my-server
← Wiki

John Adamson (publisher)

John Adamson (born 1949) is a British publisher, translator and writer. He specialises in illustrated books in the fine and decorative arts.

Biography

John Adamson was born in Devon, the younger son of George Worsley Adamson, illustrator and cartoonist and Mary Marguerita Renée (née Diamond). After studying at the University of Edinburgh and the University of Geneva, he joined Cambridge University Press in 1974.

He held various functions within the marketing department of the Press: first as European sales representative (1975); then publicity manager (1977); becoming export sales director in 1980. During the period of his directorship, Cambridge University Press won for the first time the Queen's Award for Export Achievement.

While at Cambridge University Press he helped mount two exhibitions of humorous art in his spare time. For the first of these, "L’Humour Actuel franco-britannique. 200 dessins" [Franco-British Humour Today: 200 drawings], hosted by the Galerie M.L.R. Genot in the Marais, Paris in 1974, he "organized the British contribution", commissioning Quentin Blake to design the poster. The second exhibition "Famous British Cartoonists" was held the following year at the London Gallery, N. La Cienega Boulevard, Los Angeles, and featured only the cartoons of artists working in the British Isles. "Many [cartoons] such as those by George Adamson almost leave the field of illustrations to become technically speaking fine art," wrote Betje Howell in her review of the show in the Los Angeles Herald Examiner.

In 1987 he was appointed Head of Publications and Retailing at the National Portrait Gallery, London, where in the course of his five-year tenure he and his team were involved in the publication of exhibition catalogues and books ranging from Franz Xaver Winterhalter to T. E. Lawrence, from The Raj to a pictorial volume on the NPG's permanent collection.

In 1992 he set himself up as a publishing and picture-library consultant. He advised private collectors as well as museums such as the Wallace Collection, providing them with a full editorial and production service. Soon, however, he began working as an independent publisher making available an ongoing range of illustrated books and catalogues for museums, dealers and private collectors under his own imprint, as well as translating books and exhibition catalogues on behalf of French publishers such as the Réunion des musées nationaux (RMN), Éditions Gallimard, Éditions Diane de Selliers and Éditions Faton.

Honours

Select bibliography

As publisher

As editor and producer for other publishers

  • Arnold, H. J. P.; Paul Doherty and Patrick Moore. The Photographic Atlas of the Stars. Bristol and Philadelphia: Institute of Physics Publishing (1997)
