The Sunrisers Drum and Bugle Corps is an all-age competitive drum corps based on Long Island, New York. The corps is a member of Drum Corps Associates (DCA) and Drum Corps International (DCI) and competes in the All-Age Class.
The Sunrisers have won six DCA World Class Championship titles, one DCA Class A World Championship title, and one American Legion National Championship title. The corps is historically notable for being the first in drum corps history to receive a perfect score in the General Effect Brass caption in 1978, for delivering a âÂÂticklessâ snare performance in 1983, and setting a world record high Class A score in 2007. The Sunrisers also won the DCA Best Percussion award for five consecutive years and earned two consecutive DCA Best Color Guard titles.
The corps has been recognized for its role in advancing female participation in drum corps. The Sunrisers included the first DCA female color guard member, the first mixed-gender guard, the first DCA female instrumentalist and horn player, and the first DCA female lead soprano and soloist.
The Sunrisers Drum and Bugle Corps was founded in 1950 in Lakeview, West Hempstead, Long Island. Its origins trace to a meeting of a Marine Corps League, during which John Hodge, a World War II veteran and former U.S. Marine, proposed establishing a youth music program. HodgeâÂÂs proposal led to the creation of the MarineâÂÂs Memorial Drum Corps of Nassau County, initially operating as a junior parade corps.
The early corps acquired its first set of instruments from the Hempstead Fire Department for $140, a purchase that included four snare drums, two bass drums, fifteen G bugles, cymbals, and several additional instruments.
By 1953, the junior corps was struggling due to declining youth membership. In response, Hodge announced that the Sunrisers would be re-formatted as a senior corps. The change quickly boosted membership, attracting former players from pre-war corps who had relocated to Long Island. In the spring of 1953, bugle instructor Ray Nichols assembled a 20-man hornline. The instructional staff expanded to include drum instructor Herb Weir, bass drummer Harry Porffitt, and bass drummer Fred Rose, who would later become the corpsâ manager. The surge in membership enabled the purchase of new valve horns, drums, and uniforms reflecting Nassau CountyâÂÂs colorsâÂÂorange, blue, and white. To honor Nicholas's French compositional arrangement, blue berets became the new headgear for the corps.
In 1954, the drum corpsâ name was changed to the Sunrisers when Hodge, while listening to the radio, heard the song "The World is Waiting for the Sunrise" by Les Paul and Mary Ford. Nicholas arranged the theme for the corps and the song became the corpsâ signature piece until it was later replaced with Battle Hymn of the Republic.
From 1954 through 1957, the Sunrisers were a prominent corps in the Long Island area, participating in numerous parades and exhibitions, competing in standstill competitions, and winning in all categories.
Instructor Jack Dobson and the Sunriser management enrolled the corps in the Yankee Circuit, with their first show taking place in New Rochelle in 1958. The Sunrisers placed last with a score of 58.2, but nevertheless made a strong impression on other corps, who remarked Sun was a "nice corps," noting their appreciation of their "little French berets.â From that moment forward, the Sunrisers began transforming from a parade corps into a competitive field corps.
Over the next eight years, the corps competed across both the Yankee and Northeastern circuits. With limited junior corps opportunities in New York State, younger performers increasingly joined the corps, gradually shifting its traditionally military membership into a more traditional "all-age" corps. During this period, the corps also welcomed several legendary musiciansâÂÂSteve Buglino, Brian O'Connell, Skip Heaney, and Paul KeglanoâÂÂwhose contributions would help define the Sunrisersâ developing sound.
In 1963, the Sunrisers performed on the stage of Carnegie Hall. Sunriser lead soprano Frank Dorritie, Grammy-winning artist, recounted his experience as he stepped onto the stage:<blockquote>"...the curtain opened and spots and footlights nearly blinded us. Squinting, I could make out the edge of the stage, boom stands holding Dick Blake's microphones and finally, the people in the balconies that seemed stacked one upon the other to the sky."</blockquote>A significant milestone came when the corps earned third place at the Roosevelt Stadium prelims, placing among top competitors. That performanceâÂÂhighlighted by a Billy CobhamâÂÂinspired drum soloâÂÂmarked a major turning point for the organization and signaled the Sunrisersâ emergence as a rising force on the competitive field.
The corps joined Drum Corps Associates (DCA) in 1966 after rising through the Northeastern and Interstate circuits. In their inaugural DCA season, the corps placed second to the Hawthorne Caballeros Drum and Bugle Corps by 1.10 points at J. Birney Crum Stadium in Allentown, Pennsylvania.
