Teodora Enache-Brody (30 September 1967, OneÃÂti) is a Romanian jazz singer, songwriter and lyricist. She is considered one of Romania's foremost jazz vocalists.
Teodora Enache studied mathematics at Alexandru Ioan Cuza University in IaÃÂi graduating with honors in 1991, before deciding to move into music professionally. Her first high-profile public performance was in 1993 at the Sibiu Jazz Festival.
During her career, Teodora has collaborated with artists and musicians including Johnny RÃÂducanu, Stanley Jordan, Benny Rietveld, Theodosii Spassov, Burton Greene, Lars Danielsson, Darius Brubeck, CÃÂtÃÂlin Târcolea, Guido Manusardi, Ion Baciu Jr., Lucian Maxim, Marius Mihalache, Joca Perpignan, CÃÂlin Grigoriu, and RÃÂzvan Suma.
Teodora's career spans over a period of more than 25 years. She used jazz and improvisation as a vehicle on her journey through various cultures and music genres (jazz, world music, gospel, African music, ethno-jazz, Romanian Doina, classical music, swing etc.).
As a graduate of the Mathematics University in Iasi, Romania, Teodora fondly remembers that âÂÂentering the world of jazz was like going into a jungle where my only weapon was my endless love of jazz and improvisationâÂÂ. Inspired by her jazz idol, Ella Fitzgerald, Teodora makes her debut at the Sibiu Jazz Festival, Romania, in 1993.
For 10 years she studies in the Johnny RÃÂducanu Jazz Academy, working with some of the best Romanian musicians. This is a formative time in her career. Ever since the beginnings, Johnny RÃÂducanu was saying about her: âÂÂTeodora sings her heart out.âÂÂ
After a few years, she discovers the music of the great Romanian singer Maria TÃÂnase, who becomes her next idol. Teodora becomes the first artist to include a Doina - Romanian musical tune style, customary in Romanian peasant music - in a jazz concert. She becomes the pioneer of the ethno-jazz trend in Romania. The playfulness and easiness in crossing the boundaries of these two music genres starts to shape her personality.
This is the time when Teodora starts to build up a bridge between American and Romanian music. She takes on the mission of promoting the Romanian Doina worldwide and sing it on every stage she is invited to perform on, considering the Doina as the âÂÂRomanian bluesâÂÂ. From now on, her projects bring together artists of various ethnicities, making music about their Roots, with the help of jazz as an international music language.
Her project entitled âÂÂBack to my Rootsâ is a success, and is followed by an extended European Tour as well as an American Tour (International House of Columbia University, New York; Kuumbwa Jazz Center, Santa Cruz; Arts Museum â Legion of Honor, San Francisco; Cal Tech University, Los Angeles and Corcoran Museum, Washington).
In 2004 Teodora is invited by the American Government to become a member of the International Visitor's Programme as the Cultural Romanian Ambassador to the USA.
She performs in many jazz festivals all over the world, alongside well-known jazz musicians:
÷ ààààMontreux Jazz Festival, with Grammy nominee guitarist Stanley Jordan
÷ ààààPanama International Festival for the Grand Opening of the Panama Canal ceremonies
÷ ààààLibrary of Congress
÷ ààààZuricher Theater, with Johnny RÃÂducanu
÷ ààààIridium Club, New York, with Les Paul
÷ ààààRomanian Athenaeum, with Stanley Jordan
÷ ààààLugano Jazz Festival, with Stanley Jordan
÷ ààààMarciac Jazz Festival, with Stanley Jordan
÷ ààààBozar Hall, with Stanley Jordan
÷ ààààBlues Alley, Washington, as the guest of Curtis Fuller
÷ ààààCorcoran Museum, with Johnny RÃÂducanu
Teodora continues her collaboration with a series of great jazz musicians such as: Benny Rietveld, Stanley Jordan, Theodosii Spassov, Lars Danielsson, Johnny RÃÂducanu, Les Paul, Curtis Fuller, Eric Legnini, Phillippe Duchemin, Guido Manusardi, Daniele di Bonaventura, Ion Baciu, Al Copley etc.
In 2005 she records her first jazz DVD in the USA alongside Johnny RÃÂducanu. It is entitled: âÂÂJazz Made in Romania. Two icons of jazz - Teodora Enache & Johnny RÃÂducanuâ and it receives the Award for the âÂÂBest Short Musicalâ at the Poppy Jasper International Film Festival in the USA.
After 2013, Teodora has a fresh approach in her career. It is during this period that she discovers that a deep connection unites us all, regardless of our different stories, origins, ethnicity, religion or political beliefs. She believes that above all our boundaries and human limitations there is something higher that brings us all together. She calls it âÂÂOur Common RootâÂÂ. This whole introspection period leads to an immense desire to compose. So she starts writing music as well as writing about her experiences. All of her work is now centered on her belief that: âÂÂWe actually have ONE SINGLE ROOTâ¦. Through music, we find that common root, our source of energy.âÂÂ
During this period, she turns to poet Kahlil Gibran for inspiration and starts writing the music for his lyrics.
