*SehâÂÂul and *MehâÂÂnot are the reconstructed Proto-Indo-European Sun deity and Moon deity respectively. is reconstructed based on the solar deities of the attested Indo-European mythologies, although its gender (male or female) is disputed, since there are deities of both genders. Likewise, is reconstructed based on the lunar deities of the daughter languages, but they differ in regard to their gender.
The daily course of ' across the sky on a horse-driven chariot is a common motif among Indo-European myths. While it is probably inherited, the motif certainly appeared after the introduction of the wheel in the PonticâÂÂCaspian steppe about 3500 BC, and is therefore a late addition to Proto-Indo-European culture.
The existence of a Proto-Indo-European sun deity can be postulated on the basis of its possible reflexes throughout Indo-European cultures. In Greek mythology, the name of the god Helios is etymologically connectable with other Indo-European words for the Sun. However, another notable solar deity in ancient Greek religion was Apollo, a god whose name is possibly of Pre-Greek origin. Nevertheless, the term âÂÂan epithet of ApolloâÂÂhas been connected with Sanskrit , though it is considered by the linguist Robert Beekes to be unexplained. Similarly, the Romans borrowed Apollo as a sun deity, in spite of their preexisting sun god Sol, whose name also is connectable with the Indo-European word for "Sun." In Albanian paganism, the SunâÂÂworshiped as the god of light, sky and weather, giver of life, health and energy, and all-seeing eyeâÂÂis referred to as , a name that is considered to have been a word taboo originally meaning "yellow, golden, bright or shiny one" used to refer to the Sun due to its perceived sacred nature. Another parallel in another Indo-European culture may be drawn from Zoroastrian Hvare-khshaeta.
There are two separate solar deities in Vedic mythology: Surya and SavitrâÂÂthe latter of which described with the pseudonym ("with the wide hand"), a title that may relate to the epithet ("of the long arm"), which is ascribed to the Irish god Lugh. Via the migration of Indic peoples, the sun Indo-European god may have spread to other cultures. Kassite inscriptions include mention of a name , which may have been borrowed from an Indo-Aryan language. The name of the Near Eastern prince à  uwardata, who is mentioned in Amarna Letters, may parallel the Sanskrit name and is perhaps of Indo-Aryan origin. In Vedic Sanskrit, the term ("'"), which also refers to the Sun god, is cognate with Old Armenian ("")âÂÂboth of which are, according to the linguist Hrach Martirosyan, derived from Indo-European or Armeno-Aryan "poetic language." Moreover, Martirosyan considers the original Proto-Indo-European word for the SunâÂÂwhich he reconstructs as âÂÂwas "profane," and therefore was replaced by a poetic term that eventually produced in Armenian.
The Vedic Sun deity Surya is stated to be the son of the sky deity Dyaus and the mother goddess Aditi. Likewise, in Slavic paganism, the sun god Dazibogu was described at the offspring of the sky deity Svarog. It is possible that, in the original Proto-Indo-European mythology, the sun god was also conceptualized as the child of the sky god . In the Homeric Hymn to Helios, his motherâÂÂEuryphaessaâÂÂis described with the epithet "'," ("") meaning "ox-eyed." According to the Italian linguist Enrico Campanile, the name of Greek Euryphaessa may relate to the Proto-Indo-European root ("to shine"), which also surfaces in certain epithets of the Vedic and Greek dawn goddesses, such as the term "" ("," "shiny"), an epithet of Ushas. If this comparison is accepted, then it may indicate that the sun god was originally the offspring of the dawn goddess.
In the mythologies of the daughter languages (namely, Baltic, Greek and Old Indic), the sun deity crosses the sky in a horse-driven chariot or wagon. For instance, in Norse mythology, the chariot of the Sun god is driven by the two horses ÃÂrvakr and Alsviðr. Ovid, a 1st-century BCE Roman poet, lists several "swift" ("") horses "of the Sun" ("") that pull the chariot of Helios, namely Pyrois, Eous, Aethon, and Phlegon. In the Rigveda, it is stated that the Surya is pulled across the sky "in a moment speed" by "auspicious" and "bay-colored" horses. Similarly, the Latvian god à ªsià Âà ¡ and the Lithuanian Sun goddess Saule both had chariots that were pulled across the sky by two white horses. However, Mallory and Adams caution that the motif is not exclusively Indo-European, and mention evidence of its presence in Mesopotamia.
In Vedic mythology, the storm deity Indra is stated to have attacked the dawn and crashed the sun chariot. According to the Indo-Europeanist Nicholas Kazanas, this Indian story may connect to the Greco-Roman myth of Phaethon, in which the Greek mythological figure accidentally drove the sun chariot too close to the Earth, resulting in the lightning god Zeus striking him down. In further support of the connection, Kazanas notes that the name "Phaethon" ("'," "") was also applied to a horse of the dawn goddess Eos andâÂÂin the works of HomerâÂÂto the Sun itself.
