The Singing Voice of Japan (, Nihon no Utagoe / ãÂÂãÂÂãÂÂãÂÂéÂÂÃ¥ÂÂ, Utagoe-undÃ
Â) is the name of a social and political movement that emerged after World War II in Japan and based on musical and choral activities of the working class of the entire nation. Ideologically communist or democratic socialist, activists of the movement organize choral circles in factories, in schools and in their residential areas. The movement reached its peak in the years 1950 and 1960. Japanese singer Akiko Seki () is generally regarded as the founder of the Singing Voice of Japan.
History
- May 1, 1946: In the occasion of the first May Day post-war in Tokyo, Akiko Seki conducted L'internationale and a Japanese version of The Red Flag; this experience led her to the creation of a national musical movement of the working class.
- February 10, 1948: Akiko Seki created the Choir of the Communist Youth League of Japan () in Tokyo, as the core of national musical movement of the working class.
- June 1949: First issue of the periodical Singing Voice, organ of the Choir of the Communist Youth League of Japan ().
- November 29, 1953: First national festival of the Singing voice of Japan in Tokyo, in the halls Hibiya KÃ
ÂkaidÃ
 (æÂ¥æ¯Âè°·åÂ
¬ä¼Âå Â) and Kanda KyÃ
Âristu KÃ
ÂdÃ
 (ç¥Âç°åÂ
±ç«Âè¬Âå Â).
- February 14, 1955: Permanent institution of the Executive Committee of the Festival of the Singing Voice of Japan ().
- December 20, 1955: Akiko Seki received the Stalin Peace Prize.
- May 1960: Statement of the Executive Committee of the Festival opposing the renewal of Treaty of Mutual Cooperation and Security between the United States and Japan.
- November 7, 1967: Première of a partial version of the opera Okinawa () in Naha (Okinawa).
- November 25, 1967: First local performance in Tokyo, of the partial version of the opera Okinawa , in the Nippon BudÃ
Âkan (æÂ¥æÂ¾Â¦éÂÂ館).
- December 10, 1969: First performance of the complete version of the opera Okinawa in Tokyo, in the hall Shibuya KÃ
ÂkaidÃ
 (æ¸Âè°·åÂ
¬ä¼Âå Â).
- April 1971: First issue of the quarterly organ of the executive committee of the Festival ().
- February 25, 1974: Radical revision of the organizational system of the executive committee, adopted during its sixth national congress: renaming the committee "National Council of the Singing Voice of Japan" ().
Musical repertoire and organization
The repertoire of the movement consists mainly in revolutionary songs and those of the working class of different nations. Among registered members of individual committees (distinguished by region, industrial union, and other criterion) of the singing voice of Japan is favored to create new songs and choral pieces in the genre suited to the needs of their group. According to the program adopted in 2013, the National Council of the singing voice of Japan aims the objective to include 500 units and choral circles allover the national territory of Japan.
Origin of the Hiragana script (ãÂÂãÂÂãÂÂãÂÂ) for the name of the movement
Traditionally, the two initial words of the movement's official name Singing Voice are not expressed in Kanji () as would be standard today, but in Hiragana () that is: ãÂÂãÂÂãÂÂã (Utagoe written in Hiragana) instead of æÂÂ声 (the same in Kanji). And at least since the first national Festival of the movement in 1953, its title text was written in Hiragana: The singing voice is the vitality of peace - The Singing Voice of Japan 1953 (). Concerning the origin of such a particular script, who was one of the founding members of the Choir of the Communist Youth League of Japan, recalled the moment of publication of the first choir organ Utagoe (June 1949) in these terms:
However, even after the first issue of the choir organ, the script for the Japanese word Utagoe in Kanji (æÂÂ声) and one mixed with Hiragana (æÂÂãÂÂãÂÂ) were sometimes used by authors of books or periodicals concerning The Singing Voice of Japan, while an exclusive formalization of Hiragana script (ãÂÂãÂÂãÂÂãÂÂ) has never been imposed by any official organization of the movement. A very remarkable example of the graphical oscillation would be the autograph of Akiko Seki dedicated to the national Festival of December 1962, in which she wrote one of the movement slogans The singing voice is the vitality of peace () using mixed script of both Kanji and Hiragana for the word Utagoe, precisely such as: æÂÂãÂÂã [sic].
