WacÃ
Âaw z SzamotuÃ
 ( in SzamotuÃ
Ây, near PoznaÃ
 â in PiÃ
Âczów), also known as WacÃ
Âaw Szamotulski (), was a Polish composer.
Life
WacÃ
Âaw z SzamotuÃ
 was a student at the LubraÃ
Âski Academy in PoznaÃ
 later studying at Kraków University in 1538. In 1547 or 1548 he was appointed composer to the court of Sigismund II Augustus. In 1555 WacÃ
Âaw left Kraków, having received the title of "royal composer." Nevertheless, during Szamotuly's lifetime his music was known outside of Poland.
He died early, and only a few of his works survive. In the words of Szymon Starowolski, who wrote the first concise biography of WacÃ
Âaw, "If the gods had let him live longer, the Poles would have no need to envy the Italians their Palestrina, or Vedana."
His motets In te Domine speravi and Ego sum pastor bonus were the first Polish musical compositions to be published abroad. According to Gustave Reese, WacÃ
Âaw's style may be seen in both of these motets; "the constant overlapping of phrases and full-fledged imitative style reveal Franco-Netherlandish influence."
Works
Motets (Motety)
- In te, Domine, speravi (published in Nuremberg, 1554)
- Ego sum pastor bonus (published in Nuremberg, 1564)
- Nunc scio vere
Songs (PieÃ
ÂÃ
Âi)
- Alleluja, Chwalcie Pana Alleluia (Laudate Dominum omnes gentes â Hallelujah, Praise the Lord)
- NakÃ
ÂoÃ
Â, Panie, ku mnie ucho Twoje (Turn Thy Ear to Me, O Lord)
- Kryste dniu naszej Ã
ÂwiatÃ
ÂoÃ
Âci (O Christ, Day of Our Light) â a Lenten compline hymn (c. 800)
- BÃ
ÂogosÃ
Âawiony czÃ
Âowiek (Beatus vir, qui non abiit... â Blessed Is the Man)
- Modlitwa, gdy dziatki spaÃÂ idÃÂ
or JuÃ
¼ siàzmierzka (A Prayer When the Children Go To Sleep). This is perhaps his best-known composition. Henryk Górecki (born 1933) has used this beautiful Renaissance melody in at least three compositions: Chorale in the Form of a Canon (1961/1984), Old Polish Music (1969), and the First String Quartet (1988), subtitled JuÃ
¼ siàzmierzcha (Dusk is Approaching).
- PieÃ
ÂÃ
 o narodzeniu PaÃ
Âskim or PochwalmyÃ
¼ wszytcy spoÃ
Âem (Song of the Nativity)
- Powszechna spowiedÃ
º (Daily Confession). This composition has a homophonic texture, meaning that essentially all the notes occur at the same time, as contrasted with imitative polyphony.
Editions
References
Citations
Sources
Further reading
External links