The Naked Eye is a 1956 American documentary film about the history of photography directed by Louis Clyde Stoumen.
In a 1961 letter to The New York Times, the photographer-filmmaker surveyed earlier uses of the technique of moving still images by himself and others:
âÂÂCurt Oertel made his âÂÂMichaelangelo,â with important storytelling use of still material, in 1940 (released as Robert FlahertyâÂÂs âÂÂThe Titanâ around 1949). BelgiumâÂÂs Henri Starc began imparting dramatic film form to still images in 1936, and his lyric âÂÂWorld of Paul Delvauxâ (1947) is an acknowledged classic. Paul Haesaerts made âÂÂRubensâ in 1948. Americans Paul Falkenberg and Lewis Jacobs made âÂÂLincoln Speaks at Gettysburgâ entirely out of nineteenth-century engravings, 1950. Ben Berg and Herbert Block of Hollywood have for years been making a series of story-telling dramas out of paintings and prints, including a life story of Goya. I myself pioneered the dramatic use of still photographs (rather than paintings or prints) in a story-telling sequence for Arch ObolerâÂÂs 1950 Columbia feature âÂÂFive,â and have for more than a decade continued development of this formâÂÂin my independent feature âÂÂThe Naked Eyeâ (1956), the featurette âÂÂThe True Story of the Civil Warâ (an Academy Award winner, 1956), Warner Brothersâ âÂÂThe James Dean Storyâ (1957), and most recently...for...ABC-TVâÂÂs âÂÂWinston Churchill, the Valiant Years.âÂÂ
It was nominated for an Academy Award for Best Documentary Feature.