Relationship with the Japanese Communist Party
In accordance with the slogan Let's sing for the struggle (of the working class) (), activists of the movement have composed many songs to encourage workers protest against illegal discrimination of their employers. In the 1960s, instruction of militants of the movement and continued improvement of their ideological, political and artistic quality were considered important means of cultural policy by the Japanese Communist Party (). Nowadays (2016), the only group that is active and explicitly dedicated to the support of JCP is Choir of JCP-fans (), established in 2011 in Kyoto by veteran activists of the movement and directed by Tadao Yamamoto, composer, accordionist, choir director and an ordinary member of the National Council of The Singing Voice of Japan: the choir witnesses the historical connection calling itself by the acronym of English official name of the party. Its repertory and artistic activity are strongly linked in the movement, and in various cultural events organized by the Party, the Choir of JCP-fans appears as an element among the joined choirs of the volunteer singers of The Singing Voice of Japan.
Notable concerts and performances of the Choir:
- February 11, 2011, Kyoto Kaikan Hall: Concert sponsored by the Kyoto Committee of the JCP.
- August 1, 2013, Nishijin Bunka Center (Kyoto): Cultural Live Revolutionary Pub, in collaboration with Tokiko Nishiyama, former JCP member of the House of Councilors.
- September 23, 2014, Takaragaike Park (Kyoto): Festival Kyoto ed.2014, organized by the Kyoto Committee of the JCP.
- February 1, 2015, Kyoiku Bunka Center (Kyoto): Festival sponsored by the Kyoto Committee of the JCP.
- April 29, 2016, Takaragaike Park (Kyoto): Festival Kyoto ed.2016, organized by the Kyoto Committee of the JCP: performance with Seifuku KÃ
ÂjÃ
 Iinkai (å¶æÂÂÃ¥ÂÂä¸Âå§Âå¡ä¼Â) and Akira Koike (å°Âæ± æÂÂ), JCP member of the House of Councilors, and Secretary-General of the Party.
Episode of a Minister of Finance who tried to show his cultural competence uttering the name of the movement
In 1963, during a discussion in the Budget Committee of the House of Councillors of Japan () around taxes to impose on entry tickets to theaters, GorÃ
 SudÃ
 (), a member of the Japanese Communist Party and militant of The Singing Voice of Japan, asked Kakuei Tanaka (), Minister of Finance at the time, if he knew of the existence of an workers' association of concert goers. To such a question, Minister Tanaka had to answer: "I do not know well about it". So SudÃ
