifune in twenty films.
Recognition
His film MuhÃ
Âmatsu no isshÃ
 (Rickshaw Man, 1943) was selected as the 8th best Japanese film of all time in a 1989 poll of Japanese critics and filmmakers. The color remake, Rickshaw Man (1958), won the Golden Lion award at that year's Venice Film Festival. His film ' (1954) won the honorary Academy Award for Best Foreign Language Film.
Selected filmography
Director
- Tenka taiheiki (天ä¸Â太平è¨Â) (1928)
- HÃ
ÂrÃ
 zanmai (æÂ¾æµªä¸ÂæÂ§) (1928)
- MuhÃ
Âmatsu no isshÃ
 (ç¡æ³ÂæÂ¾ã®ä¸ÂçÂÂ) (Rickshaw Man) (1943)
- Noroshi wa Shanghai ni agaru (ç¼ç«ã¯ä¸Âæµ·ã«æÂÂã æÂ¥æ±ÂéºæÂ¨ literally: Signal Fires of Shanghai) (1944)
- Sword for Hire (æÂ¦å½ç¡頼 Sengoku burai) (1952)
- Samurai Trilogy
- ' (å®®æÂ¾Â¦èµ) (1954)
- ' (ç¶Âå®®æÂ¾Â¦èµ ä¸Âä¹Â寺ã®決é Zoku Miyamoto Musashi: IchijÃ
Âji no kettÃ
Â) (1955)
- ' (決éÂÂå·ÂæµÂå³¶ KettÃ
 GanryÃ
«jima) (1956)
- The Lone Journey a.k.a. The Road (æÂÂ
è·¯ Tabiji) (1955)
- Arashi (åµÂ) (1956)
- Yagyu Secret Scrolls (æÂ³çÂÂæÂ¦è¸帳 YagyÃ
« BugeichÃ
Â) (1957)
- Rickshaw Man (ç¡æ³ÂæÂ¾ã®ä¸ÂçÂÂ) (1958)
- Yagyu Secret Scrolls part II (æÂ³çÂÂæÂ¦è¸帳 Ã¥ÂÂé¾Âç§Âå£ YagyÃ
« BugeichÃ
ÂâÂÂSÃ
ÂryÃ
« hiken) a.k.a. Ninjitsu (1958)
- The Birth of Japan (æÂ¥æÂ¬èªÂçÂÂ, Nippon TanjÃ
Â), also called The Three Treasures (1959)
- Life of an Expert Swordsman (æÂÂãÂÂå£豪ã®çÂÂ涯 Aru kengÃ
 no shÃ
Âgai) (1959)
- The Story of Osaka Castle (大éªåÂÂç©誠Ã
Âsaka-jÃ
 monogatari) (1961)
- ' (å¿ è£èµ è±ã®巻 éªã®巻) (1962)
- The Secret Sword (ç§Âå£ Hiken) (1963)
- Whirlwind (Shikonmado - Dai tatsumaki) (1964)
- Sasaki KojiroâÂÂZenpen: Fuun Osaka-jo Kohen: Ketto Ganryushima (a.k.a. Kojiro) (1967)
- Samurai Banners (風æÂÂç«山 FÃ
«rin Kazan) (1969)
- Machibuse (å¾Â
ã¡ä¼ÂãÂÂ) (1970)
Producer
Bibliography
References
Further reading
External links