  • Beresford, Richard. A Dance to the Music of Time. London: Wallace Collection (1995)
  • Chadour-Sampson, Beatriz. Antike Fingerringe/Ancient finger rings. Die Sammlung Alain Ollivier/The Alain Ollivier Collection Munich: Prähistorische Staatssammlung (now Archäologische Staatssammlung) (1997)
  • Hartop, Christopher; and Ellenor Alcorn. British and Irish Silver in the Fogg Art Museum. New Haven: Yale University Press (2007)
  • Hartop, Christopher. The Huguenot Legacy: English Silver 1680–1760 from the Alan and Simone Hartman Collection. exh. cat. London: Thomas Heneage (1996)
  • Hartop, Christopher. Noble Feast: English Silver from the Jerome and Rita Gans Collection at the Virginia Museum of Fine Arts. exh. cat. Richmond VA: Virginia Museum of Fine Arts in association with John Adamson (2007)
  • Hartop, Christopher. A Noble Pursuit: English Silver from the Rita Gans Collection at the Virginia Museum of Fine Arts. exh. cat. Richmond, VA: Virginia Museum of Fine Arts in association with John Adamson (2010)
  • Higgott, Suzanne. Wallace Collection: Catalogue of Glass & Limoges Painted Enamels. London: Wallace Collection (2011)
  • Hughes, Peter. French Eighteenth-Century Clocks and Barometers in the Wallace Collection. London: Wallace Collection (1994)
  • Hughes, Peter. Wallace Collection: Catalogue of Furniture (3 vols.). London: Wallace Collection (1996) (cloth); (paperback)
  • Kolba, Judit. Hungarian Silver: The Nicolas M. Salgó Collection. London: Thomas Heneage (1997) (cloth); (paperback)
  • Morton, Lucy, with foreword by John Partridge. Vision of the East. London: Partridge Fine Arts (1999)
  • Ormond, Richard, and James Taylor. Rule Britannia! Art, Royalty & Power in the Age of Jamestown. exh. cat. Richmond, VA: Virginia Museum of Fine Arts in association with John Adamson (2008)
  • Prior, Katherine; and John Adamson. Maharajas' Jewels. Paris: Éditions Assouline (2000)
  • Rawle, Tim. Cambridge (1st ed.). London: Frances Lincoln (2005)
  • Rawle, Tim (author and photographer), John Adamson (editor). Cambridge (new ed. with foreword by William Bortrick). Cambridge: Oxbridge Portfolio (2016), 204 pp.
  • Rawle, Tim (author), Tim Rawle and Louis Sinclair (photographers), John Adamson (editor). '. Cambridge: The Oxbridge Portfolio (2015), 200 pp.
  • Roth, Linda; and Claire Le Corbeiller. French Eighteenth-Century Porcelain at the Wadsworth Atheneum. Hartford. Connecticut: Wadsworth Atheneum (2000)
  • Schroder, Timothy. Renaissance and Baroque Silver, Mounted Porcelain and Ruby Glass from the Zilkha Collection. London: Paul Holberton Publishing (2012)
  • Thuillier, Jacques. Poussin before Rome, transl. by Christopher Allen. exh. cat. New York: Richard Feigen (1995)