Both Sanskrit and Greek writings describe the Sun as traveling with great speed. Mimnermus, a 7th-century BCE Greek poet, writes about the "swift Sun" ("' '," ""), and the Atharvaveda likewise mentions a "swift Sun" ("' '," ""). Both of the terms utilized in the Greek and Vedic texts derive from Proto-Indo-European ("quick") and ("Sun") respectively. Poets in Hellenic and Indo-Iranian cultures tended to describe the Sun as traversing the sky untired or unwearied. In the Rig Veda, it is stated the that the Sun and the moon "unweariedly ("") maintain their brightness." Similarly, in the Iliad, the Sun is associated with the adjective "'" (""), meaning "untiring."
Rigvedic scriptures mention the sun deity Savitr following a "great path" ("'," " '"), while the Homeric Hymn to Selene depicts the moon goddess also traversing a "great path" ("' '," ""). The term utilized to describe these occurrences in their respective languages both descend from the Proto-Indo-European words "" and "." According to MatasoviÃÂ, the Proto-Indo-European people may have conceptualized a heaven-like afterlife existing at the end of the Sun's path. MatasoviÃÂ notes that the Ancient Greek term ' ("," "bliss") may derive from Proto-Indo-European ("that which goes towards the Sun") and is perhaps related to Sanskrit ("'," "paradise"). Beekes, however, suggests a possible Pre-Greek origin for the word '.
Although the sun was personified as an independent deity, the Proto-Indo-Europeans also visualized the sun as the "lamp of ," as seen in various reflexes. For instance, the 5th-century BCE Athenian playwright Euripides references "the god's lamp ("'," "'") in his play Medea and mentions "rays of the Sun" ("'," "") in the play Ion. Numerous kennings describing the Sun appear throughout Old English literature. In Beowulf, reference is made to "heaven's candle" ("") and a "world's candle" (""). The poem Andreas, another piece of Anglo-Saxon writing, mentions two separate "sky's candles" ("" and ""), while the poem Battle of Brunanburh mentions a "lamp of the lord God" (""). In a Hittite prayer, the Sun-goddess of Arinna is also called "the land of Hatti's torch." Both the Vedic sun god Savitr and the Greek god Helios are described as lighting up the world for its inhabitants. In the Rigveda, it is stated that Savitr raises "his banner" and produces "light for all the world of creatures." Similarly, in the Odyssey, it is stated that Helios leaves "the beauteous water surface" and "sprang up into the brazen heaven to give light to the immortals and to mortal men on the earth."
In Greek mythology, Helios is referred to as the eye of Zeus, while in Zoroastrian religion Hvare-khshaeta is described as the eye of Ahura Mazda. According to the 5th-century BCE Roman author Macrobius, the "ancients" ("") referred to the Sun as the "eye of Jupiter" (""). Another Roman author, Ovid, portrays the Sun god referring to himself as "the world's eye" (""), he "who beholds all things" (""), and the one through whom "the earth beholds all things" (""). Likewise, the Rigveda describes the god Surya as the "eye of Mitra and Varuna" (""). In the play Electra by the 5th-century BCE Athenian playwright Euripides, the Sun is connected with the title ("'," ""), Such a description parallels the epithet "golden-eyed" ("'," ""), which is utilized in the Rigveda to describe the god Savitr.
Ferdowsi, a 10th-century CE Persian poet, also details a myth involving the character of Goshtasp, in which it is stated that that a tree provided "such thick shade" that it could conceal "the eye of the Sun." Furthermore,Yazidis refer to the sun as "the eye of à Âêà Âims" (). Albanian solemn oaths are taken "by the eye of the Sun" (), which is related to the Sky-God worship (Zojz). Further connections possibly derive from a segment in the play by Aristophanes, in which the character of Euripides describes a creation myth in which Aether is stated to have created the eye according to the "image of the solar disc" ("'").
In Old Norse poetry, the phrase "," meaning "Suns of the forehead," is utilized as a kenning to describe eyes. The names of Celtic sun goddesses such as Sulis and Grian may also allude to this association: the words for "eye" and "sun" are switched in these languages, hence the name of the deities. In one Scots Gaelic folksong recorded by the folklorist Alexander Carmichael in the 19th-century, the Sun is described as the "eye of great God" (""). The term utilized to designate "God" within this verse is descended from Proto-Indo-European , which is itself related to the name of the sky god . The Old Armenian word for the Sun, ("'"), may be a compound of the word ("'," "Sun") and "" ("'," "eye"). Additionally, the 5th-century CE Classical Armenian historian Movses Khorenatsi recounts a supposedly ancient hymn to the mythical hero Vahagn, at the end of which it is stated that "his eyes were Suns."
