Ramapriya (pronounced rÃÂmapriya) is a rÃÂgam in Carnatic music (musical scale of South Indian classical music). It is the 52nd melakarta rÃÂgam (parent scale) in the 72 melakarta scale system of Carnatic music. It is called RamÃÂmanà Âhari in Muthuswami Dikshitar school of Carnatic music.
It is the 4th rÃÂgam in the 9th chakra Brahma. The mnemonic name is Brahma-Bhu. The mnemonic phrase is sa ra gu mi pa dhi ni. Its ' structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
(the notes shuddha rishabham, antara gandharam, prati madhyamam, chathusruthi dhaivatham, kaisiki nishadham are used in this scale)
As it is a melakarta rÃÂgam, by definition it is a sampoorna rÃÂgam (has all seven notes in ascending and descending scale). It is the prati madhyamam equivalent of Chakravakam, which is the 16th melakarta scale.
Ramapriya has a few minor janya rÃÂgams (derived scales) associated with it. See List of janya rÃÂgams for full list of rÃÂgams associated with Ramapriya scale.
Here are some compositions sung in concerts, set to Ramapriya.
This section covers the theoretical and scientific aspect of this rÃÂgam.
Ramapriya's notes when shifted using Graha bhedam, yields no other melakarta rÃÂgam, as such a step taken on any of the 6 swarams (Ri to Ni) comes up with scales that do not conform to the melakarta rules. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rÃÂgam.