As translator

  • Schmuck, Kinetik, Objekte (Friedrich Becker), Stuttgart: Arnoldsche (1997) (Beatriz Chadour-Sampson's essay: "The finger rings of Friedrich Becker: towards a new vision", pp. 152–167)
  • The Louvre Collections, Paris: Réunion des Musées nationaux (1999)
  • De bronze, d’or et d’argent: arts somptuaires de la Chine (Catherine Delacour), Paris: Réunion des Musées nationaux for Musée Guimet (2001), exh. cat. (bilingual text throughout)
  • National Museum Arts asiatiques Guimet, Paris: Réunion des Musées nationaux (2001)
  • Gold of the Scythian Kings: translation of Le Petit Journal des grandes expositions, no. 332, for exhibition at the Grand Palais, 27 September – 31 December 2001
  • Hair: The Long and the Short of It, coll. « Découvertes Gallimard » (nº 405), série Culture et société. Paris: Gallimard (2001) (with Heidi Ellison). Published on behalf of L'Oréal (original title: , by Marie-Christine Auzou & Sabine Melchior-Bonnet)
  • Skin: A Living Envelope, coll. « Découvertes Gallimard » (nº 420), série Sciences et techniques. Paris: Gallimard (2002) (editing with Alexandra Keens; translating of essays). Published on behalf of L'Oréal (original title: , by Claude Bouillon)
  • Les Choix d'Henri Cartier-Bresson, exh. cat. Paris: Henri Cartier-Bresson Foundation (2003) (translation of Robert Delpire's foreword)
  • "Confucius, or the Extraordinary Destiny of an Ordinary Man", Orientations, vol. 34, no. 9, November 2003, pp. 47–51 (translation of magazine article by Catherine Delacour at time of Musée Guimet's exhibition on Confucius)
  • The Musée de l'Orangerie (Pierre Georgel), Paris: Gallimard in association with Réunion des Musées nationaux, coll. « Découvertes Gallimard Hors série » (2006) (Gallimard); (RMN)
  • The Golden Age of Classical India: The Gupta Empire, exh. cat. Grand Palais, Paris: Réunion des Musées nationaux (2007) (three French essays translated into English)
  • The Studio of Alberto Giacometti, exh. cat. Centre Pompidou, Paris: Fondation Alberto et Annette Giacometti/Centre Pompidou (2007) (translation into English of Hélène Pinet's essay: "The Studio of Alberto Giacometti in the Photographer's Eye: Coming Full Circle", pp. 53–74)
  • A Taste for China: Paris 1730–1930, exh. cat. Hong Kong: Hong Kong Museum of Art (2008) (French essays translated into English)
  • Art of the Ganges delta: Masterpieces from Bangladeshi museums, exh. cat. Paris: Réunion des Musées nationaux (2008)
  • La Cathédrale de Reims (Auguste Rodin and Gérard Rondeau), published to coincide with Gérard Rondeau's exhibition ‘La cathédrale et son bestiaire’, Palais du Tau, exh. cat. Paris: Réunion des Musées nationaux (2011) (translation into English of Rodin's and Rondeau's essays)
  • Canticle of the Birds (Attar), Paris: Éditions Diane de Selliers (2013) (translation into English of Leili Anvar's Introduction; Attar's poem is published in Afkham Darbandi and Dick Davis's unabridged verse translation from the Persian)
  • Fabulous Fabergé, exh. cat. Dijon: Éditions Faton in association with the Montreal Museum of Fine Arts (2014) (translation into English of French texts)
  • Rodin: The Laboratory of Creation, Hélène Maraud and Hélène Pinet, foreword by Catherine Chevillot, exh. cat. Dijon: Éditions Faton in association with the Musée Rodin (2014) (translation from the French into English)
  • The Carracci Gallery: Its History and Restoration, Elvira Cajano and Emanuela Settimi (eds.) Dijon: Éditions Faton (2015) (translation into English of French texts)
  • The new Musée de Pont-Aven: A treasure-house for Gauguin and the Pont-Aven School, Estelle Guille des Buttes-Fresneau et al., exh. cat. Dijon: Éditions Faton in association with the Musée de Pont-Aven (2016, 2nd edition 2018) (translation from the French into English)
  • Lalique and the art of travel, Véronique Brumm et al., exh. cat. Dijon: Éditions Faton in association with the Lalique Museum, Wingen-sur Moder, Alsace (2016)
  • Ramayana, Paris: Éditions Diane de Selliers (forthcoming) (translation into English of Amina Okada's iconographic descriptions of the Indian miniatures)
  • Japonisme and Architecture in France, 1550–1930, Jean-Sébastien Cluzel (ed.). Dijon: Éditions Faton (2022)
  • Survival Boogie Woogie: Neo-Japonisme, Architectural Photography & Abstraction, 1945–1985], Jean-Sébastien Cluzel. Leiden; Boston: Brill (2024)

