The Dinner () is a 2025 comedy film directed by Manuel Gómez Pereira from a screenplay co-written with JoaquÃÂn Oristrell and Yolanda GarcÃÂa Serrano based on a play by José Luis Alonso de Santos. The plot follows a young lieutenant (Mario Casas), and a conscientious maître d'hôtel (Alberto San Juan) as they try to organize a banquet at Madrid's Hotel Palace for a clique of Francoist generals just weeks after the end of the Spanish Civil War.
The film was presented in a RTVE-hosted gala of the 73rd San Sebastián International Film Festival on 24 September 2025 ahead of its 17 October 2025 theatrical release in Spain by A Contracorriente Films. It won Best Adapted Screenplay and Best Costume Design at the 40th Goya Awards.
Weeks after the end of the Spanish Civil War, lieutenant Santiago Medina arrives in the Hotel Palace of Madrid, then operating as a hospital for wounded, asking the maître Genaro Palazón to prepare a banquet at the hotel for Francisco Franco and his generals.
The complicated arrangements for organizing the dinner unfold afterwards. Genaro asks him for the liberation of a list of leftist cooks about to be executed as there were reportedly no adequate right-leaning cooks in Madrid at the time, while pregnant nurse MarÃÂa mischievously includes her partner (and future father of her child) ÃÂngel in the list, and so Genaro bills ÃÂngel as the somelier. One of the cooks in the list, Antón, refuses to cook for Franco, and Falange official Alonso kills him on the spot. Genaro convinces Medina to liberate female cook Juana, a strong-willed CNT union leader and ÃÂngel's mother, to cover the vacant place. While working together, Genaro repeatedly tries to befriend lieutenant Medina, with little success, although he invites the officer to a cup of wine from the cellar. Psychopathic Alonso is troubled with rat infestation in the hotel, and is caught shooting at what he identifies as rodents. He also requires the dinner to feature music, and Genaro arranges for MarÃÂa (also a singer) and an all-female orchestra to play a repertory. After Alonso is presented the band members, derided by Alonso as whores, he tries to sexually abuse MarÃÂa, who manages to rebuff him by telling that she suffers from syphilis. The cooks devise a plan to escape and to convince right-wing monarchist Genaro to go along. The waiter service, prominently including fascist El RubioâÂÂwho also unsuccessfully vies for MarÃÂa's attentionsâÂÂand his alcoholic aunt Flora also appear, raising tension with the cooks, who believe they were betrayed by them. Alonso also requires for flowers, and Galician officer Chapero, subordinate to Medina, finds some bouquets in the church. Genaro foils an attempt by one of the cooks (Epifanio) to kill the dinner attendees with rat poison.
Luchi, Medina's social climbing wife, appears in the hotel unexpectedly and invites herself to the dinner despite Medina's opposition. Alonso ends up bedding Luchi, to Medina's dismay. After joining the escape plan, haunted by Flora's comment stating that there was no place in the New Spain for homosexual men like him, Genaro arranges for the escape to take place with the delivery of the cake and the playing of the song "Soldadito español". MarÃÂa tells ÃÂngel to meet her family at "Chez Tonton" in Hendaye and wait for her. El Rubio fights ÃÂngel over MarÃÂa in the dressing room, and breaks his neck after falling and hitting with the edge of a sink. Genaro and ÃÂngel hide the body in a closet. Genaro tries to contain his sexual excitement as he visits Medina, who is asleep in Genaro's room's bathtub after smoking a joint.
At the dinner, Franco, sit next to his wife Carmen Polo, seems to enjoy the dishes (even if the soup contained Epifanio's urine) and despite his reluctance to alcoholic drinks, somelier ÃÂngel and Genaro get him drunk on alcohol with serial toasts. After being rescued by Flora, El Rubio, maddened and covered in blood, breaks into the dinner with a hammer trying to attack ÃÂngel, but he is shot dead by Alonso, believing El Rubio to be attempting to kill Franco. After the cooks put the moorish guards in the kitchen to sleep with chloroform, and knock Chapero out, Genaro and the cooks escape through the church, where the group split, as some members head for Cieza, another one for visiting a relative in Auschwitz, and Juana and ÃÂngel for Hendaye. Genaro is stopped on the street by Medina, who points a gun at him. Alonso also breaks into scene and tries to kill them while inveighing homophobic slurs against them but Genaro kills him instead, and manages to convince Medina to go with him.
Months later, MarÃÂa, ÃÂngel, Juana, Genaro, and Medina celebrate in Hendaye. After people comes knocking at the door, Medina explains that they are required to prepare another dinner for Franco and another man.
