WÃÂtÃÂ Workshop, is a New Zealand creative company delivering concept design, special effects, props, collectibles, immersive visitor experiences and video games, based in Miramar, Wellington. It also offers two tourism experiences, the WÃÂtÃÂ Workshop Experiences Wellington Tour and WÃÂtÃÂ Workshop Unleashed in Auckland. It is known for effects for television and film.
Founded in 1987 by Richard Taylor and Tania Rodger as RT Effects, WÃÂtÃÂ Workshop has produced creatures and makeup effects for the TV series ' and ' and effects for films such as Meet the Feebles and Heavenly Creatures.
A digital version, Weta Digital (now WÃÂtÃÂ FX), was formed in 1993 and operates independently as a separate company. The company is named after the New Zealand wÃÂtÃÂ, one of the world's largest insects.
WÃÂtÃÂ Workshop's output was used in director Peter Jackson's film trilogies The Lord of the Rings and The Hobbit, producing sets, costumes, armour, weapons, creatures and miniatures. It also aided in the making of Jackson's 2005 version of King Kong. It supported the creation of Reclaiming the Blade (2009), a documentary film on stage combat, historical European and Asian swordsmanship.
WÃÂtÃÂ Workshop teamed up with Team Fortress 2, creating weapons and cosmetics based on the company's Dr. Grordbort's Infallible Aether Oscillators series. Additionally, WÃÂtÃÂ Workshop created the Aegis of Champions, the trophy awarded in The International, an annual esports world championship for Dota 2.
WÃÂtÃÂ Workshop's video games division was founded in 2014 and has produced multiple games including the augmented reality project Dr. Grordbort's Invaders for Magic Leap, and the video game Tales of the Shire.
WÃÂtÃÂ Workshop made its American musical theatre debut in 2022 with Workshop designer Rebekah Tisch serving as the art director for the musical stage production of Other World at Delaware Theatre Company, creating a digital world for live stage.
Sir Peter Jackson is a co-founder and major shareholder of WÃÂtÃÂ Workshop. While the company was originally established in 1987 as RT Effects by Richard Taylor and Tania Rodger, Jackson formally joined the partnership in 1993 to facilitate the production of complex physical effects, costumes, and creatures for his feature film Heavenly Creatures. This collaboration transformed the small operation into WÃÂtÃÂ Workshop, which eventually became a cornerstone of the global filmmaking industry through its extensive work on The Lord of the Rings and The Hobbit trilogies.
Jackson served as a formal director of the company for 22 years, providing strategic oversight during its rapid expansion into miniatures, armor smithing, and high-end collectibles.
On December 31, 2015, Jackson officially resigned from the board of directors, a decision prompted by the introduction of the Health and Safety at Work Act 2015. This legislative shift introduced stringent personal liability for company directors regarding workplace safety, including the potential for significant fines and imprisonment for "officers" who failed to exercise due diligence. Because JacksonâÂÂs primary focus remained on film direction and digital production rather than the day-to-day industrial manufacturing operations occurring on the Workshop floor, he stepped down to mitigate personal legal risk while maintaining his financial interests.
As of 2026, Jackson retains approximately one-third of the company's shares. Despite his resignation from the board of the WÃÂtÃÂ Workshop, Jackson remains the owner of WÃÂtÃÂ FX.
For The Lord of the Rings film trilogy, realistic looking chainmail was made for the lead actors and for the hundreds of extras that appeared throughout the films. PVC pipe was cut into rings, assembled by hand into a semblance of armour, and then electroplated. A total of 82.9 million links were manufactured from of PVC pipe.
WÃÂtÃÂ Workshop makes chainmail for film and creative industries using new techniques developed in-house. PVC injection was used for the armour in Kingdom of Heaven, giving better results than the process for The Lord of the Rings. It produces aluminium or steel chainmail for high-impact stuntwork.
The term bigature is WÃÂtÃÂ Workshop's nickname for a very large miniature model. They are used in The Lord of the Rings film trilogy, with the largest of them measuring some tall. Extensive computer graphics techniques and computer-controlled cameras were used to seamlessly mesh the bigature photography with live actors and scenes.
