The IMAX Nutcracker is a 1997 short Christmas film directed by Christine Edzard based on The Nutcracker and the Mouse King by E. T. A. Hoffmann. It was produced by Celia Bannerman, Andrew Gellis, Lorne Orleans and Olivier Stockman at Sands Films Studios in London. The film stars Miriam Margolyes, Heathcote Williams, Lotte Johnson, Benjamin Hall, Harriet Thorpe, and Patrick Pearson.
The music by Tchaikovsky was arranged by Michael Sanvoisin and cinematography was by Noel Archambault.
The IMAX Nutcracker is a 3-D IMAX narrative film telling the story of Little Clara who receives a toy nutcracker for Christmas and sees it come to life later that night. The Nutcracker Prince takes Clara to an enchanted land where she meets the Sugar Plum Fairies.
Sands Films, the production company that made the film, is owned and run by Christine Edzard, the screenwriter and director, and her husband Richard B. Goodwin.
The film was made in collaboration with Goodwin by Edzard, who is known for her meticulous filmmaking often based on Victorian English sources. Their earlier productions include Stories from a Flying Trunk (1979), The Nightingale (1981), Biddy (1983), Little Dorrit (1987), The Fool (1989), As You Like It (1991), Amahl and the Night Visitors (1996), The Children's Midsummer Night's Dream (2001) and The Good Soldier Schwejk (2018).
Variety was positive, writing âÂÂwhile it lacks the richness and texture of the famed ballet, âÂÂThe IMAX Nutcrackerâ is nevertheless solid family entertainment.â The reviewer praised the film's âÂÂstrong production valuesâÂÂ, predicting it would âÂÂbecome a holiday classicâÂÂ.
New York Times described it as âÂÂthe movie equivalent of...layer cake that's so rich it can only be consumed in tiny nibblesâ and âÂÂa holiday dreamscape that is considerably darker in tone that the balletâÂÂ. The âÂÂsheer opulenceâ was praised for being impressive but they thought the film âÂÂnever feels magicalâ and was more âÂÂlike being in a department store at the height of the Christmas season and not knowing where to look.âÂÂ
Chicago Tribune gave the film a mixed review. They thought that despite the anticipation of director Christine Edzard's âÂÂuniquely charmingly sensibilityâÂÂ, the film âÂÂdisappointedâ due to the use of actors instead of dancers. Nevertheless, it is âÂÂan intelligent and sumptuous interludeâÂÂ.