 recommenced his speech but the Minister who listened for a moment the continuation of the speech interrupted SudÃ
Â, uttering: "The Singing Voice..." (), then SudÃ
 replied: "Not The Singing Voice of Japan. I am speaking of an association of music listeners. The Singing Voice of Japan is a movement for singers"<sup>,</sup>.
Personalities and historical activists
- Akiko Seki (é¢éÂÂÃ¥ÂÂ): singer, founder of the movement (1899âÂÂ1973)
- Sakae Araki (èÂÂæÂ¨æ Â): composer (1924âÂÂ1962)
- GorÃ
 SudÃ
 (é Âè¤äºÂéÂÂ): composer, conductor, JCP member of the House of Councilors (1897âÂÂ1988)
- Yoritoyo Inoue (äºÂä¸Âé ¼è±Â): cellist (1912âÂÂ1996)
- Katsura Nakazawa (ä¸Â澤æ¡Â): soprano (1933âÂÂ2016)
- Nobuo Terahara (寺åÂÂ伸夫): composer (1928âÂÂ1998)
- Hikaru Hayashi (æÂÂÃ¥Â
Â): composer (1931âÂÂ2012)
- YÃ
«zÃ
 Toyama (å¤Âå±±éÂÂä¸Â): conductor (1931âÂÂ)
- Susumu Ã
Ânishi (大西é²): composer (1931âÂÂ)
- Nobuo Sugimoto (æÂÂæÂ¬ä¿¡å¤«): composer, musicologist (1934âÂÂ)
- Kiminobu SÃ
Âma (ç¸馬åÂ
¬ä¿¡): composer, choir singer (1942âÂÂ)
- Tadao Yamamoto (å±±æÂ¬å¿ çÂÂ): composer (1939âÂÂ)
- Hiromi Fujimoto (è¤æÂ¬æ´Â): poet (1932âÂÂ)
- Daisuke Doi (Ã¥ÂÂäºÂ大å©): poet (1927âÂÂ2014)
- Taku Izumi (ãÂÂãÂÂã¿ãÂÂãÂÂ): composer (1930âÂÂ1992)
- KÃ
Âji Kinoshita (æÂ¨ä¸ÂèªäºÂ): composer (1925âÂÂ1999)
Bibliography
General history of the movement
- Various authors: The Singing Voice of Japan - collection of favorite songs: definitive edition (special issue of the magazine Chisei, Tokyo, 1956). Library catalog of the Miyagi Gakuin Women's University<sup>[JA]</sup>. ãÂÂæÂ¥æÂ‹Â®ãÂÂãÂÂãÂÂãÂÂ: 決å®Âç æÂÂ屿ÂÂéÂÂãÂÂï¼ÂéÂÂèªÂãÂÂçÂ¥æÂ§ãÂÂ1956å¹´å¢ÂÃ¥ÂÂå·ï¼ÂæÂ±äº¬ãÂÂæ²³åºæÂ¸æÂ¿ï¼Â
- Toshio Itoya: History of labors' and revolutionary songs (Tokyo, 1970). NDL Search<sup>[JA]</sup>. 糸å±Â寿éÂÂãÂÂå´åÂÂæÂÂãÂȎ©å½æÂÂç©èªÂãÂÂï¼ÂæÂ±äº¬ãÂÂ1970å¹´ï¼Â
- Akiko Seki: Since I am bewitched by the singing voice (Tokyo, 1971). NDL Search<sup>[JA]</sup>. é¢éÂÂÃ¥ÂÂãÂÂæÂÂãÂÂãÂÂã«éÂÂ
ãÂÂãÂÂãÂÂã¦ãÂÂï¼ÂæÂ±äº¬ãÂÂ1971å¹´ï¼Â
- Nishio Jirouhei and Tamotsu Yazawa: Japanese revolutionary songs (Tokyo, 1974). NDL Search<sup>[JA]</sup>. 西尾治éÂÂå¹³ãÂÂç¢沢俠編ãÂÂæÂ¥æÂ‹Â®é©å½æÂÂãÂÂï¼ÂæÂ±äº¬ãÂÂ1974å¹´ï¼Â
- Yoritoyo Inoue: Singing voice, spread your wings (Tokyo, 1978). NDL Search<sup>[JA]</sup>. äºÂä¸Â頼豠編ãÂÂãÂÂãÂÂãÂÂãÂÂãÂÂ翼ã²ãÂÂãÂÂã¦: 1948-1978ãÂÂï¼ÂæÂ±äº¬ãÂÂ1978å¹´ï¼Â