This is how âÂÂThe Prophetâ project is born. The music, as well as the entire vision for the show, bear Teodora's signature. The performance is graced by actress Oana Pellea, who gladly partners with Teodora on this project.
In the same time, the artist continues to take on other projects as well, alongside remarkable musicians from all over the world. Teodora and Benny Rietveld (9-time Grammy Award winner, Miles Davisâ former bass player, and currently Carlo Santana's bassist and musical director) along with his quintet organize a tour entitled âÂÂTransfigurationâÂÂ. The success of this project leads to the birth of an album with the same name. The recordings for this CD take place in Las Vegas and the famous âÂÂAbbey Road Studiosâ in London.
On her plane journey back from Las Vegas, after a very intense recording session, Teodora comes up with the idea for an original new album based on the works of the Hungarian composer Bela Bartók. Half an year later she teams up with Theodosii Spassov (the great Bulgarian kaval artist) and records an album entitled âÂÂIncantations â Homage To Bela BartókâÂÂ. This project is a world premiere, as this is the first time Bartók's music is played in a jazz key.
Between 2016 and 2018 she takes on the role of artistic director of the Bucharest International Jazz Festival. Talented musicians are invited to join the festival, to the delight of the audience. Teodora introduces new projects for the younger generation of musicians, giving them the chance to take part in a variety of workshops.
In 2017 the artist moves to Germany. She continues on her exploration journey. Music starts to reveal its deeper meaning. In 2018 she records a new album at the Art of June Studios in Germany. The CD is called âÂÂSound of the ROOTâÂÂ, which includes an original interpretation of the 1st and 2nd Romanian Rhapsodies by George Enescu, and it will be released in 2019.
This is the moment when she first approaches the music composed by George Enescu â an encounter which gives rise to a world premiere. It is for the first time ever when Enescu's Romanian Rhapsodies â included in their repertoire by the most important orchestras worldwide â got a vocal version. The project entitled âÂÂFrom Classical to Jazzâ was conceived by Teodora Enache. The two works received a modern, jazz interpretation and the musical arrangements were produced by Teodora and the guitarist CÃÂlin Grigoriu.
The concert conceived around Enescu's works was sold out 3 days before and it took place in the Great Hall of the Bucharest National Theater on September 9, 2019. Created especially for the 2019 edition of the âÂÂGeorge Enescuâ International Festival, the project featured Teodora Enache (voice), CÃÂlin Grigoriu (guitar), Joca Perpignan, from Israel, (percussion) and RÃÂzvan Suma (cello) â as a special guest. Besides Enescu's Rhapsodies, the concert included also classical works like Bartók's Romanian Folk Dances, Beethoven's Moonlight Sonata, Bach's Air on a G String and Pachelbel's Canon.
âÂÂWhen I heard her for the first time I felt her energy straight in my heart, something only Ella Fitzgerald has made me feel.â â Ahmet Ertegun, Founder of Atlantic Records
âÂÂTeodora has a spiritual vision in music.â â Benny Rietveld, 9-time Grammy Award winner, SantanaâÂÂs Bass Player and Musical Director
âÂÂTeodora is one of the few voices in the whole world that goes easily from the ethnical emission and improvisation to jazz improvisation. ItâÂÂs a very special born talent that takes you smoothly from the world of Doina to the world of Blues, uniting both of them in a unique way.â â Sergey Shishov, Creator and Host of âÂÂPictures at an Exhibitionâ Radio show on the Bulgarian National Radio
âÂÂTeodora is such a powerful artist, mixing the deep sound of jazz and blues with that mystical sound coming from her roots. Her special vocal technique, coming from classical training, is perfect, she can moan like a black singer and then reach the highest pitch⦠So original and difficult to imitate. She is unique.â â Heinz Hess, Jazz Producer at the âÂÂArt of June StudiosâÂÂ, Germany
âÂÂTeodoraâÂÂs voice has the passion of fire; her impressive vocal range touches the sky, but comes from the depths of her soul with great strength. TeodoraâÂÂs music has spiritual dimensions.â â Florian Lungu, Romanian Jazz critic
âÂÂYou are part of our family â you really sing from the bottom of your heart!â â Johnny Griffin, American jazz tenor saxophonist, awarded the Honorary Doctorate of Music at Berklee College of Music
âÂÂKeep an eye on her! SheâÂÂs one of a kind!â â Michel Bedin, Journalist at Jazz Hot Magazine
âÂÂTeodora sings for life and for death.â â Johnny RÃÂducanu, jazz musician and composer, considered the âÂÂfatherâ of Romanian jazz
âÂÂA black voice in white skin.â â Elle Magazine
âÂÂI will always remember the way she sang My Funny Valentine.â â Curtis Fuller, American jazz trombonist, known as a member of Art BlakeyâÂÂs Jazz Messengers and contributor to many classic jazz recordings.
âÂÂTeodoraâÂÂs voice bears in the depths the pure black jazz, but also the incantations of the Doina⦠Due to her singing technique, TeodoraâÂÂs voice rises as a âÂÂmorning nightingaleâ to heights that are almost impossible to reach, acquiring an ambitus similar to the range of a musical instrument.â â Dan Priscornic, TeodoraâÂÂs canto teacher