"Walk on the Wild Side" is a song by American rock musician Lou Reed from his second solo album, Transformer (1972). It was produced by David Bowie and Mick Ronson and released as a double A-side with "Perfect Day". Known as a counterculture anthem, the song received heavy radio play and became Reed's biggest hit and signature song. The single peaked at No. 16 on the Billboard Hot 100 singles chart in early 1973.
The song's lyrics describe various individuals and their journeys to New York City. Specifically, the song refers to several of the regular "superstars" at Andy Warhol's New York studio, the Factory: Holly Woodlawn, Candy Darling, Joe Dallesandro, Jackie Curtis and Joe Campbell (referred to in the song by the nickname "Sugar Plum Fairy"). "Walk on the Wild Side" touched on topics considered taboo at the time it was released, including transgender people, drugs, male prostitution, and oral sex.
Reed has said that the song was inspired by Nelson Algren's 1956 novel A Walk on the Wild Side (which, in turn, was named after the 1952 song "The Wild Side of Life").
Each verse of "Walk on the Wild Side" refers to one of the "superstars" at Andy Warhol's New York studio, the Factory.
The lyrics of "Walk on the Wild Side" were groundbreaking and risqué for their time, telling stories not usually told in rock songs up to then and containing references to prostitution, transgender people, and oral sex. "I always thought it would be kinda fun to introduce people to characters they maybe hadn't met before, or hadn't wanted to meet", Reed said.
"Walk on the Wild Side" was produced by David Bowie and Mick Ronson.
"Walk on the Wild Side" is based on a simple chord progression alternating between C major and F major, or I and IV in harmonic analysis. The pre-chorus introduces the ii chord (D minor).
The song is noted for its twinned ascending and descending portamento basslines played by Herbie Flowers. For performing the bass hook, on double bass overlaid with electric bass, Flowers was paid a session fee of ã17 ( or about $375) for each line.
The baritone saxophone solo played over the fadeout of the song is performed by Ronnie Ross, who had taught David Bowie to play the saxophone during Bowie's childhood. The acoustic guitar was performed by the album's co-producer, Mick Ronson. The backing vocals are sung by Thunderthighs, a vocal group that included Dari Lalou, Karen Friedman, and Casey Synge. Drums were played by Ritchie Dharma using brushes rather than drumsticks.
"Walk on the Wild Side" was included on Reed's second solo album, Transformer (1972). It was released as a double A-side single with "Perfect Day". The song received heavy radio play and became Reed's biggest hit and signature song. "Walk on the Wild Side" was a worldwide hit. The single peaked at No. 16 on the Billboard Hot 100 singles chart in early 1973.
In 1972, RCA provided radio stations with a version of the song in which the reference to oral sex was omitted and the line "colored girls" was changed to "and the girls". However, most radio stations continued to play the original, uncensored version. In 1973, Record World called "Walk on the Wild Side" a "real leftfielder from the former Velvet Undergrounder" and said that "programmers will be cautious at first but then will have to go with it". In the UK, the oral sex reference slipped past the censors.
After the announcement of Reed's death in October 2013, both the song and the Transformer album re-charted via iTunes.
"Walk on the Wild Side" became known as a counterculture anthem. In 2013, The New York Times described the song as a "ballad of misfits and oddballs" and as "a siren song luring generations of people ... to a New York so long forgotten as to seem imaginary".
In 2010, Rolling Stone magazine ranked "Walk on the Wild Side" as the 223rd greatest song of all time.
In 2015, the song was inducted into the Grammy Hall of Fame.