The Morning (Serbo-Croatian: Jutro, Serbian Cyrillic: ÃÂÃÂÃÂÃÂþ) is a 1967 Yugoslav film written and directed by Serbian director Purià ¡a ÃÂorÃÂeviÃÂ. It is the third entry in ÃÂorÃÂeviÃÂ's wartime tetralogy, the other three being The Girl (1965), The Dream (1966) and Noon (1968). The film belongs to the Yugoslav Black Wave movement.
The film entered the competition at the 28th Venice International Film Festival and Ljubià ¡a Samardà ¾iàwon the Volpi Cup for Best Actor for his role. It was also the Yugoslav entry at the Berlin International Film Festival in 1967.
The Second World War is over, but its consequences continue to plague people. In the initial days of peace, amidst conflicts like dealing with the former enemy's collaborators and executing traitors, a former soldier finds himself unable to stop killing. The war within him rages on, creating immense problems in his relationships with himself and others.
The Yugoslav Film Archive, in accordance with its authorities based on the Law on Cultural Heritage, declared one hundred Serbian feature films (1911âÂÂ1999) as cultural heritage of great importance on December 28, 2016. The Morning is also on that list.