Teng Ming-Tun () (born 1962) is a Taiwanese artist specialising in oil painting, watercolours and pastels. He is considered a pioneer in the artistic field of contemporary abstraction.
Teng Ming-Tun (é§æÂÂ墩) was born in Taichung City, Taiwan Province, in 1962. He is a 16th-generation descendant of Teng Yanba (é§彥æÂÂ), of which lineage traditionally bears the character Tun (æ¦) in its members' given names. Teng began learning painting at an early age and started teaching himself at approximately six years old. His grandfather, Teng Kung-hsien (é§æÂÂè³¢), also known as Hui Fu (æ §ç¦Â), served as director of Guanshan Temple in Taichung City. During renovations of the temple, artists were commissioned by the abbot to produce religious artworks, such as Buddha statues and other symbolic painting. Observing the restoration process provided Teng with exposure to artistic production and fuelled his interest in art. He often used his grandfather's tools to practice calligraphy as a young child, which led him to acquire foundational knowledge in writing and drawing.
Teng participated in several sketching competitions in elementary school, from second grade onwards. In his fifth grade, he received first place in a sketching competition held at Zhongshan Park in central Taichung. Teng subsequently attended Juren Junior High School, where he studied painting for three years under Li Yuande and practised sketching throughout the Taichung area. He further studied art in the art department of Mingdao Middle School, where he learnt bamboo carving and three-dimensional art production under the bamboo sculptor Chen Chunming.
After completing his military service, Teng worked in advertising art design and real estate agency planning. In 1992, he began to focus on fine art research and practice, especially in oil painting. In 1997, he was invited to hold his first solo exhibition at the Fanshi Art Center in Taichung City. He later continued to create and publish artworks at his home studio in Dali, Taichung. In 2006, Teng established a studio in the southern district of Taichung City, where he continued creating paintings and started teaching students. During this period, he began documenting his creative process through video recordings, which were later published online for educational and research purposes. Teng relocated his studio back to Dali in 2017. In 2019, Teng began creating a series of abstract paintings, followed in 2021 by the promotion and exhibition of the first chapter of his ink and wash cursive paintings.
From 1992 to 2008, Teng mainly studied landscape painting, both in realistic or freehand technique. His artistic style during this period was influenced by French Impressionism, particularly in its representation on light and color in which Teng showed considerable skill, and by the work of Claude Monet. In addition to landscape projects, Teng also experimented with Impressionist brushwork and colors in combination with themes associated with Eastern culture. His paintings featured characters such as Guanyin, Vajrapani, Vajrayaká¹£a, Zhong Kui represented through a fusion of Chinese and Western stylistic elements. In later developments, he incorporated Fauvism into semi-abstract paintings, in a comparable style to Liao Chi-chun's. Following a visit to Jiufen in 1995, which became a source of artistic inspiration, he combined Impressionist and Fauvist techniques to complete the piece Jiufen Spring 50F.
From 2009 to 2018, Teng produced the Misty series. These pieces were created using only a monochromatic purple-blue palette. Layered, mist-like effects were used to create subdued, cold lighting and indistinct visual forms. The series has been interpreted as expressing and symbolising themes such as history, belief systems, memory, and the passage of time. The Misty series represents a distinct phase in TengâÂÂs artistic development. Notable works from this period include portraits and thematic paintings referencing figures such as Dutch post-impressionist painter Vincent van Gogh, Chinese ink painter Zhang Daqian, Taiwanese painter Li Meishu, Renaissance painter Michelangelo, as well as singers Jinmen Wang and Li Binghui who appear in his artwork Wandering to Tamsui (2016), which also features Tamsui Guanyin Mountain. Martial arts stars Bruce Lee and Chuck Norris.
Teng shifted towards abstract painting in 2019, and produced a series of three works entitled: Ink and Wash Cursive, One is Everything, and Qi and Molecules. His abstract pieces, based on figurative and impressionistic techniques and inspired by forms in Chinese cursive calligraphy, combined wet ink and dry oil brushwork. The publication of these artworks has opened up new forms of artistic expression in Taiwanese abstract art. Notable works by Teng include Taixu, an ink and cursive oil painting created in 2021, which predicted that the Event Horizon Telescope (EHT) international cooperation project would release the image of Sagittarius A on the evening of May 12, 2022, Taiwan Time.
In 2022, Teng began the Soul of Mountains and Spirits of Trees series, returning to more representational techniques to depict mountain and forest scenery in Taiwan. Part of his work is displayed in the Yongdu Art Museum.
In 2011, Teng published Mist & Lost, a collection of his oil paintings from 2008 to 2010.
Teng participated in the Tzu Chi Great Love Hope Project donation campaign organised in response to the 921 Earthquake, and donated paintings to support victims in Taichung. He also contributed to efforts led by Xinhua Charitable Foundation for poverty relief, and the Zhou Daguan Foundation to raise funds for children with cancer.