The New Journalism is a 1973 anthology of journalism edited by Tom Wolfe and E. W. Johnson. The book is both a manifesto for a new type of journalism by Wolfe, and a collection of examples of New Journalism by American writers, covering a variety of subjects from the frivolous (baton twirling competitions) to the deadly serious (the Vietnam War). The pieces are notable because they do not conform to the standard dispassionate and even-handed model of journalism. Rather they incorporate literary devices usually only found in fictional works.
The first section of the book consists of four previously published texts by Wolfe: The Feature Game and Like a Novel (published as The Birth of "The New Journalism": An Eyewitness Report and The New Journalism: A la Recherche des Whichy Thickets, in New York magazine, on February 14 and February 21, 1972); Seizing the Power and Appendix (published as Why They Aren't Writing the Great American Novel Anymore, in Esquire, December 1972).
The text is a against the American novel which Wolfe sees as having hit a dead end by moving away from realism, and his opinion that journalism is much more relevant. In effect, his manifesto is for mixing journalism with literary techniques to document in a more effective way than the novel. These techniques were most likely inspired by writers of social realism, such as ÃÂmile Zola and Charles Dickens. His manifesto for New Journalism (although he had no great affection for the term) has four main points.
Part two, which makes up the major part of The New Journalism, consists of twenty-four pieces, collected by Wolfe and Johnson. Every text features a short introduction, written by Wolfe.
The New Journalism
Texts in the anthology