"The Song of the Stormy Petrel" (, ) is a short piece of revolutionary literature written by the Russian writer Maxim Gorky in 1901. The poem is written in a variation of unrhymed trochaic tetrameter with occasional Pyrrhic substitutions.
In 1901, direct criticism of the Tsar was considered ill-advised. "Aesopian language" of a fable, which had been developed into a form of art by earlier writers such as Mikhail Saltykov-Shchedrin, was not infrequently used by the critics of the regime.
Maxim Gorky wrote "The Song of the Storm Petrel" in March 1901 in Nizhny Novgorod. It is believed that originally the text was part of a larger piece, called "Spring Melodies" (ÃÂõÃÂõýýøõ üõûþôøø) and subtitled "Fantasy" (äðýÃÂð÷øÃÂ). In this "fantasy", the author overhears a conversation of birds outside his window on a late-winter day: a crow, a raven, and a bullfinch representing the monarchist establishment; sparrows, "lesser people"; and anti-establishment siskins (ÃÂøöøúø). As the birds are discussing the approach of spring, one of the siskins sings to his comrades "the Song of the Stormy Petrel, which he had overheard somewhere", which appears as the "fantasy's" finale. In the "Song", the action takes place on an ocean coast, far from the streets of a central Russian town; the language calling for revolution is codedâÂÂthe proud stormy petrel, unafraid of the storm (that is, revolution), as all other birds cower.
The publication of this parody of Russian society was disallowed by the censors; however, apparently because of a censor's mistake, the siskin's "Song" was allowed to be published as a separate piece. The entire "fantasy" was published in Berlin in 1902.
The "Song" was first published in the Zhizn magazine in April 1901. Gorky was arrested for publishing "The Song", but released shortly thereafter.
The poem was later referred to as "the battle anthem of the revolution", and the epithet Burevestnik Revolyutsii (The Storm Petrel of the Revolution) soon became attached to Gorky himself. According to Nadezhda Krupskaya, "The Song" became one of Lenin's favorite works by Gorky.
As a poet, Gorky would not have paid too much attention to precisely identifying the birds species appearing in his "Song". The Russian word burevestnik (modified by appropriate adjectives) is applied to a number of species in the order Procellariiformes. According to Vladimir Dal's Dal's Dictionary, Russia's favorite dictionary in Maxim Gorky's time, burevestnik could be understood as a generic word for all members of the family Procellariidae and Hydrobatidae (including the European storm petrel). This Russian word is not, however, used to specifically name any species properly known in English as storm-petrel. However, since the Russian burevestnik can be literally parsed by the speaker as 'the announcer of the storm', it was only appropriate for most translators into English to translate the title of the poem as "Stormy Petrel" (or, more rarely, "Storm Petrel").
Other avian characters of the poem are generic seagulls, loons (also known as "divers"; Russian, ), and a penguin.
The Song was translated into many languages (and to almost all officially recognized languages of Russia), including German, Japanese, and Hebrew.
The text in original Russian and English translation follows (the English translation is GFDL; note on translation on the page).
The popularity of the poem in Russia's revolutionary circles, and the later "canonization" of Gorky as a preeminent classic of the "proletarian literature" ensured the wide spreading of the image of the Burevestnik ("stormy petrel") in the Soviet propaganda imagery. A variety of institutions, products, and publications would bear the name "Burevestnik",
including a national sports club, a series of hydrofoil boats, an air base in the Kuril Islands, a labor-union resort on the Gorky Reservoir, a Moscow-Nizhny Novgorod express train, and even a brand of candy. (See Burevestnik for a very partial list of entities so named). Naturally, Burevestnik-themed names were especially popular in Gorky Oblast.
Maxim Gorky himself would be referred to with the epithet "the Stormy Petrel of the Revolution" (ÃÂÃÂÃÂõòõÃÂÃÂýøú àõòþûÃÂÃÂøø); monuments, posters, postage stamps and commemorative coins depicting the writer would often be decorated with the image of a soaring aquatic bird.