The Innovations Orchestra is a compilation album by pianist and bandleader Stan Kenton's "Innovations" Orchestra featuring performances recorded in 1950 and 1951. The CD includes the albums Innovations in Modern Music and Stan Kenton Presents and was released by Capitol in 1997.
Reception
The Allmusic review by Scott Yanow observed, "The music was quite uncommercial, complex, and advanced with the emphasis on the arrangements rather than the soloists". In All About Jazz William Grim wrote, "The Innovations Orchestra was quite capable of swinging and it did much of the time. But it was also capable of producing music of an extraordinarily high quality that makes one think in addition to making one's toes tap".
Track listing
Disc one
- "Mirage" (Pete Rugolo) â 4:59
- "Conflict" (Rugolo) â 4:27
- "Solitaire" (Bill Russo) â 4:17
- "Soliloquy" (Johnny Richards) â 4:33
- "Theme for Sunday" (Stan Kenton) â 5:04
- "Amazonia" (Laurindo Almeida) â 4:39
- "The Lonesome Road" (Nathaniel Shilkret, Gene Austin) â 4:30
- "Trajectories" (Franklyn Marks) â 3:34
- "Incident in Jazz" (Robert Graettinger) â 3:31
- "Cuban Episode" (Chico O'Farrill) â 4:46
- "Evening in Pakistan" (Franklyn Marks) â 3:44
- "Salute" (Rugolo) â 3:35
- "Mardi Gras" (Almeida, Marion Sunshine") â 3:07
- "In Veradero" (Neal Hefti) â 4:18
- "Jolly Rogers" (Shorty Rogers) â 2:40
- "Blues in Riff" (Rugolo) â 2:53
Disc two
- "Cello-logy" (Almeida) â 4:35
- "Art Pepper" (Rogers) â 5:19
- "Halls of Brass" (Russo) â 5:01
- "Maynard Ferguson" (Rogers) â 4:18
- "Shelly Manne" (Kenton) â 4:30
- "June Christy" (Kenton) â 4:08
- "House of Strings" (Robert Graettinger) â 4:18
- "Round Robin" (Rogers) â 2:41
- "Coop's Solo" (Rogers) â 3:15
- "Sambo" (Rogers) â 2:38
- "Ennui" (Russo) [live version] â 3:39
- "Samana" (Manny Albam) [live version] â 3:51
- "Coop's Solo" (Rogers) [live version] â 3:41
- "Salute" (Rugolo) [live version] â 4:04
Recorded at Capitol Recording Studios in Hollywood, CA on February 3, 1950 (Disc One: tracks 1âÂÂ6), February 4, 1950 (Disc One tracks 7âÂÂ11), February 5, 1950 (Disc One: tracks 12âÂÂ16), May 18, 1950 (Disc Two: tracks 1âÂÂ3), June 5, 1950 (Disc Two: tracks 4 & 5) August 21, 1950 (Disc Two: track 6), August 24, 1950 (Disc Two: track 7), September 12, 1950 (Disc Two: track 8), and September 19, 1951 (Disc Two: tracks 9 & 10); and at Cornell University, Ithaca, New York on October 14, 1951 (Disc Two: tracks 11âÂÂ14)
Personnel
- Stan Kenton â piano, arranger
- Alfred "Chico" Alvarez (tracks: 1âÂÂ1 to 1âÂÂ5, 1âÂÂ7 to 1âÂÂ16, 2âÂÂ2, 2âÂÂ4, 2âÂÂ5, 2âÂÂ8), Buddy Childers (tracks: 1âÂÂ1 to 1âÂÂ5, 1âÂÂ7 to 1âÂÂ16, 2âÂÂ2, 2âÂÂ4, 2âÂÂ5), Conte Candoli (tracks 2âÂÂ9 to 2âÂÂ14), John Coppola (tracks 2âÂÂ9 to 2âÂÂ14), Maynard Ferguson (tracks: 1âÂÂ1 to 1âÂÂ5, 1âÂÂ7 to 1âÂÂ16, 2âÂÂ2, 2âÂÂ4, 2âÂÂ5, 2âÂÂ8 to 2âÂÂ14), John Howell (tracks 2âÂÂ8 to 2âÂÂ14), Don Paladino (tracks 1âÂÂ1 to 1âÂÂ5, 1âÂÂ7 to 1âÂÂ16, 2âÂÂ2, 2âÂÂ4, 2âÂÂ5), Shorty Rogers (tracks: 1âÂÂ1 to 1âÂÂ5, 1âÂÂ7 to 1âÂÂ16, 2âÂÂ2, 2âÂÂ4, 2âÂÂ5, 2âÂÂ8), Stu Williamson (tracks 2âÂÂ9 to 2âÂÂ14) â trumpet