Written by JoaquÃÂn Oristrell, Yolanda GarcÃÂa Serrano, and Manuel Gómez Pereira, the screenplay is based on the play ' by José Luis Alonso de Santos. The film is a Spanish-French co-production by La Terraza Films, Turanga Films, Sideral Cinema, Entre Medina y Genaro AIE, and Halley Production, with the participation of RTVE, Movistar Plus+, and Crea SGR. worked as cinematographer. Shooting locations included Valencia (Palau de les Comunicacions, Ateneo Mercantil, CEV Building), and Las Palmas.
The film was presented at a RTVE gala during the 73rd San Sebastián International Film Festival on 24 September 2025. Distributed by A Contracorriente Films, it was released theatrically in Spain on 17 October 2025. Opening in 294 screens, it grossed â¬465,670 (65,337 admissions) in its first weekend. It also received a screening at the Teatre Principal as the opening film of the 40th Mostra de València. The film's box office performance posted a -5% drop in its second weekend for a total gross of about â¬1.3 million. By the end of 2025, it had grossed of around â¬3.7 million.
Miguel ÃÂngel Sánchez of HobbyConsolas gave the film 80 points () declaring it "one of the best Spanish comedies of recent times, which uses humour to illustrate a terrible era", mentioning the "superlative" performances by Casas and San Juan among the best things about it while noting its inability to trascend clichés and commonplaces as a negative point.
Philipp Engel of CinemanÃÂa rated the film 3ý out of 5 stars, tentatively declaring it a sort of potential prequel to Love Can Seriously Damage Your Health, deeming The Dinner to be a "well-crafted vaudeville" like the former.
Pablo Vázquez of Fotogramas rated the film 4 out of 5 stars, singling out "the play between Casas and a gigantic San Juan" as the best thing about it.
Javier Ocaña of El PaÃÂs deemed the film to be a "great comedy" elegantly linking up "the necessity of memory, the value of dignity, the nobility of ideals of freedom, the heartbreak of tragedy, and the bright laughter of ridicule".
|- | rowspan = "3" | | rowspan = "2" | 8th Lola Gaos Awards || Best Supporting Actress || Gloria March Chulvi || || rowspan = "2" | |- | Best Art Direction || Maje Tarazona || |- | 31st Forqué Awards || Best Actor in a Film || Alberto San Juan || || |- | rowspan = "25" | | rowspan = "5" | 13th Feroz Awards | colspan = "2" | Best Comedy Film || || rowspan = "5" | |- | Best Main Actor in a Film || Alberto San Juan || |- | Best Supporting Actress in a Film || Elvira MÃÂnguez || |- | Best Supporting Actor in a Film || Asier Etxeandia || |- | Best Trailer || Alberto de Toro || |- | rowspan = "3" | 81st CEC Medals || Best Adapted Screenplay || JoaquÃÂn Oristrell, Manuel Gómez Pereira, Yolanda GarcÃÂa Serrano || || rowspan = "3" | |- | Best Actor || Alberto San Juan || |- | Best Supporting Actress || Elvira MÃÂnguez || |- | rowspan = "8" | 40th Goya Awards || colspan = "2" | Best Film || || rowspan = "8" | |- | Best Adapted Screenplay || JoaquÃÂn Oristrell, Manuel Gómez Pereira, Yolanda GarcÃÂa Serrano || |- | Best Actor || Alberto San Juan || |- | Best Supporting Actress || Elvira MÃÂnguez || |- | Best New Actress || Nora Hernández || |- | Best Art Direction || Koldo Vallés || |- | Best Costume Design || Helena Sanchis || |- | Best Original Song || "Y mientras tanto, canto" by VÃÂctor Manuel || |- | rowspan = "4" | 34th Actors and Actresses Union Awards || Best Film Actor in a Leading Role || Alberto San Juan || || rowspan = "4" | |- | Best Film Actor in a Minor Role || Carlos Serrano || |- | Best Film Actress in a Minor Role || Elvira MÃÂnguez || |- | Best New Actress || Nora Hernández || |- | 9th ALMA Awards || Best Screenplay in a Comedy Film || Yolanda GarcÃÂa Serrano, Manuel Gómez Pereira, JoaquÃÂn Oristrell || || |- | rowspan = "4" | 13th Platino Awards || colspan = "2" | Best Ibero-American Comedy Film || || rowspan = "4" | |- | Best Actor || Alberto San Juan || |- | Best Art Direction || Koldo Vallés || |- | Best Costume Design || Helena Sanchis || |-