Soul Boy is a 2010 Kenyan drama film written by Billy Kahora and directed by Hawa Essuman. It developed under the mentorship of German director and producer Tom Tykwer in Kibera, one of the largest slums in the African continent, in the middle of Nairobi, Kenya. The film has received five nominations at the 2011 Africa Movie Academy Awards.
The film originated in a workshop for young film enthusiasts from Nairobi, guided by Tykwer.
The story is about a 14-year-old boy called Abila, who lives in one of the most miserable slums known as Kibera in Nairobi, Kenya. One of the biggest slums in East Africa. One morning the teenager discovers his father was ill and delirious. "Someone has stolen my soul", mumbles the father. Abila is shocked and confused but wanted to help his father and goes in search of the right remedy. Supported by his girlfriend Shiku whom he is not even allowed to have friendship with. Abila learned that his father has gambled his life in company of a witch.
The teenager sets an adventurous journey in the Kibera Slum about to look for the witch, that leads him right through his community. When he finally discovers her, the witch gives him seven challenging tasks to save his father's lost soul.
The film explores themes of family, responsibility, and reconciliation, while also addressing issues such as poverty, alcoholism, and tribal divisions in Kenyan society. Its use of magical realism allows it to tackle these subjects through symbolism and allegory, making the story both universal and locally grounded.
Soul Boy was developed through a workshop led by German director Tom Tykwer and produced as a collaboration between Kenyan and German filmmakers. It was filmed on location in Kibera, with many local residents participating in its production. The film premiered in 2010 and was screened at several international film festivals, including the International Film Festival Rotterdam and the Gothenburg Film Festival.
The film received positive reviews for its storytelling, performances, and authentic portrayal of life in Kibera. Critics praised Essuman's direction and the film's blending of folklore with contemporary social issues. It went on to win several awards at international festivals, including the Dioraphte Audience Award at the International Film Festival Rotterdam.
Andrew Onyango reviewing for KenyaBuzz was impressed by how much "surreal" the world of the movie is, adding that the scripts use of Swahili strengthened the film's impact: "The Swahili speaking audience (particularly those exposed to the dialect being used) feel a powerful sense of identification. There is nothing like hearing it firsthand because the translation loses some of the impact of the words."