Wang Shaudi () is a Taiwanese film and television director, writer, and producer. She also taught film courses previously at the Taipei National University of the Arts (TNUA) and the Chinese Culture University (CCU). She works in both documentary filmmaking and fictional storytelling. Her works mostly focus on depicting local society and personal connections through dramatic storytelling. She has been involved in productions such as Life Plan A and B, 1000 Walls in Dream, and Tropical Fish. She has won multiple awards for her works including Yours and Mine for Best Screenplay at the Taipei Golden Horse Film Festival and Grandma and Her Ghosts for Best Film at the Taipei Film Festival. In 2014 she was presented with the Taiwan National Award for Arts for her contributions to filmmaking.
Wang Shaudi was born in Taipei, Taiwan, in 1953. She completed her undergraduate degree in Theater Arts at the Chinese Culture University (CCU) before pursuing a master's degree in Theatre at the Trinity University in Texas, US. She later transferred to the University of San Francisco to major in film. Upon graduation, in 1979, she returned to Taiwan and started her own company, Min Xin Studio, where she worked as assistant director and screenwriter for The Battle of Erdan (1982), and later as screenwriter for Wang Toon's Strawman (1987) and Banana Paradise (1989). On February 10, 1992, she co-founded, with fellow director Huang Li-ming, Rice Film International, a company primarily produces television series and feature length television films for the Public Television Service of Taiwan. Winning numerous Golden Bell Awards, including Best Television Series, Best Television Film, Best Directing, and Best Writing, Wang Shaudi has become a household name for commoner television series of the 1980s and 1990s Taiwan and is most well-known for her television productions: Quanjiafu (堨家ç¦Â), Jiajiafu (å®¶å®¶ç¦Â), Muji dai aiaoya (æ¯ÂéÂÂ帶å°Âé´¨), and Nasanmagu wodejia (ç´Âæ¡Â麻谷æÂÂçÂÂå®¶). After working on a number of television productions, she wrote and directed her first feature-length film, Accidental Legend, which was released in 1996. Two years later, she directed the feature length animation, Grandma and Her Ghosts, which went on to win awards at the Taipei Film Festival, the Hong Kong International Film Festival, and the Vancouver International Film Festival.
During an interview with the Public Television Service of Taiwan, Wang Shaudi drew an analogy between film directors and sociology students. For Wang Shaudi, cinema is a form of interaction between art and society. Due to the government incompetence in recent years, artists are compelled to engage in social activism and express public opinions. When the Ma Ying-jeou government was criticized by the public advocating for the Dapu Incident, Wang Shaudi expressed publicly that, "Why demolish Dapu? Everyone should watch closely. Who would attempt to take down a government for no reason? Only when its governance is way out of line. In a democratic society, good public servants are supposed to take care of its people rather than making them suffer. Taiwan has come a long way and no one could bear to see it go backward. We are all commoners, but everyone bears responsibility for the prosperity of society." "It is with heavy hand that we are all witnessing Taiwan taking backward steps. What is even more unbearable is that Taiwan has gone through a series of unstoppable prosecution that constantly challenges our bottom line, like what we have seen in the Shilin Wang Family Incident and the Dapu Incident. (ãÂÂçºä»Â麼æÂÂ大åÂÂï¼Â大家è¦ÂçÂÂ渠æ¥ÂãÂÂ誰æ²ÂäºÂæÂÂæÂ¿åºÂï¼Âå®ÂÃ¥ÂÂäºÂ太é¢èÂÂãÂÂæ°Â主æÂ¬è©²æÂÂ好堬åÂÂï¼Âè®Â人æ°Â享ç¦Âä¸ÂæÂ¯åÂÂè¦ãÂÂå°ç£走äºÂéÂÂ麼é·çÂÂè·¯ï¼Â誰è½å¿Âå¿ÂçÂÂå®ÂéÂÂæÂ¥ï¼ÂæÂÂÃ¥ÂÂé½æÂ¯å°Â人ç©ï¼Âä½ÂæÂ¯å¤©ä¸ÂèÂÂ亡就æÂ¯çÂÂå¹夫ãÂÂãÂÂãÂÂ大家齿ÂÂÃ¥ÂÂå°å°ç£çÂÂéÂÂæÂ¥ï¼Â令人çÂÂå¿ÂãÂÂæÂ´éÂÂè¦ÂæÂ¯ï¼Âå°ç£ç¼çÂÂäºÂä¸Âç³»åÂÂç¡æ³ÂÃ¥ÂÂæÂ¢çÂÂ迫害äºÂä»¶ï¼Âå·²ç¶Â令人ç¡æ³Âå®Âå¿Âå·¥ä½Âï¼ÂéÂÂ觸åÂÂå°身çºä¸ÂÃ¥ÂÂ人çÂÂåºÂç·ÂäºÂï¼Âä¾Âå¦Â士æÂÂçÂÂå®¶ãÂÂ大åÂÂçÂÂäºÂæÂ é½æÂ¯ä¸Â樣ãÂÂãÂÂ)"
In the same context, Wang Shaudi also pointed out that the previous generations have experienced extreme trauma in social revolutions to fight for justice and freedom for Taiwan's posterities, which should not be defied by the current governmentâÂÂs lack of transparency and rational reflexivity concerning its urban development and nuclear power policies. She criticized the government for their ignorance of the pain experienced by the factory workers. She has also be in solidarity with the Dapu Incident protesters' demand to take down the government. Wang Shaudi also shared that the government has failed to respond in details the public concerns over nuclear power, yet has continued to implement nuclear power plants. She expressed in anger, "This is unbelievable. Our government is horrible. I am on the verge of wanting to run for President myself! (ãÂÂæÂÂçÂÂ媽åÂÂï¼ÂæÂÂÃ¥ÂÂÃ¥ÂÂ家好çÂÂÃ¥ÂÂï¼Ââ¦æÂÂ被é¼å¾Âå¿«è¦ÂæÂ³é¸總統äºÂï¼ÂãÂÂ)" In the same interview, she also emphasized the importance of having a mature civil society and rejoiced seeing more and more young participants joining civil activism.