In a Rigvedic poemâÂÂthe Sun is described as he who "beholds ("'," "") the universe." Within Germanic literatureâÂÂmore specifically, within the Old English poem PhoenixâÂÂit is stated that the Sun "surveys the world" (""). Similarly, the Latvian sun goddess Saule is describedâÂÂin the âÂÂas witnessing all the occurs in the world. According to the religious scholar Jià ÂàDynda, the notion of the Sun protecting and observing the world may be reflected in the terms Lithuanian and Latvian terms and , both of mean "world" and morphologically are composed of elements meaning "under" and "the Sun." Similarly, various words in Slavic languages meaning "Sun" derive from Proto-Slavic ' ("light, world"), which itself derives from Proto-Indo-European ("to shine").
The historian Peter Jackson notes thatâÂÂin a Homeric hymn to a DemeterâÂÂthe Sun is described as "the watcher ("'," "") of gods and men." It is not clear, however, whether these attributes were originally associated with the sun deity or other gods. Amongst the Greeks, the sky god Zeus was also identified an all-seeing deity. Hesiod, and 8th-7th century BCE poet, writes that the eye of Zeus "sees all things and knows all things" and that "thrice ten thousand are Zeus's immortal guardians of mortal human beings" who watch over "judgments and cruel deeds." It is perhaps possible that the Zeus assumed the role as divine watcher as his prominence grew within Hellenic religion.
The Vedic sky god Dyaus is not ascribed the same quantity of spies associated with his Greek counterpart Zeus. Dyaus is perhaps ascribed the epithet "all-knowing" ("'," ""), though the translator William Dwight Whitney notes that the passage has also been interpreted as referencing the root ' ("to find, acquire") instead of the homophonic root ' ("to know"), both of which were likely once the exact same word. In Rigvedic tradition, the god Varuna is, however, stated to possess a "thousand eyes." Moreover, Varuna is connected with the epithet "" ("'," "all-knowing") and "" ("wide of eye"), the latter of which may parallel the Avestan epithet "" ("wide of eye"), which is ascribed to the god Ahura Mazda. The motif of spies resurfaces in the Avesta, where the god Mithra is described as possessing "one thousand ears" and is said to spy "with ten thousand (eyes)." The 8th-century Benedictine monk Paulus Diaconus recounts a Lombardic myth in which the god Wodan favors a legendary tribe called the in battle because they were the first side that he saw at sunrise. It is perhaps possible that this myth could reflect an Indo-European tradition of a sky god as a divine observer, as Odin may have assumed several of the characteristics of during the development of Germanic mythology.
The idea of the Sun as a universal overseer may have motivated a belief that operated as a protective deity. Within the Rigveda, Surya is described as watching the "deeds of men both good and evil" and "guardian of all things fixt, of all that moveth." Heraclitus, a late 6th or early 5th-century BCE Greek philosopher, writes that "the sun will not overstep his measures ("'," "")." This statement parallels a Vedic verse in which it is claimed that "Surya transgresses not the ordered limits ("'," "")." The terms utilized in each passage to describe the boundaries are cognate, both deriving from . In various Indo-European cultures, the Sun god is repeatedly summoned to watch over an oath or vow, a divine role that may have emerged from their connection to justice and their omniscient nature. In Luwian culture, the Sun-god Tiwaz is entitled "Tiwaz of the oath" (""), though his name is etymologically linked to the Proto-Indo-European sky deity . The same "Tiwaz of the oath" surfaces in another Luwian inscription of the Kuwattalla tradition, in which the divinity is connected with the verb ("to perjure"), perhapsâÂÂaccording to the philologist Alice MoutonâÂÂindicating a belief that the Sun-god functioned as a witness to perjury. Within this same inscription, the god Tiwaz is described supervising a ritual alongside the Heaven and the Earth. Amongst the Romans, oaths were governed by the god Dius Fidius, whose name is also etymologically related to the Proto-Indo-European sky god. In the , a poem from the Poetic Edda, the character of Gudrun notes that another individual, Atli, had "often sworn oaths" by "the south-slanting Sun." There is evidence that, in another Germanic society, the Franks, oaths were still sworn by the Sun, even following Christianization. The , a hagiography detailing the life of Saint Eligius, recounts an anecdote in which Eligius himself had advised the Franks that, for their own salvation, that "none should call the sun or moon lord or swear by them."
