Rasikapriya is a rÃÂgam in Carnatic music (musical scale of South Indian classical music). It is the last (72nd) melakarta rÃÂgam in the 72 melakarta rÃÂgam system of Carnatic music. It is called Rasamanjari in Muthuswami Dikshitar school of Carnatic music.
It is the 6th rÃÂgam in the 12th chakra Aditya. The mnemonic name is Aditya-Sha. The mnemonic phrase is sa ru gu mi pa dhu nu. Its ' structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
(the scale uses the notes shatsruthi rishabham, antara gandharam, prati madhyamam, shatsruthi dhaivatham, kakali nishadham)
As it is a melakarta rÃÂgam, by definition it is a sampoorna rÃÂgam (has all seven notes in ascending and descending scale). It is the prati madhyamam equivalent of last suddha madhyamam melakarta, Chalanata, which is the 36th melakarta scale.
Rasikapriya has a few minor janya rÃÂgams (derived scales) associated with it. See List of janya rÃÂgams for full list of scales associated with Rasikapriya.
Here are some compositions sung in concerts, set to Rasikapriya.
This section covers the theoretical and scientific aspect of this rÃÂgam.
Rasikapriya's notes when shifted using Graha bhedam, yields 2 other major melakarta rÃÂgams, namely, Mayamalavagowla (rÃÂgam using which first lessons are taught to beginners) and Simhendramadhyamam. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rÃÂgam. For further details and an illustration refer Graha bhedam on Mayamalavagowla.