was the fiftieth of the fifty-three stations of the Tà Âkaidà  highway connecting Edo with Kyoto in Edo period Japan. It was located in the Minakuchi neighborhood of the present-day city of Kà Âka, Shiga Prefecture, Japan.
Minakuchi-juku developed as early as the Muromachi period, as its location was convenient for travelers going to the Ise Grand Shrine and Ise Bay. In the early Edo period, the system of post stations on the Tà Âkaidà  was formalized by the Tokugawa shogunate in 1601, Minakuchi-juku became an official post station. It was on the sankin-kà Âtai route by many western daimyà  to-and-from the Shogun's court in Edo. Minakuchi Castle was constructed in 1634 on the western border of the town by Shogun Tokugawa Iemitsu as a way station where he could stay at during his travels between Edo and Kyoto. It was built in a similar fashion to Nijà  Castle. Minakuchi was thus both a post station and a castle town, In 1682, Minakuchi Domain was created with a cadet branch of the Katà  clan ruling until the Meiji restoration.
Per the 1843 guidebook issued by the , the town had a population of 2692 in 692 houses, including one honjin, one waki-honjin, and 41 hatago. It had one Tonyaba, for the stabling of packhorses and warehousing of goods, and one kà Âsatsu for the display of official notifications. It was 443.8 kilometers from Edo.
Minakuchi was noted for three famous local products. was a form of basketry made from woven wisteria vines, and occasionally from thin strips of wood. It formed lightweight containers which (amongst many other uses) could be used as a form of suitcase for travelers on the highway. was a pipe for smoking powdered tobacco, and was a popular souvenir for travelers to purchase. The production of kanpyà Â, dried shavings of a type of calabash, which was a popular ingredient in Edo period Japanese cuisine was the third local speciality.
Utagawa Hiroshige's ukiyo-e Hà Âeidà  edition print of Minakuchi-juku dates from 1833 -1834. The print depicts a straggling row of thatch-roofed structures. In the foreground are two women (one with a baby on her back) hanging up strips of kanpyà  to dry on lines, while a third woman with a knife is peeling more from a calabash. More strips of drying kanpyà  are shown on the fences of the buildings in the background. A solitary traveller is walking away from the viewer on the road.