Bigatures used in The Lord of the Rings film trilogy included models of:
In 2014, WÃÂtÃÂ Workshop expanded its operations by establishing WÃÂtÃÂ Workshop Game Studio, a division focused on developing original interactive titles and providing conceptual design services for the video game industry. Regarding its work on Middle-earth projects, the studio's Design Studio provided extensive concept art for Monolith Productions' and its sequel , specifically influencing the visual identity of characters, weaponry, and environmental assets. Furthermore, the division internally developed Tales of the Shire, a cozy life-simulation game that allows players to experience the daily lives of Hobbits within the world of J.R.R. Tolkien.
The studio has also contributed significant design work to the Call of Duty franchise, including providing character and world concept design for and developing character and weapon skins for .
In the field of mixed reality and emerging technology, the studio developed the award-winning title Dr. Grordbort's Invaders, a flagship augmented reality action game created specifically for the Magic Leap platform.
In addition to its work in film and television, WÃÂtÃÂ Workshop maintains a division focused on public and private commissions, specializing in large-scale sculptures and museum exhibits. This department applies cinematic fabrication techniques, such as high-detail prosthetics and structural engineering, to permanent physical installations.
The workshopâÂÂs private and institutional commissions range from bespoke bronze statues for individual collectors to collaborative projects with corporate and governmental organizations. These include the design and fabrication for the Traditional Chinese Medicine Cultural Experience Center in Zhuhai and the redevelopment of the National Aquarium of New Zealand in Napier.
For the 2016 film Warcraft, WÃÂtÃÂ Workshop collaborated with Madame Tussauds to create an immersive experience featuring a life-sized figure of the Orc chieftain Durotan, which stood over seven feet tall and was constructed using more than 90 silicone molds and yak hair to achieve a realistic appearance. They also produced a massive bronze statue of the character Orgrim Doomhammer for the Blizzard Entertainment headquarters in California, the developer of the Warcraft video game franchise.
A significant portion of their museum work is represented by the Gallipoli: The Scale of Our War exhibition at Te Papa, which features human figures crafted at 2.4 times natural scale.
The company's public work includes various urban projects, such as the 2011 Rugby World Cup sculpture in Wellington and several significant memorial and collaborative art projects across New Zealand and abroad. At Pukeahu National War Memorial Park, the workshop fabricated the United Kingdom Memorial, which features intertwined bronze trees representing the Royal Oak and the PÃ Âhutukawa. In Gisborne, the workshop crafted a life-sized bronze tribute to Murray Ball's Footrot Flats comic strip, featuring the characters Wal and Dog.
The workshop is also responsible for the "bigature" Middle-earth displays at Wellington Airport, which include a 13-metre-long sculpture of Gollum created to promote the release of . In August 2025, the facility expanded its presence at the terminal with the unveiling of Manu Muramura, a 15-metre-long illuminated sculpture installed above the main concourse. Developed in collaboration with artist Manukorihi Winiata, the artwork replaced the airport's previous The Hobbit-themed eagle sculptures, which had been a fixture of the terminal for 12 years alongside the Gollum installation. The new installation is based on a MÃÂori legend about a local water spirit (Taniwha) whose spirit is said to have ascended in the form of a bird.
Sideshow Weta Collectibles operated as a joint venture between the American manufacturer Sideshow Collectibles and WÃÂtÃÂ Workshop.
Formed in 2001 to capitalize on the release of The Lord of the Rings film trilogy, the partnership combined WÃÂtÃÂâÂÂs authentic film-prop expertise with SideshowâÂÂs global distribution and marketing infrastructure. The collaboration is best known for producing high-end polystone statues, busts, and prop replicas that set a new industry standard for cinematic accuracy and detail.
The formal partnership between Sideshow Collectibles and Weta Workshop concluded on July 1, 2005, allowing both entities to pursue independent creative and commercial interests. To mark the end of the collaboration, the final product released was a 1:6 scale polystone statue of director Peter Jackson. The figure depicted Jackson in his cameo role as a Corsair of Umbar from the film .
WÃÂtÃÂ Workshop re-established its independent consumer products division in 2009 following the conclusion of its joint venture with Sideshow. The studio produces high-end collectibles designed and sculpted by the same artists who create props and practical effects for major film productions.
WÃÂtàWorkshopâÂÂs consumer products division includes several distinct lines of collectibles derived from its work in film and television. The Masters Collection consists of large-scale, limited-edition statues produced with an emphasis on technical detail and complex character arrangements. These mixed-media figures are often hand-painted by the same artists who work on the studio's film sets to ensure a high level of craftsmanship.