In 1968, the Sunrisers won the American Legion National Championship. Their show was remembered for its development of a new movement style based on a relaxed, controlled 25-inch stride. The Sunrisers also performed at the Macy's Day Parade.
Although the corps did not receive any major awards, the 1969 season is generally considered the Sunrisersâ finest of the decade. Highlights included their notable performance of âÂÂProcession of the Nobles,â the first DCA corps to introduce a female guard member as well as a mixed-gender guard, and the incorporation of G-F bugles into the corps. This year was also significant as John Sasso, former principal horn of the New York Philharmonic, began integrating ensemble etudes, exercises, and chorales into brass training. Rookie lead soprano Warne Downey would later adapt the studies he learned at Sunrisers for use with the Blue Devils Drum and Bugle Corps.
From 1970 to 1972, the corps experienced a changing of the guard in staff, management, and overall direction. As DCA competition became increasingly competitive, the corpsâÂÂdespite being considered strong and popularâÂÂdid not contend for first place.
In 1974, Mike DeLorenzo was appointed as the corpsâ new director. The Sunrisers began to attract an influx of younger members from New Jersey, New York City, and Westchester County, New York. However, the corps struggled with a small hornline and ultimately finished in eighth place.
The corps experienced a dramatic shift toward promise in 1975. Gene Bennett--Sunriser guard captain, drum major, and drill technician--designed the Sunrisersâ visual program, while John Sasso led the brass program. Ray Fallon--widely recognized as one of the most creative brass arrangers in the drum and bugle corps community--joined John ArietanoâÂÂa Sunriser brass veteran since 1966 and arrangerâÂÂin taking on larger roles as brass instructors and arrangers. The corps also hired several of the most prominent percussion staff in the scene, including Dennis DeLucia, Dave Francischina, Brian Callahan, Rich Sassani, and Jim Mellon.
In 1976, at their first show of the season in Teaneck, New Jersey, the corps adopted Aussie-style hats. They performed their opener "Procession of the Nobles" as a reference to famous 1969 season and finished third at DCA finals.
The 1977 DCA season featured a closely contested title battle between the Sunrisers and the Hawthorne Caballeros. Throughout the season, both corps consistently placed ahead of all other competitors, with the Sunrisers defeating the Caballeros in several shows and narrowly losing in others.
The Sunrisersâ 1977 show design and arrangements were led by Bennett, Arietano, and DeLucia, with additional staff support from Dave and Pete Francischina, Sassani, Tom McCarthy, Ted Sasso, and Ted Human. Tom Hart served as drum major.
At the DCA Prelims held at J. Birney Crum Stadium in Allentown, Pennsylvania, the Sunrisers finished three points ahead of the Caballeros.
At finals, the Sunrisers were awarded first place over the Caballeros by only five-hundredths of a point, scoring 94.15, earning the corps its first DCA World Championship.
In 1978, the corps won first place by nearly three points and earned caption awards for horns, percussion, color guard, and general effect. The Sunrisers also received the first-ever perfect score in the General Effect Brass caption.
The Sunrisers entered the 1979 season with a large brass section, a highly regarded drum line, and a strong color guard. Despite these strengths, the corps was unable to secure a third consecutive championship, finishing third at finals while winning the percussion caption award.
The 1980 season was a rebuilding year for the Sunrisers following the departure of several longtime members and the retirement of staff members Mike DeLorenzo and Gene Bennett. Veteran member Len Herring Jr. assumed the role of corps director, while Bobby Hoffman, formerly of the Bayonne Bridgemen, was hired to design the drill for the season. Brass arranger John Arietano introduced a version of "Send in the Clowns" that would become a signature piece for the corps, and Dennis Dewey joined as brass coordinator. The corps was awarded with the percussion caption award and placed sixth with a score of 83.150.
The season also featured a memorable incident involving the Westshoremen at finals: after their performance, the Sunrisers released a flock of birds that were expected to fly away but instead remained on the field, delaying the Sunrisersâ start. DCA judge Walter Kelly allegedly fired a pistol in an attempt to scare the birds away.
In 1981, the Sunrisers debuted a bright new uniform featuring orange tunic-style tops and blue pants, alongside a show incorporating pop, jazz, and Broadway tunes. The Sunrisersâ battery won the percussion trophy at DCA Finals, and the corps placed second overall.
In 1982, the corps overcame a slow start to capture the DCA Championship, winning by two points. The percussion section again received top honors.
