Sergey Zagraevsky (, ; August 20, 1964 â 6 July 2020) was a Russian-Israeli painter, architectural historian, writer and theologian.
Biography
Zagraevsky was the son of architectural historian (1933âÂÂ2004) and poet and dramatist (born 1933).
He began to paint at school and his first teacher was the Russian painter .
Between 2002 and 2005 Zagraevsky taught at the Moscow Institute of Restoration Arts, and subsequently at the Russian University of Intellectual Property and in the Vladimir-Souzdal Museum. The main themes of his architectural history research are ancient Russian white-stone buildings, the early architecture of Moscow and architectural connections between ancient Russia and Romano-Gothic Europe. His doctoral thesis was "North-Eastern Russian architecture from the end of 13th â first third of the 14th century".
Zagraevsky was the chief editor of the reference work "United Art Rating" and the author of a number of books on philosophy, theology and the history of architecture. He has written a number of children's stories and many articles of art criticism. He was the founder and curator of "RusArch" â the electronic scientific library on History of Old Russian architecture.
In 1992 he became a PhD of technique, received his doctorate in architecture in 2004, then became a Professor in 2005. Zagraevsky was also a full member of (since 2001), the AICA (since 2004), and the (since 2001), an (since 2009), a member of (since 2013).
Spoke Russian, English, Hebrew, German, French, Esperanto.
Zagraevsky died on July 6, 2020, due to an acute cardiovascular failure.
Art
Zagraevsky's art does not belong to the classic primitive or naïve schools, since neither the formal nor actual parameters of primitive art are met. Instead, his style was best described as "primitivism", a genre which includes the "primitive" paintings of many artists who had an academic apprenticeship and extensive experience in other styles such as Paul Gauguin, Mikhail Larionov, Pablo Picasso and Paul Klee. There are some differences in Zagraevsky's style; his landscape paintings are "childish" in using a reverse perspective, the absence of chiaroscuro and the relatively accurate portrayal of parts. Zagraevsky uses predominantly open colours giving his paintings brightness comparable to children's painting. His paintings contain neither humour nor violence as these are not normally seen in the art of children.
Since about 2000, Zagraevsky's works became slightly more generalized and varied while retaining their brightness. Details are drawn less carefully although the works remain "childish", with the hand of an experienced artist visible only in the stability of the stroke, the virtuoso technique of painting and drawing, and the compositional and the color balance. There remain recurring features in his art such as a "flattened" sun, squat trees with huge roots, multi-colored water, "album-styled" flowers and illuminated windows.
In the 1990s Bulat Okudzhava wrote of Zagraevsky:
When he moves on a picture his fist,
God is at his assist.
God is with him all his way.
That is the painter Sergey.
Sample works
Selected books
History of architecture
- Jury Dolgoruky and ancient Russian white stone architecture (Russian: îÃÂøù ÃÂþûóþÃÂÃÂúøù ø ôÃÂõòýõÃÂÃÂÃÂÃÂúþõ ñõûþúðüõýýþõ ÷þôÃÂõÃÂÃÂòþ. ÃÂ., 2001.) .
- Architecture of North-Eastern Russia at the end of XIIIâÂÂearly XIV c. (Russian: ÃÂþôÃÂõÃÂÃÂòþ áõòõÃÂþ-ÃÂþÃÂÃÂþÃÂýþù àÃÂÃÂø úþýÃÂð XIII-ÿõÃÂòþù ÃÂÃÂõÃÂø XIV òõúð. M., 2003.) .
- Early Post-Mongolian North-Eastern Russian architecture. (Russian: àÃÂðýýõü ÿþÃÂûõüþýóþûÃÂÃÂúþü ÷þôÃÂõÃÂÃÂòõ áõòõÃÂþ-ÃÂþÃÂÃÂþÃÂýþù àÃÂÃÂø. ÃÂ., 2002. ) .
- New researches of Vladimir-Suzdal museumâÂÂs architectural monuments (Russian: ÃÂþòÃÂõ øÃÂÃÂûõôþòðýøàÿðüÃÂÃÂýøúþò ðÃÂÃÂ
øÃÂõúÃÂÃÂÃÂàÃÂûðôøüøÃÂþ-áÃÂ÷ôðûÃÂÃÂúþóþ üÃÂ÷õÃÂ-÷ðÿþòõôýøúð. ÃÂ., 2008.) .