- Tamotsu Yazawa: Singing voice for freedom and revolution (Tokyo, 1978). NDL Search<sup>[JA]</sup>. ç¢沢ä¿ÂãÂÂèªç±ã¨é©å½ã®æÂÂãÂÂãÂÂãÂÂï¼ÂæÂ±äº¬ãÂÂ1978å¹´ï¼Â
- Various authors: Introduction to The Singing Voice of Japan - commemorating the 30th anniversary of the movement, in: Kikan Nihon no Utagoe (Quarterly theoretical organ of the National Council of The Singing Voice of Japan, December 1978). NDL Search<sup>[JA]</sup>. ãÂÂ30å¨年è¨Â念 ãÂÂãÂÂãÂÂãÂÂéÂÂÃ¥ÂÂÃ¥Â
¥éÂÂãÂÂï¼ÂæÂ¥æÂ‹Â®ãÂÂãÂÂãÂÂãÂÂÃ¥Â
¨å½åÂÂè°ä¼ÂçÂÂè«ÂèªÂãÂÂå£åÂÂæÂ¥æÂ‹Â®ãÂÂãÂÂãÂÂãÂÂãÂÂ1978å¹´12æÂÂå·ï¼Â
- Hiromi Fujimoto: Singing for the struggle of the working class - History of The Singing Voice of Japan (Tokyo, 1980). Catalogue of the Prefectural Library of Nagasaki<sup>[JA]</sup>. è¤æÂ¬æ´ÂãÂÂãÂÂãÂÂã¯éÂÂãÂÂã¨ã¨ãÂÂã«: ãÂÂãÂÂãÂÂãÂÂã®æÂ©ã¿ãÂÂï¼ÂæÂ±äº¬ãÂÂ1980å¹´ï¼Â
History of specific aspects of the movement
- Hiromi Fujimoto: Singing for the struggle of the working class - History of the Choir ChÃ
«Ã
 (Tokyo, 1971). NDL Search<sup>[JA]</sup>. è¤æÂ¬æ´ÂãÂÂæÂÂã¯ãÂÂãÂÂãÂÂãÂÂã¨ã¨ãÂÂã«: ä¸Â央åÂÂå±å£ã®ãÂÂãÂÂã¿ãÂÂï¼ÂæÂ±äº¬ãÂÂ1971å¹´ï¼Â
- Various authors: Great red rose: memories around Akiko Seki (Tokyo, 1981). NDL Search<sup>[JA]</sup>. é¢éÂÂÃ¥ÂÂ追æÂ³éÂÂç·¨éÂÂå§Âå¡传編ãÂÂ大ãÂÂãªç´Â
ã°ãÂÂ: é¢éÂÂÃ¥ÂÂ追æÂ³éÂÂãÂÂ(æÂ±äº¬ãÂÂ1981å¹´)
- Yaeko Morita: Let this victory resonate, roar: life of Sakae Araki (Tokyo, 1983). NDL Search<sup>[JA]</sup>. 森ç°ã¤ã¨åÂÂãÂÂãÂÂã®åÂÂå©ã²ã³ãÂÂã¨ã©ãÂÂãÂÂ: èÂÂæÂ¨æ Âã®çÂÂ涯ãÂÂï¼ÂæÂ±äº¬ãÂÂ1983å¹´ï¼Â
- Kuniyoshi KÃ
Âya: Songs and life of Sakae Araki, composer of the working class (Tokyo, 1985). NDL Search<sup>[JA]</sup>. ç¥Âè°·å½åÂÂãÂÂå´åÂÂèÂÂ
ä½ÂæÂ²å®¶ èÂÂæÂ¨æ Âã®æÂÂã¨çÂÂ涯ãÂÂï¼ÂæÂ±äº¬ãÂÂ1985å¹´ï¼Â
- SaburÃ
 Hino: Rails, sing in full voice - the romanticism of railway workers (Tokyo, 1988). NDL Search<sup>[JA]</sup>. æÂ¥éÂÂä¸ÂæÂÂãÂÂ㋼ã«ãÂÂé«ÂãÂÂãÂÂã«ãÂÂãÂÂãÂÂ: éÂÂè·¯ã«çÂÂãÂÂãÂÂç·ã®ãÂÂãÂÂã³ãÂÂï¼ÂæÂ±äº¬ãÂÂ1988å¹´ï¼Â
- Various authors: Resonate, singing voice for peace - the movement of The Singing Voice of Japan under the US military occupation in Okinawa (Haebaru [Okinawa], 2004). NDL Search<sup>[JA]</sup>. æ²Âç¸Âã®ãÂÂãÂÂãÂÂãÂÂéÂÂÃ¥ÂÂç·¨éÂÂå§Âå¡传ä¼ÂçÂȋÂȍᬎÂÂãÂÂã²ã³ãÂÂå¹³åÂÂã®ãÂÂãÂÂãÂÂãÂÂ: ç±³è»Âå é Âä¸Âã®æ²Âç¸Âã®ãÂÂãÂÂãÂÂãÂÂéÂÂÃ¥ÂÂãÂÂï¼Âæ²Âç¸ÂãÂȌÂÂ風åÂÂçºãÂÂ2004å¹´ï¼Â
- Tsuneko Nara: Memory of my life for The Singing Voice of Japan (Tokyo, 2007). NDL Search<sup>[JA]</sup>. å¥Âè¯æÂÂÃ¥ÂÂãÂÂãÂÂãÂÂãÂÂãÂÂã«çÂÂãÂÂã¦ãÂÂï¼ÂæÂ±äº¬ãÂÂ2007å¹´ï¼Â
Dissertations
See also
References
External links