Yves Mirande (Bagneux, 8 May 1876 â 17 March 1957) was a French screenwriter, director, actor, and producer.
Career
Yves Mirande began his acting career in the theater, transitioning to movies in the silent era.
Filmography
- She Wolves, directed by Maurice Elvey (Silent, 1925, based on the play Un homme en habit)
- Evening Clothes, directed by Luther Reed (Silent, 1927, based on the play Un homme en habit)
- The Porter from Maxim's, directed by Roger Lion and Nicolas Rimsky (Silent, 1927, based on the play Le Chasseur de chez Maxim's)
- ', directed by Robert Boudrioz (Silent, 1929, based on the operetta Trois jeunes filles nues)
- Kiss Me, directed by Robert Péguy (Silent, 1929, based on the play Embrassez-moi)
- The Wonderful Day, directed by René Barberis (Silent, 1929, based on the play La Merveilleuse Journée)
- L'Arpète, directed by ÃÂmile-Bernard Donatien (Silent, 1929, based on the play L'Arpète)
- A Hole in the Wall, directed by René Barberis (French, 1930, based on the play Le Trou dans le mur)
- ', directed by Edvin Adolphson (Swedish, 1930, based on the play Le Trou dans le mur)
- A Lucky Man, directed by Benito Perojo (Spanish, 1930, based on the play Le Trou dans le mur)
- The Matrimonial Bed, directed by Michael Curtiz (English, 1930, based on the play Au premier de ces messieurs)
- The Man in Evening Clothes, directed by René Guissart (French, 1931, based on the play Un homme en habit)
- A Gentleman in Tails, directed by Roger Capellani and Carlos San MartÃÂn (Spanish, 1931, based on the play Un homme en habit)
- To Live Happily, directed by Claudio de la Torre (French, 1932, based on the play Pour vivre heureux)
- Simone Is Like That, directed by Karl Anton (French, 1932, based on the play Simone est comme ça)
- Kiss Me, directed by Léon Mathot (French, 1932, based on the play Embrassez-moi)
- Mon cÃ
Âur balance, directed by René Guissart (French, 1932, based on the play Une femme dans un lit)
- The Wonderful Day, directed by Yves Mirande and Robert Wyler (French, 1932, based on the play La Merveilleuse Journée)
- The Porter from Maxim's, directed by Karl Anton (French, 1933, based on the play Le Chasseur de chez Maxim's)
- ', directed by René Guissart (French, 1933, based on the play La Femme de mon ami)
- Un Petit Trou pas cher, directed by Pierre-Jean Ducis (French, 1934, based on the play Un petit trou pas cher)
- Mr. What's-His-Name?, directed by Ralph Ince (English, 1935, based on the play Au premier de ces messieurs)
- It Happened in Paris, directed by Carol Reed and Robert Wyler (English, 1935, based on the play L'Arpète)
- The Porter from Maxim's, directed by Maurice Cammage (French, 1939, based on the play Le Chasseur de chez Maxim's)
- Kisses for Breakfast, directed by Lewis Seiler (English, 1941, based on the play Au premier de ces messieurs)
- A Hole in the Wall, directed by ÃÂmile Couzinet (French, 1950, based on the play Le Trou dans le mur)
- ', directed by ÃÂmile Couzinet (French, 1951, based on the play La Grande vie)
- The Porter from Maxim's, directed by Henri Diamant-Berger (French, 1953, based on the play Le Chasseur de chez Maxim's)
- The Cucuroux Family, directed by ÃÂmile Couzinet (French, 1953, based on the play Une femme dans un lit)
- The Porter from Maxim's, directed by Claude Vital (French, 1976, based on the play Le Chasseur de chez Maxim's)
- The Wonderful Day, directed by Claude Vital (French, 1980, based on the play La Merveilleuse Journée)
As screenwriter
Director
Actor
Producer
Theatre work
Author
- 1909 : Un petit trou pas cher (with Henri Caen), Comédie-Royale
- 1909 : Ma gosse (with Henri Caen)
- 1910 : Les Jeux sont faits? (with Guillaume Wolff), Théâtre Michel
- 1912 : Pour vivre heureux (with André Rivoire), Théâtre de la Renaissance
- 1920 : Un homme en habit (with André Picard), Théâtre des Variétés
- 1920 : La Femme de mon ami (with Henri Géroule), Théâtre Michel
- 1920 : ' (with Gustave Quinson), Théâtre du Palais-Royal
- 1921 : Simone est comme ça (with Alexis Madis), Théâtre des Capucines
- 1922 : La Merveilleuse Journée (with Gustave Quinson), Théâtre du Palais-Royal
- 1922 : Pourquoi m'as-tu fait ça? (with Alexis Madis and Gustave Quinson), Théâtre des Capucines
- 1923 : Embrassez-moi (with Tristan Bernard and Gustave Quinson), Théâtre du Palais-Royal
- 1925 : ' (with Raoul Moretti and Albert Willemetz), Théâtre des Bouffes-Parisiens
- 1925 : Voulez-vous être ma femme? (by Jacques Richepin, adaptation by Yves Mirande), Théâtre de la Renaissance
- 1926 : Au premier de ces messieurs (with André Mouëzy-ÃÂon), Théâtre du Palais-Royal
- 1927 : Une femme dans un lit (with Gustave Quinson), Théâtre du Palais-Royal
- 1927 : L'Arpète (with Gustave Quinson), Théâtre La Scala
- 1929 : Le Trou dans le mur, Théâtre de la Michodière
- 1929 : La Grande vie (with Henri Géroule), Théâtre du Palais-Royal
- 1946 : Ce soir je suis garçon! (with André Mouëzy-ÃÂon), Théâtre Antoine
Comedian
- 1943 : àla gloire d'Antoine by Sacha Guitry, Théâtre Antoine
Scenographer
References