- Milt Bernhart (tracks: 1âÂÂ1 to 1âÂÂ5, 1âÂÂ7 to 1âÂÂ16, 2âÂÂ2, 2âÂÂ4, 2âÂÂ5, 2âÂÂ8), Harry Betts (tracks 1âÂÂ1 to 1âÂÂ5, 1âÂÂ7 to 1âÂÂ16, 2âÂÂ2, 2âÂÂ4, 2âÂÂ5, 2âÂÂ8 to 2âÂÂ14), Bob Fitzpatrick (tracks 1âÂÂ1 to 1âÂÂ5, 1âÂÂ7 to 1âÂÂ16, 2âÂÂ2, 2âÂÂ4, 2âÂÂ5, 2âÂÂ8 to 2âÂÂ14), Dick Kenney (tracks 2âÂÂ9 to 2âÂÂ14), Bill Russo (tracks 1âÂÂ1 to 1âÂÂ5, 1âÂÂ7 to 1âÂÂ16, 2âÂÂ2, 2âÂÂ4, 2âÂÂ5, 2âÂÂ8 to 2âÂÂ14) â trombone (tracks 1âÂÂ4, 7 & 8)
- Clyde Brown (tracks 2-2, 2âÂÂ4, 2âÂÂ5), George Roberts (tracks 2âÂÂ9 to 2âÂÂ14), Bart Varsalona (tracks 1âÂÂ1 to 1âÂÂ5, 1âÂÂ7 to 1âÂÂ16, 2âÂÂ8) â bass trombone
- Stan Fischer â tuba (tracks 2âÂÂ11 to 2âÂÂ14)
- Bud Shank - alto saxophone, flute (tracks 1âÂÂ1 to 1âÂÂ5, 1âÂÂ7 to 1âÂÂ16, 2âÂÂ2, 2âÂÂ4, 2âÂÂ5, 2âÂÂ8 to 2âÂÂ14)
- Art Pepper â alto saxophone, clarinet (tracks 1âÂÂ1 to 1âÂÂ5, 1âÂÂ7 to 1âÂÂ16, 2âÂÂ2, 2âÂÂ4, 2âÂÂ5, 2âÂÂ8 to 2âÂÂ14)
- Bob Cooper â tenor saxophone, oboe, English horn (tracks 1âÂÂ1 to 1âÂÂ5, 1âÂÂ7 to 1âÂÂ16, 2âÂÂ2, 2âÂÂ4, 2âÂÂ5, 2âÂÂ8 to 2âÂÂ14)
- Bart Caldarell â tenor saxophone, bassoon (tracks 1âÂÂ1 to 1âÂÂ5, 1âÂÂ7 to 1âÂÂ16, 2âÂÂ2, 2âÂÂ4, 2âÂÂ5, 2âÂÂ8 to 2âÂÂ14)
- Bob Gioga â baritone saxophone, bass clarinet (tracks 1âÂÂ1 to 1âÂÂ5, 1âÂÂ7 to 1âÂÂ16, 2âÂÂ2, 2âÂÂ4, 2âÂÂ5, 2âÂÂ11 to 2âÂÂ14)
- Jim Cathcart (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ7), Earl Cornwell (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ7, 2âÂÂ11 to 2âÂÂ14), Phil Davidson (tracks 2âÂÂ11 to 2âÂÂ14), Lew Elias (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ7), Barton Gray (tracks 2âÂÂ11 to 2âÂÂ14), Jim Holmes (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ7), Seb Mercurio (tracks 2âÂÂ11 to 2âÂÂ14), George Kast (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ7), Maurice Koukel (tracks 2âÂÂ11 to 2âÂÂ14), Alex Law (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ7, 2âÂÂ11 to 2âÂÂ14), Dwight Muma (tracks 2âÂÂ11 to 2âÂÂ14), Danny Napolitano (tracks 2âÂÂ11 to 2âÂÂ14), Herbert Offner (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ7), Carl Ottobrino (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ7), Charlie Scarle (tracks 2âÂÂ11 to 2âÂÂ14), Dave Schackne (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ7), Ben Zimberoff (tracks: 2âÂÂ11 to 2âÂÂ14) â violin
- Stan Harris (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ7), Paul Israel (tracks 2âÂÂ11 to 2âÂÂ14), Leonard Selic (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ7), Aaron Shapiro (tracks 2âÂÂ11 to 2âÂÂ14), Sam Singer (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ7), Dave Smiley (tracks 2âÂÂ11 to 2âÂÂ14) â viola
- Gregory Bemko (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ7, 2âÂÂ11 to 2âÂÂ14), Zachary Bock (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ7, 2âÂÂ11 to 2âÂÂ14), Gabe Jellen (tracks 2âÂÂ11 to 2âÂÂ14), Jack Wolfe (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ7) â cello (tracks 1âÂÂ4 & 6âÂÂ8)
- Laurindo Almeida (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ4 to 2âÂÂ6), Ralph Blaze (tracks 2âÂÂ8 to 2âÂÂ14) â guitar
- Don Bagley (tracks 1âÂÂ1 to 2âÂÂ2, 2âÂÂ4 to 2âÂÂ6, 2âÂÂ8 to 2âÂÂ14), Abe Luboff (tracks 2âÂÂ11 to 2âÂÂ14) â bass
- Shelly Manne â drums, tympani (tracks 1âÂÂ1 to 2âÂÂ6, 2âÂÂ8 to 2âÂÂ14)
- Carlos Vidal â congas (tracks 1âÂÂ1 to 2âÂÂ2)
- Nestor Amaral, Ivan Lopez, José Olivera, Stenio Ozorio â percussion, vocals (tracks 1âÂÂ13, 1âÂÂ14)
- June Christy â vocals (tracks 1âÂÂ2, 1âÂÂ7 & 2âÂÂ6)
References