- New research into the architectural monuments of Alexandrov Sloboda (Russian: ÃÂþòÃÂõ øÃÂÃÂûõôþòðýøàÿðüÃÂÃÂýøúþò ðÃÂÃÂ
øÃÂõúÃÂÃÂÃÂàÃÂûõúÃÂðýôÃÂþòÃÂúþù ÃÂûþñþôÃÂ. ÃÂ., 2008.) .
- Architectural history of Trifon in Naprudnoye Church and the origin of the cross-like ceiling. (Russian: ÃÂÃÂÃÂ
øÃÂõúÃÂÃÂÃÂýðàøÃÂÃÂþÃÂøàÃÂõÃÂúòø âÃÂøÃÂþýð ò ÃÂðÿÃÂÃÂôýþü ø ÿÃÂþøÃÂÃÂ
þöôõýøõ úÃÂõÃÂðÃÂþóþ ÃÂòþôð. M., 2008.) .
- Georgievsky Cathedral in Juriev-Polsky. Questions of architectural history and reconstruction (Russian: ÃÂþÿÃÂþÃÂàðÃÂÃÂ
øÃÂõúÃÂÃÂÃÂýþù øÃÂÃÂþÃÂøø ø ÃÂõúþýÃÂÃÂÃÂÃÂúÃÂøø ÃÂõþÃÂóøõòÃÂúþóþ ÃÂþñþÃÂð ò îÃÂÃÂõòõ-ÃÂþûÃÂÃÂúþü. M., 2008.) .
- Savior Cathedral in Andronikov Cloister. Questions of architectural history and reconstruction (Russian: ÃÂþÿÃÂþÃÂàðÃÂÃÂ
øÃÂõúÃÂÃÂÃÂýþù øÃÂÃÂþÃÂøø ÃÂþñþÃÂð áÿðÃÂð ÃÂõÃÂÃÂúþÃÂòþÃÂýþóþ ÃÂýôÃÂþýøúþòð üþýðÃÂÃÂÃÂÃÂÃÂ. M., 2008.) .
- Forms of the domes of ancient Russian temples (äþÃÂüàóûðò (úÃÂÿþûÃÂýÃÂÃÂ
ÿþúÃÂÃÂÃÂøù) ôÃÂõòýõÃÂÃÂÃÂÃÂúøÃÂ
ÃÂ
ÃÂðüþò. ÃÂ., 2008.) .
Theology
- Jesus of Nazareth: life and teaching (Russian: ÃÂøÃÂÃÂàø÷ ÃÂð÷ðÃÂõÃÂð: öø÷ýàø ÃÂÃÂõýøõ. ÃÂ., 2000) .
- God is no murderer (Russian: ÃÂþó ýõ ÃÂñøùÃÂð. ÃÂ., 2002.) .
- New Christian philosophy (Russian: ÃÂþòðàÃÂ
ÃÂøÃÂÃÂøðýÃÂúðàÃÂøûþÃÂþÃÂøÃÂ. ÃÂ., 2004.) .
Literature
- Twelve months. Book for children (Russian: ÃÂòõýðôÃÂðÃÂàüõÃÂÃÂÃÂõò (úýøóð ôûàôõÃÂõù). ÃÂ., 1998.)
- My XX century. Memoirs (Russian: ÃÂþù ÃÂ¥ÃÂ¥ òõú (üõüÃÂðÃÂÃÂ). ÃÂ., 2001.) .
- Ivanushka in the Land of tales (Russian: ÃÂòðýÃÂÃÂúð ò ÃÂÃÂÃÂðýõ ÃÂúð÷þú (ÃÂÃÂøûþóøÃÂ). ÃÂ., 2005.) .
Catalogues of Zagraevsky's art works
- áõÃÂóõù ÃÂðóÃÂðõòÃÂúøù / Sergey Zagraevsky. â ÃÂ., 1998.
- áõÃÂóõù ÃÂðóÃÂðõòÃÂúøù / Sergey Zagraevsky. â ÃÂ., 2007.
Notes
References