Articles published

  • "Thorfinn the Puffin", illustrated by Sheridan Williams, Puffin Post, vol. 6, no. 4, pp. 16–17 (Penguin)
  • "Nooks and Crannies", Eastword (journal of the Eastern Arts Association), June 1984, pp. 5 and 12, review of Granta 10: Travel writing (Bill Buford, editor), Penguin, 1984
  • "Les publications à la rescousse des musées au Royaume-Uni", ICOM France, Lettre du comité national français, no. 13, March 1993 (lecture given in Marseilles, 6 December 1991, at a colloquium entitled Publications, éditions, musées, Centre de la Vieille Charité, Marseilles, on the occasion of the Assemblée générale du Comité français de l'ICOM)
  • "Accounts Made Easy", review of Wendy McKenzie's book The Financial Times Guide to Using and Interpreting Company Accounts, African Business, March 1996, no. 208, p. 36
  • "Computer King", review of Bill Gates's book The Road Ahead, African Business, April 1996, no. 209, pp. 36–37
  • "The Real Richard Branson", review of Tim Jackson's book Virgin King, African Business, May 1996, no. 210, pp. 40–41
  • "Measurement in the French Idiom", Salisbury Review, Spring 2004, vol. 22 No. 3, 2004, p. 2 (ifc)
  • "Dining with a Despot?" Salisbury Review, Spring 2005, vol. 23 No. 3, 2005, pp. 33–35
  • "American Tools Sold Abroad", Maine Antique Digest, December 2012, p. 35-B
  • "Homecoming for Top American Tools Sold Abroad", Maine Antique Digest, August 2013, p. 74-C
  • "Under the hammer: Antique woodworking tools: the missing link", Furniture & Cabinetmaking, issue 210, October 2013, pp. 60–61
  • "Under the hammer: Fine tools by the chest load", Furniture & Cabinetmaking, issue 213, Winter 2013, pp. 46–47
  • "More American Tools Sold Abroad", Maine Antique Digest, January 2014, p. 18-B
  • "A tool to sell tools – the gavel strikes home", Furniture & Cabinetmaking, issue 220, July 2014, pp. 44–45
  • "American tools ply the Atlantic", Maine Antique Digest, July 2014, p. 39-C
  • "The great plane-makers: The history behind T. Norris & Son", Furniture & Cabinetmaking, issue 221, August 2014, pp. 58–62
  • "The great tool-makers: The history behind the Holtzapffel dynasty", Furniture & Cabinetmaking, issue 222, September 2014, pp. 58–62
  • "Two great Scottish tool-makers: Alexander Mathieson & Son(s) and Spiers of Ayr", Furniture & Cabinetmaking, issue 223, October 2014, pp. 58–62
  • "The insatiable in full pursuit of the collectable", Furniture & Cabinetmaking, issue 227, January 2015, pp. 58–60
  • "Planes and the Plain-speaking American", Maine Antique Digest, January 2015, p. 35-B
  • "Takenaka Carpentry Tools Museum – Japan", Furniture & Cabinetmaking, issue 234, August 2015, pp. 16–20
  • "Precision engineering meets craftsmanship", Furniture & Cabinetmaking, issue 235, September 2015, pp. 56–58
  • "Plain dealing", Furniture & Cabinetmaking, issue 241, February 2016, pp. 67–69
  • "Under the hammer: bench-marks of quality", Furniture & Cabinetmaking, issue 246, July 2016, pp. 50–52
  • "Twice upon a time: reviving the vintage hand tool", Furniture & Cabinetmaking, issue 252, Winter 2016, pp. 52–54
  • "Vintage tools: gathering ideas for a collection", Furniture & Cabinetmaking, issue 257, May 2017, pp. 58–61
  • "Edward Preston", Furniture & Cabinetmaking, issue 258, June 2017, pp. 58–61
  • "Spokeshaves: planing without a straight face", Furniture & Cabinetmaking, issue 260, August 2017, pp. 54–57
  • "The Ultimatum brace: a feat of engineering", Furniture & Cabinetmaking, issue 264, December 2017, pp. 52–55
  • "Gimlets galore!", Furniture & Cabinetmaking, issue 265, Winter 2017, pp. 50–53
  • "David Stanley Sale", Furniture & Cabinetmaking, issue 266, January 2018, pp. 56–58
  • "The plane and the ornate: the making of a European tradition", Furniture & Cabinetmaking, issue 267, February 2018, pp. 52–56
  • "The making of the mitre plane", Furniture & Cabinetmaking, issue 270, May 2018, pp. 44–9
  • "'There's magic in the web': auctioning woodworking tools in the digital age", Furniture & Cabinetmaking, issue 272, July 2018, pp. 58–60
  • "The collector's guide to bow saws", Furniture & Cabinetmaking, issue 274, September 2018, pp. 58–60
  • "Rooting out router planes", Furniture & Cabinetmaking, issue 277, December 2018, pp. 56–60
  • "A symphony in three movements: selling tools at a David Stanley auction", Furniture & Cabinetmaking, issue 279, January 2019, pp. 47–49
  • "Keeping within compass: a history of dividers", Furniture & Cabinetmaking, issue 281, March 2019, pp. 56–60
  • "Happy recurrences – cyclical sales at a David Stanley auction", Furniture & Cabinetmaking, issue 283, May 2019, pp. 56–60

References

External links