The original Proto-Indo-European term for the Sun may be reflected in the Luwian neuter noun âÂÂperhaps alternatively read as âÂÂwhich likely meant something akin to "lamp" or "brazier." According to West, it is unlikely that a word for "Sun" would have been reutilized to describe lamps, thereby implying the converseâÂÂthat the term originally meant "lamp" and was repurposed to describe the Sun. When the term came to refer to the personified Sun deity, it naturally acquired gender connotations. The philologist Ranko Matasoviàproposes that Proto-Indo-European likely identified both the sun and the sun god with a masculine noun , whereas the concept of sunshine was communicated utilized a separate neuter noun . Likewise, in Sanskrit, the generic noun meaning "Sun, light" is the neuter form ' ("'"), whereas the derivative referring to the Sun god is a masculine proper noun ("'").
The majority of Indo-European sun deities were male, although the sun goddesses SaulÃÂ, Sól, and were propitiated in Baltic, North Germanic, and Continental Germanic mythology respectively. Otherwise, in Celtic mythology, the name of the goddess Sulis may also be etymologically related to Old Irish feminine noun ("eye"), which itself may derive from the Proto-Indo-European word for "Sun." According to the philologist Martin Litchfield West, the majority of female Sun deities in Indo-European mythologies are concentrated throughout Northern Europe, perhaps implying a common substrate affecting this area of the Indo-European world. The original Proto-Indo-European sun god may have persisted into Hittite mythology as a male Sun god named , who was possibly worshipped in later periods under the name , whose name was perhaps borrowed from the Hattian deity . However, the Assyriologist Charles Steitler argues that such an interpretation is contradicted by the general adoption of the same Hattic divinity and the Hittite Sun goddess of Arinna, who is possibly of non-Indo-European origin. In Luwian culture, the Sun goddess of the Earth is attested with the name , a name which is likely etymologically connected to the name of Tiwaz, who was himself likely inherited from Proto-Indo-European mythology.
Associations between cattle and the sun surface throughout Greek and Indo-Iranian mythology: The Bundahishn describes the death of the primordial bovine and its own wailing at its fate, while in the Odyssey the sacred cows of Helios are butchered and cry out upon their deaths. These stories may reflect a shared tradition, although it is alternatively possible the sacrifice of the cattle of Helios continues a separate Indo-European "cattle-raiding" myth, which is perhaps paralleled by the Irish story of and the Indic legend of Indra recovering cattle stolen by the Panis. Due to the significant differences between each individual tale, it is likely that rather than preserving the same ancestral myth, they instead reflect a similar "cattle-raiding" theme that permeates Indo-European cultures. Other connections between cattle and the Sun god appear throughout the Rigveda. For instance, the god Surya is described milking the cattle of heaven and earth. Furthermore, in a Rigvedic wedding hymn, two steers ("'," "") are tied to the chariot of Surya. During this same wedding procession, two bulls are sacrificed under the constellation Agha, perhapsâÂÂaccording to the philologists Tamaz Gamkrelidze and Vyacheslav IvanovâÂÂreflecting a ritual connected with the Sun.
A character related to the Sun deity is the 'Sun-maiden'. Examples are , the daughter of Saulé in Baltic tradition, and , who is varyingly depicted as either the daughter of Surya or Savitr. Scholars also posit Helen of Troy, from Greek mythology, was another example of the 'Sun-maiden'. Just as Helen, in Greek mythology, was associated with the twin horsemen Castor and Pollux, the Vedic deity is connected with the Ashvins, a pair of twin charioteers. However, the linguist Vittore Pisani argues that Helen is more likely to etymologically connect to the Vedic goddess . In one Baltic myth, the goddess is wed to the , who are the twin sons of the sky god Dievs, It is possible that this Baltic pair of twin gods derives from the Indo-European "divine twins" archetype, which is itself possibly further continued by the Ashvins. In another Baltic myth, the goddess is instead married to the moon god Meness, with the only appearing as members of the bridal procession.
In Albanian tradition there is E Bija e Hënës dhe e Diellit, "the daughter of the Moon and the Sun", who is a light divine heroine, referred to as ("drop of the sky" or "lightning"), which falls everywhere from heaven on the mountains and the valleys and strikes pride and evil. She defeats the kulshedra, the archetype of darkness and evil in Albanian mythology. In some Albanian traditions the Sun (Dielli) and the Moon (Hëna) are regarded as husband and wife, and in others as brother and sister. In the case of the Sun is her father and the Moon is her mother.
' is reconstructed based on the Norse god Máni, the Slavic god Myesyats, and the Lithuanian god *Meno, or MÃÂnuo (MÃÂnulis). Remnants of the lunar deity may exist in Latvian moon god MÃÂness, Anatolian (Phrygian) deity Men; Mene, another name for Selene, and in Zoroastrian lunar deity Mah ('). According to the Encyclopedia of Indo-European Culture (EIEC), the moon in Indo-European cosmogony was likely associated with the mind. However, the EIEC also suggests that such a relationship may have emerged secondarily as a consequence of the phonological similarity between the Proto-Indo-European word for "Moon" and the root ("to think").