The Classic Series features 1:6 scale polystone statues from franchises such as The Lord of the Rings, Stranger Things, and Avatar. Additionally, the studio produces Mini Epics, a line of stylized vinyl figures, and Prop Replicas created using the original digital and physical assets from film production.
WÃÂtÃÂ Workshop offers two distinct tourism experiences in New Zealand that focus on the artistry of practical film effects and prop manufacturing.
The tour is located at the WÃÂtÃÂ Workshop headquarters in Miramar, Wellington. Guided tours, which first opened to the public in 2012, provide a look into the workshop through viewing windows where visitors may observe staff at work on current productions. The experience displays authentic props, costumes, and weapons from various film franchises, including The Lord of the Rings, The Hobbit, Avatar, and District 9. Visitors can also view "bigatures," which are large-scale miniatures used to film expansive cinematic landscapes. During the tour, guides describe the transition of a project from a concept sketch to a finished physical prop.
Photography is restricted in specific areas of the tour space due to the presence of active film productions and intellectual property requirements.
The WÃÂtÃÂ Cave serves as the public entry point for the company's Wellington headquarters, functioning as a retail space, mini-museum, and cinema. Entry to the Cave is free of charge, which allows visitors to view a variety of collectibles and prop replicas without a tour ticket.
The exterior is marked by three life-sized stone trolls, which are frequently used as a landmark for photography. Inside, the mini-museum displays artifacts from various film productions, including The Chronicles of Narnia and King Kong. A 17-minute documentary detailing the companyâÂÂs history and the work of founders Richard Taylor and Peter Jackson is screened regularly.
The retail area carries a range of products, from themed apparel and pins to limited-edition statues and handcrafted prop replicas. Staff are available to provide information regarding the items on display, many of which were created by the same artists who work on the film sets. The interior also features several large-scale character sculptures, such as Gollum and Lurtz, which are available for public viewing.
WÃÂtÃÂ Workshop Unleashed is a tourism attraction located at the SkyCity precinct in Auckland's central business district, which officially opened to the public on December 15, 2020. The experience is designed as a narrative-based journey exploring the creative process through three fictional film genres: horror, fantasy, and sci-fi. Visitors are introduced to the tour by an animatronic character before being guided through various sets styled to appear as active film productions. Unlike the Wellington studio, photography is permitted throughout this facility.
The tour includes several large-scale installations, such as a five-meter-tall robot and a fantasy castle environment. Interactive elements allow guests to operate puppets, use digital mirrors to view prosthetic effects, and enter a themed laboratory. The horror section includes a walk-through set, with an alternative route provided for those who wish to bypass that specific area. Although the featured projects are fictional, the tour demonstrates the practical effects techniques used by the company in major film productions.
The Auckland site also hosts scheduled workshops where participants can learn technical skills such as special effects makeup and miniature construction.
The WÃÂtÃÂ Cave Auckland is the retail and reception hub for the WÃÂtÃÂ Workshop Unleashed. Similar to the Wellington branch, it functions as a themed environment that is free for the public to enter without a tour ticket. The store is characterized by large-scale displays, including giant trolls and a sleeping dragon, which serve as focal points for photography.
The inventory includes a wide range of authentic collectibles, prop replicas, and movie memorabilia designed by the same artists who work on major film productions. The retail area specifically features a curated selection of high-end statues, art prints, apparel, and jewelry inspired by the workshop's cinematic projects.
Beginning in June 2020, an investigative project by New Zealand public TV broadcaster 1News into WÃÂtÃÂ's workplace culture resulted in over 11 current and former WÃÂtÃÂ Workshop employees anonymously sharing accounts of bullying and harassment. Another former employee, Layna Lazar, came public with her own allegation by social media posting the same month that she was sexually harassed repeatedly and after seeking recourse, was fired, this prompted an independent review by Hive Consulting in December of that year. Their reviewer Ashley Benefield cleared the company of the allegations stating that "the majority of allegations in the post including the most serious allegations, have either not been substantiated or were reasonable in the context of circumstances not described in the post". The review's December 2020 report did not address the anonymous allegations of over 11 employees originally reported by 1 News back in July, and the concerned employees stated they were not informed of the review having finished, in spite of their cooperation in it.
This is a list of projects featuring the conceptual design, prosthetics, armor, and physical effects work of Weta Workshop.
This is a list of projects featuring the conceptual design, prosthetics, armor, and physical effects work of Weta Workshop.