A is a traditional Japanese figurine representing a chubby, smiling Japanese raccoon dog (tanuki), usually wearing a straw hat, holding a bottle of sake, a promissory note, and an exaggerated scrotum. Originating in local folklore from the Kansai region, these okimono, usually made of ceramic, are an omnipresent element of Japanese craftsmanship. Considered a symbol of luck and prosperity, they can be seen throughout Japan, especially in rural areas and near establishments such as shops, inns, and places of worship.
The name tanuki no okimono (ç¸ã®置ç©) simply means "tanuki ornament." It is also sometimes referred to as Shigaraki-yaki tanuki (信楽ç¼ç¸; "Shigaraki ceramic tanuki"), since these sculptures mainly come from the small town of Shigaraki in Shiga Prefecture. In fact, the figurine does not have a single standardized name, and there is no clear consensus across translations.
The statues are usually brown in color, ranging from light brown to nearly black. The ears are generally rounded on the sides of the head, but some older statues without straw hats have more pointed, upright ears positioned on top of the head.
Among the tanukiâÂÂs attributes are:
In addition to the eight attributes, the tanuki also carries symbolic meaning in its name, which sounds like ta-nuki (ä»ÂæÂÂãÂÂ; âÂÂto surpass othersâÂÂ), with the idea that even if the animal faces stronger opponents, it can use kindness, cunning, or humility to escape bad situations.
The general public often mistakenly believes that tanuki statues are ancestral relics of old Japan, confusing them with the Shigaraki ceramics called tsubo (壷), whose crafting techniques date back to the 12 century. Since these statues are widespread throughout Japan, they are sometimes associated with a âÂÂstandardâ form of bake-danuki, the mythical form of the raccoon dog in Japanese folklore.
The iconography of the tanuki holding a sake flask originates in the association of raccoon dogs with the Nada region, located between Osaka and Kobe. Called mameda (è±Âç¸; âÂÂbean field animalâÂÂ) and later mame-danuki (è±Âç¸; âÂÂbean-tanukiâÂÂ), it was described as a yà Âkai with a strong liking for red beans and sake, to the point of stealing them from humans on rainy days. A belief among brewers in the region held that only mamedanuki could produce good sake, reinforcing the association between tanuki and alcohol production.
By the late 16th century, Nada was already a major sake-producing area. Locals would bring flasks to fill directly from brewersâ barrels. Children often accompanied their parents or were tasked with filling the flasks, sometimes failing to honor the promissory notes given in exchange. Such tales inspired stories and songs about mamedanuki carrying a sake flask in one hand and a promissory note it never repaid in the other.
The first known tanuki statues date back to the late 19th century and were called Sake kai kozà  no tanuki (é Âè²·ãÂÂå°Âå§ã®ç¸; âÂÂtanuki boy buying sakeâÂÂ) or simply Sake kai tanuki (é Âè²·ãÂÂç¸; âÂÂsake-buying tanukiâÂÂ), though their precise origin remains unclear.
These statues borrowed elements from the folkloric bake-danuki, such as the large belly and oversized scrotum, which in reality were associated with the use of tanuki skin in percussion instruments or metalworking. More modern elements appeared, like the straw hatâÂÂlikely inherited from depictions of mamedanuki sheltering from the rain with lotus leaves, umbrellas, or their own scrotum, though hats are absent in the oldest depictions.
The current standardized representation, now widespread in Japan, was reportedly developed by Fujiwara Tetsuzà Â, a potter who settled in Shigaraki in 1936 and devoted his career to tanuki statues, inspired by seeing a bake-danuki perform belly drumming as a child in Kyoto. In 1951, during an imperial visit, the town prepared a row of tanuki statues waving flags. Emperor Hirohito was so charmed by the welcome that he wrote a poem about it. The story, widely covered by the media, greatly contributed to the statuesâ popularity.
Though traditionally depicted standing with a round belly and male attributes, tanuki statues exist in many variants. Some adopt alternative postures, such as reclining or crossing arms, while others are inspired by local folktales such as Bunbuku chagama. Female tanuki statues exist, sometimes with breasts or carrying babies, as well as statues holding various objects such as lanterns or other animals, especially owls. Many statues wear costumes, most often monksâ robes or even Santa Claus outfits. Some incorporate hybrid features, such as raccoon-striped tails, or depict other animals or humans, including caricatured celebrities.
Since 2012, November 8 has been celebrated as "Shigaraki Tanuki Day" (信楽ãÂÂã‹ÂÂã®æÂÂ¥; Shigaraki tanuki no hi). The event, created to honor the tanukiâÂÂs role in local culture, also promotes other aspects of Shigaraki production, with festivities lasting several weeks.
In confectionery, tanuki kÃÂki (ç¸ã±ã¼ãÂÂ; âÂÂtanuki cakeâÂÂ) is a small cake resembling the ceramic figures, made of custard cream covered in chocolate, placed on a pastry base such as a cupcake, tart, or fondant. It is sometimes sold under names like pompoko, badjà(âÂÂbadgerâÂÂ) or burerà  (blaireau, french for badger) but mistranslations often lead to retaining the name "tanuki."