This is a list of songs that either originated in blackface minstrelsy or are otherwise closely associated with that tradition. Songwriters and publication dates are given where known.
A
B
- "Babylon Is Fallen", Henry Clay Work (1863)
- "Back Side of Albany"
- "The Band of Niggers! From 'Ole Virginny State'" (1844)
- "The Bee-Gum", G. Willig (1833)
- "Billy Patterson", Dan Emmett (1860)
- "The Black Brigade", Dan Emmett (1863)
- "Blue Tail Fly" (a.k.a. "Jimmy Crack Corn") c. 1846
- "The Boatman's Dance", credited to Dan Emmett (1843) (Emmett, Boston, 1840s or 1842) (Nathan 131âÂÂ2, 186, 191, 193, 320âÂÂ3)
- "Bonja Song" (c. 1820)
- "Bowery Gals" (a.k.a. "As I Was Lumbering")
- "Bress Dat Lubly Yaller Gal"
- "Briggs' Breakdown", Z. Bacchus
- "Buckley's Sleighing Song", A. Sedgwick (1853)
C
D
- "Dandy Broadway Swell", (1849)
- "Dandy Jim from Caroline" (and variants), Dan Emmett (c. 1844)
- "Dar He Goes! Dats Him!", Dan Emmett (1844)
- "Dere Be Any Malted Licker Here?"
- "Darkey Money Musk" (a.k.a. "Money Must", "Holyrood or Moneymusk", "Sir Archibald Grant of Monymusk's Reel"), Daniel Dow (1780)
- "Darkies' Pastime"
- "Darktown Strutters' Ball, Shelton Brooks (1917)
- "Dearest May"
- "Dick Myers' Jig", published by Dan Emmett
- "Dinah's Wedding Day"
- "Division Street Jig", Z. Bacchus
- "Dixie" (a.k.a. "Dixie's Land", "I Wish I Was in Dixie"), Dan Emmett contested, 1859
- "Do Fare You Well Ladies" (1840s)
- "Do I Do I Don't Do Nothing" (1825)
- "Don't bet your money on de Shanghai", Stephen Foster (1861)
- "Dr. Hekok Jig", Z. Bacchus, published by Dan Emmett(Nathan 200, 203, 208, 486âÂÂ7)
E
F
G
- "Gantz's Jig", published by Dan Emmett
- "Genuine Negro Jig", published by Dan Emmett
- "Gentle Annie", Stephen Foster (1856)
- "Geraldine", James Lord Pierpont (1854)
- "Gentle Nettie Moore/The Little White Cottage", James Lord Pierpont (1857)
- "Get along Home, Cindy", possibly developed from a minstrel tune "Cindy Lou"
- The Glendy Burk, Stephen Foster (1860)
- "Ginger Blue" (1841)
- "Grape Vine Twist"
- "Gonna Eat Ma Chicken 'Til I'm Fried"
- "Gray Goose and Gander"
- "Guinea Maid"
- "Gumbo Chaff" (a.k.a. "Gombo Chaff"), early 1830s
- "Gwine to de Mill", Jay R. Jenkins (1846)
H
I
J
K
L
M
- "Marty Inglehart Jig", Dan Emmett (1845)
- "Mary Blane" (a.k.a. "Mary Blain"), Billy Whitlock (1846)
- "Massa Is a Stingy Man" (1841)
- "Merry Sleigh Bells"
- "The Merry Sleigh Ride, Valentine Dister (1852)
- "Mighty Lak' a Rose", Ethelbert Nevin (1901)
- "Miss Lucy Long" (a.k.a. "Lucy Long", "Miss Lucy Song"), Dan Emmett and Frank Brower (1844), or Billy Whitlock (1842) or possibly Billy Whitlock (1838)
- "Moze Haymar Jig", Dan Emmett (1845)
- "My Old Kentucky Home", Stephen Foster (1853)
- "My First Jig", Dan Emmett (c. 1840s)
- "My Long Tail Blue" (1830s)
- "My Old Aunt Sally" (1843)
- "My Old Dad"/"Old Dad" (1844)
N
O
- "(O Lud Gals) Gib Me [Us] Chaw Terbakur", words by Dan Emmett (1843)
- "Oh, Come along John" a.k.a. "Walk along John" (1843)
- "Oh, Dem Golden Slippers, James A. Bland (1879)
- "Oh, Ladies All!", Dan Emmett (published 1858, probably written in the 1840s)
- "Oh Lemuel", Stephen Foster (1850)
- "Oh! Susanna", Stephen Foster (1847)
- "Old Aunt Jemima, Billy Kersands (1875)
- "Old Black Joe, Stephen Foster (1860)
- "Old Bob Ridley", Charles White (1855)
- "Old Dan Tucker", words by Dan Emmett (1843)
- "Old Folks at Home", Stephen Foster (1851)
- "Old Joe", F. M. Brower (1844)
- "Old Joe Golden"
- "Old Johnny Boker"
- "Old King Crow"
- "Old K. Y. Ky.", Dan Emmett (1860)
- "Old Tar River"/Ole Tare River" (1840)
- "Old Uncle Ned", Stephen Foster (1848)
- "Ole Bull and Old Dan Tucker" (1844)
- "The Ole Grey Goose" (1844)
- "De Ole Jawbone" (and variants), perhaps Joel Sweeney (1840)
- "Ole Pee Dee", J. P. Carter (1844)
- "Ole Virginny Break Down" (1841)
- "The One Horse Open Sleigh", (a.k.a. "Jingle Bells") James Lord Pierpont (1857)
- "Joe Sweeney's Jig", published by Dan Emmett
- "Owl Creek Quickstep", Dan Emmett
P
Q
R
- "Ring, Ring de Banjo", Stephen Foster (1851)
- "Ring the Bell, Fanny", James Lord Pierpont (1854)
- "Rise Old Napper"
- "Road to Richmond", Dan Emmett (1864)
- "Rob Ridley", Charles White (1855)
- "Rock Susana", Horace Weston (1887)
- "Roll Out! Heave Dat Cotton", William Shakespeare Hays (1877)
- "Root, Hog or Die", Dan Emmett (c. late 1840s or early 1850s)
- "Rosa Lee"
S
T
U
V
W
Y
Z
Notes
References
- Abel, E. Lawrence (2000). Singing the New Nation: How Music Shaped the Confederacy, 1861-1865. Mechanicsburg, Pennsylvania: Stackpole Books.
- Cockrell, Dale (1997). Demons of Disorder: Early Blackface Minstrels and Their World. Cambridge University Press.
- Lott, Eric (1993). Love and Theft: Blackface Minstrelsy and the American Working Class. Oxford University Press. .
- Mahar, William J. (1999). Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. Chicago: University of Illinois Press.
- Nathan, Hans (1962). Dan Emmett and the Rise of Early Negro Minstrelsy. Norman: University of Oklahoma Press.
- Sacks, Howard L. and Sacks, Judith Rose (1993). Way up North in Dixie: A Black Family's Claim to the Confederate Anthem. Washington: Smithsonian Institution Press.
- Winans, Robert B. (1985). Liner notes to The Early Minstrel Show. New York: Recorded Anthology of American Music, Inc.
See also