The 1983 season saw the Sunrisers place first at DCA Finals, while winning trophies for horns, drums, general effect, and color guard. The corps also showcased its strongest battery since its founding, marking the percussion sectionâÂÂs sixth consecutive year earning top honors in DCA, with the snare line delivering a standout âÂÂticklesâ performance. However, key staff changes occurred: Dennis Dewey left the corps, and Dennis DeLucia and John Arietano joined the staff of the Hawthorne Caballeros.
The Sunrisers retained a core group of veteran members in 1984, but this was insufficient to contend for the DCA title. The corps finished fourth at finals.
In 1985, the corps relocated from Long Island to New Jersey. At the DCA Championships, the Sunrisers delivered a well-received performance and placed third.
The 1986 season featured a Fiddler on the Roof-themed show. The corps finished sixth at DCA Finals.
The 1987 season became known as the âÂÂrain-outâ year because the DCA Championship finals were canceled due to weather. The Sunrisers had won the preliminary competition by two points. With the field rendered muddy and unsafe for marching, the decision was made to cancel the finals and award the championship based on prelims scores, giving the Sunrisers their fifth DCA title.
In 1988, Gary Williams became the director of the corps. At DCA Finals, the Sunrisers tied with the Bushwackers Drum and Bugle Corps of Princeton, New Jersey, for first place with a score of 96.36. This marked the first tie for a gold medal at DCA Finals, earning the Sunrisers their sixth competitive title.
At the 1989 DCA Finals, the Sunrisers again tied with the Bushwakers for first place. However, under a new DCA tiebreaker system that used the overall General Effect score to determine the champion, the Bushwackers were awarded the title by one-tenth of a point over the Sunrisers.
Following the 1989 season, the Sunrisers experienced a sharp decline in membership. In 1990, the corps placed ninth at DCA Finals. The following year, 1991, the corps missed finals entirely, finishing 11th in prelims. In 1992, the corps returned to finals in an expanded 12-corps field, finishing 12th.
In 1993, the Sunrisers went inactive for the season. However, members and alumni formed a mini-corps to compete in DCA weekend competitions. During this period, longtime drum major Tony Cataniel passed away. When the corps returned in 1994, his sister RoseâÂÂherself a veteran member of the Sunrisersâ color guardâÂÂstepped in as drum major.
In 1994, the Sunrisers returned to the championship field with a large number of veteran members, finishing 12th in DCA prelims and performing in exhibition at finals. In 1995, the corps regained finalist status with a ninth-place finish.
The corps consistently placed among the top ten over the next several seasons. In 1996, their performance of "Les Misérables" earned the DCA Best Color Guard title, with the corps finishing sixth overall. In 1997, "Spiritual Hymns & Dances" also received the color guard award, and the Sunrisers placed fourth with a score of 92.00. In 1998, the Sunrisers fielded a smaller corps with the show "Russian Sketches", placing sixth. In 1999, the Sunrisers were once again awarded the DCA Best Color Guard title and finished eighth at finals.
In 2000, the Sunrisers did not field and remained inactive in 2001 and 2002.
In 2003, the Sunrisers returned to the field in the DCA Class A division, scoring 73.238 at the DCA Class A & Open Class Finals in Scranton, Pennsylvania. The corps placed third in 2004.
In 2005, the corps transitioned back to DCA World Class and placed 15th with a score of 76.913, followed by a 16th-place finish in 2006 with a score of 77.700.
The 2007 season marked a major success for the Sunrisers, winning the DCA Class A World Championship with their show "Cirque de Soleil Se Levant". The corps recorded a then-record high Class A score of 83.988 in the finals and captured awards for Best Percussion, Brass, Visual, and Overall Effect.
In late 2008, the Sunrisers returned to Long Island after nearly 25 years but were unable to field. In 2009, they placed eighth in the DCA Class A Preliminaries in Rochester, New York. The corps did not return for the 2010 season.
In 2011, the Sunrisers performed "Les Misérables", marking the 15th anniversary of their 1996 performance of the same show. They placed fifth at the DCA Championship Preliminaries with a score of 73.530. In 2012, the corps again placed fifth, improving their score slightly to 75.050.
The Sunrisers regained DCA Open Class status in 2013, scoring 81.030 and placing 11th. In 2014, the corps improved slightly to a score of 83.500, again placing 11th. In 2015, the Sunrisers returned to the championship field for the first time since 2007, placing ninth with a score of 85.380 at DCA Championship Finals in Rochester, New York.
