Shades is the sixth studio album by J. J. Cale, released in February 1981.
After years of living and recording in Nashville, Cale relocated to California in 1980 and lived in an Anaheim trailer park but still worked with longtime producer Audie Ashworth. Shades, which continued CaleâÂÂs tradition of giving his albums one word titles, was recorded in various studios in Nashville and Los Angeles. It boasts an impressive list of top shelf session musicians, including Hal Blaine and Carol Kaye of the Wrecking Crew, James Burton, Jim Keltner, Reggie Young, Glen D. Hardin, Ken Buttrey, and Leon Russell, among many others. As AllMusic states in its retroactive review of the LP, âÂÂHis songs and his overall approach to music are all-encompassing; the seductive and laid-back grooves his rhythm sections empower are written into the very fabric of the songs. âÂÂCarry On,â âÂÂPack My Jackâ â these are songs of simple, sturdy strengths, succinctly written and concisely rendered. There are never any stray notes or decorative filigrees.âÂÂ
Despite the coterie of musicians used on the sessions, Shades has a remarkably cohesive sound that is immediately recognizable as J.J. Cale. Nine of the ten songs are original compositions, the exception being âÂÂMama DonâÂÂt,â which would become CaleâÂÂs show opener. As can be seen in the 2005 documentary To Tulsa and Back, Cale would take the stage himself and introduce the band members one by one following along to the words of the song (âÂÂMama donâÂÂt allow no bass in this placeâ¦âÂÂ) The album opens with âÂÂCarry On,â an optimistic call for perseverance in the face of adversity, followed by the chugging prison song âÂÂDeep Dark Dungeon.â The relationship songs have a sour tone, as is evident in âÂÂRunaroundâ and the bitter âÂÂWhat Do You Expectâ (âÂÂWhat do you expect, caviar and candlelight? Champagne every night?") "Love Has Been Goneâ is also despairing, with Cale repeating the line âÂÂThereâÂÂs nothing newâ¦â Even the straight love song âÂÂWish I Had Not Said Thatâ has an inherent ambivalence in the title, despite the tenderness found in the lyrics.
âÂÂPack My Jackâ recalls earlier Cale songs like âÂÂTravelinâ Lightâ and âÂÂIâÂÂm a Gypsy Manâ and speaks to the freedom of the highway and how âÂÂa ramblinâ man keeps ramblinâ on.â The albumâÂÂs closing track, âÂÂCloudy Dayâ is an instrumental that clocks in at nearly five-and-a-half minutes, making it the longest song to appear on one of CaleâÂÂs albums.
Shades cover features a silhouette of a guitar player, presumably Cale, inspired by the design of French cigarettes brand Gitanes. The notoriously media-shy singer would not use his own image on an LP cover until his 1983 album #8.
AllMusic wrote: âÂÂFriendly and inviting, Shades sounds good in any season and at any time of day (and may be some of the best hangover cure music around)."
The album cover, showing a gypsy guitarist behind cigarette smoke, was the pastiche of a box of Gitanes French cigarettes.