Young Virgin Auto-Sodomized by the Horns of Her Own Chastity is an oil painting by Salvador DalÃÂ from 1954.
During the 1950s, DalÃÂ painted many of his subjects as composed of rhinoceros horns. Here, the young virgin's buttocks consist of two converging horns and two horns float beneath; "as the horns simultaneously comprise and threaten to sodomise the callipygian figure, she is effectively (auto) sodomised by her own constitution."
DalÃÂ's inspiration for the image appears to have come from Vermeer, one of a handful of artists regarded by DalÃÂ as masters. Specifically, Vermeer's The Lacemaker seems to have been the galvanising element, with its convergent curves which focus on the subject's fingers and so to the penetration point of her needle - which as DalÃÂ has pointed out is merely implied and not actually painted.
The painting recalls his depiction of his sister Ana MarÃÂa in "Young Woman at a Window" (1925), and has therefore been read by some critics as a nasty jab at his sister, punishing her for publishing a biography on DalÃÂ that presented a quite negative point of view; it has also been interpreted as a painting of Gala DalÃÂ, though in fact the figure is based on a photograph from a 1930s sex magazine.
In 1958, DalÃÂ wrote, "Paradoxically, this painting, which has an erotic appearance, is the most chaste of all." The painting was formerly in the collection of The Playboy Mansion. Playboy Enterprises sold the painting at a Sotheby's auction in London in 2003 for , .