From 2016 to 2018, the Sunrisers experienced a period of rebirth. In 2016, the corps performed "House of Cards", placing eighth with a score of 88.520 in Open Class. This season featured the largest membership since their last appearance in the DCA World Class in 1999, as well as their highest score since 1998.
In 2017, the corps performed "Mirage", scoring 85.680 and placing 10th at finals. In 2018, the Sunrisers scored 80.775, again placing 10th at DCA Finals in Williamsport, Pennsylvania. The 2019 season saw the corps maintain a 10th-place finish with a score of 74.750.
The COVID-19 pandemic led to the cancellation of both the 2020 DCA and DCI seasons. Following 2020, drum corps across both circuits experienced a noticeable decline in membership, as staff and veteran members often did not return. This made recruitment of new members challenging, and many corps folded due to financial strains worsened by the pandemic. The Sunrisers were particularly affected, as they were in the early stages of rebuilding the corps when the pandemic struck.
The corps went active again in 2021, scoring a 79.900 and placing 8th at DCA World Championships Online.
In 2022, the Sunrisers announced the theme for the seasonâÂÂs show: Area 51. However, citing rising costs and reduced membership, the corps announced the suspension of the 2022 competitive season. The corps also did not field for the 2023 season.
The 2024 season--the corps 70th anniversary--signified the Sunrisersâ return to competition for the first time since 2021, and their first participation in live competitive events since 2019. Following the absorption of DCA by DCI, the Sunrisers joined the DCI All-Age A-Class under the direction of David Hobart.
The Sunrisers experienced an undefeated season with their show "The Light Within", featuring selections from "Black Hole Sun", "Daylight", "Lux Aurumque", and "Becoming One of the People". The 2024 season marked the first time the corps performed at Lucas Oil Stadium in Indianapolis, Indiana, for DCI Finals. Despite their exceptional season, the Sunrisers placed second to the Govenaires Drum and Bugle Corps at finals with a score of 79.175. David Hobart was recognized as the DCI All-Age Director of the Year.
In the 2025 competition season, the Sunrisers returned to DCI All-Age Open Class for the first time since 2018. Their 2025 production, MoveâÂÂa program described by Carolina Crown alumni and Sunriser program coordinator Kenneth Kamping as âÂÂall about that basic principle of movementâÂÂâÂÂfeatured engaging music and colorful visual elements, including selections from "Partita for Eight Voices", "2 Pieces for 4 Brothers", "Move", and an original composition. At finals, the corps placed ninth with a score of 83.475.
The Sunrisers are recognized in the marching arts scene for their progressive approach to gender inclusion. The Sunrisers included the first DCA female color guard member in 1969. The same year, they introduced a mixed-gender guard, paving the way for broader participation of women within the corps.
Judy Foster made history as the first female horn player in Drum Corps Associates (DCA) when she joined the Sunrisers from Long Island, New York, in 1971, becoming the corpsâ first female instrumentalist. In 1977, the Sunrisers became the first corps to win a national championship with a female horn player.
Carol Ann Schaffer (later Fallon), who joined the Sunrisers in 1973, became the corpsâ first female lead soprano and went on to become the first female lead soprano soloist in DCA history.
The Sunrisersâ corps song is "Battle Hymn of the Republic," which members sing before every show. The song pays tribute to the corpsâ militaristic roots.
"Procession of the Nobles" and "Send in the Clowns" are recognized as the corpsâ signature pieces.
The Sunrisers have historically faced challenges in maintaining membership since their founding in 1950, due to shifts in corps age demographics, interest in drum corps, and relocation efforts.
Originally, membership was limited to youth Marine Corps League members. In 1953, the corps opened its ranks to include former players from pre-war corps who had relocated to Long Island. From 1958 to 1965, the Sunrisers saw a modest increase in younger members due to limited junior corps opportunities in New York. Starting in 1974, the corps attracted more young members from New Jersey, New York City, and Westchester County. Membership sharply declined in 1980 and was further affected by the corpsâ relocation from Long Island to New Jersey in 1985. An influx of members in 1994 helped, but numbers remained low.
In late 2008, the Sunrisers returned to Long Island after nearly 25 years, but were unable to field a corps due to insufficient membership. The 2016 season marked the highest membership since the corps first went inactive after 1999. Following the COVID-19 pandemic in 2020, membership again declined sharply.
By 2024, the Sunrisers shifted recruitment toward younger students. Hobart and Kamping described Long Island as a âÂÂlarge, thriving marching band hotbed,â and the corps focused on training student performers to strengthen their school and college programs. This strategy increases the likelihood that schools will encourage students to join the Sunrisers.
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