Seder Rabbah di-Bereshit (Hebrew: áÃÂè èÃÂàÃÂÃÂèÃÂéÃÂê, "The Greater Order of Creation"), also transmitted under the title Maÿaseh Bereshit ("The Work of Creation"), is a late antique Jewish cosmological tractate dating to the post-Talmudic or early geonic period. It represents the most extensive surviving Jewish treatment of cosmology from late antiquity and is closely associated in the manuscript tradition with Hekhalot and Merkavah literature.
Seder Rabbah di-Bereshit occupies a unique position in Jewish intellectual history as the first known Jewish text to articulate a fully symmetrical cosmology in which heaven and earth (specifically, the seven heavens and the seven earths), mirror one another structurally and theologically. Its synthesis of apocalyptic, rabbinic, and mystical traditions makes it a key source for the study of early Jewish cosmology and the development of medieval Jewish mysticism.
The work survives in a highly fluid manuscript tradition, with substantial variation in structure, content, and even title. Although modern scholarship commonly refers to it as Seder Rabbah di-Bereshit, this title is attested in only a single manuscript; the majority of manuscripts instead transmit the text under the name Maÿaseh Bereshit, echoing the mishnaic category of restricted cosmological speculation in Mishnah Ḥagigah. 2:1. The alternative and dominant name in the manuscript, the Ma'aseh Bereshit, is inspired by the esoteric doctrine that the text circulated as the revelation of the maÿaseh bereshit of the Mishnah, previously restricted from public teaching.
No critical edition of the text has been produced, and the text is preserved in divergent versions across manuscripts from Oxford, Munich, Vatican, and elsewhere.
Seder Rabbah di-Bereshit belongs to a broader late antique Jewish discourse on the "Work of Creation" (maÿaseh bereshit) and stands in deliberate contrast to classical rabbinic midrash. Whereas earlier rabbinic treatments of Genesis 1 are predominantly exegetical, such as Genesis Rabbah, Seder Rabbah di-Bereshit is largely non-exegetical, presenting cosmological structures and descriptions with minimal reliance on scriptural exegesis or interpretation. For this reason, medieval scribes frequently transmitted it alongside Hekhalot texts concerned with the complementary discipline of the "Work of the Chariot" (maÿaseh merkavah).
The central feature of Seder Rabbah di-Bereshit is a highly developed cosmological system consisting of seven heavens and seven earths, arranged in a symmetrical, concentric structure. Each heaven corresponds to a specific earth, forming a mirrored cosmic architecture in which the upper and lower realms reflect one another. This model departs sharply from earlier Jewish cosmologies, which tended to multiply heavens but rarely extended such speculation to the earth or netherworld.
At the highest heaven (ÿAravot) and the lowest earth (Eretz ha-taḥtonah), the distinction between heaven and earth collapses entirely. Both realms contain the Throne of Glory, the angelic hosts (including the Ḥayyot and Ofannim), and manifestations of the divine presence. The text explicitly states that just as the Shekhinah (the dwelling of the divine presence of God) is present above, so too it is present below, articulating a radical vision of divine immanence throughout the cosmos.
A particularly elaborate section of the work is devoted to the description of Gehinnom, which is located within the third earth (Arqa). Gehinnom is subdivided into seven compartments, each associated with biblical names such as Sheþol, Avaddon, and Beþer Shaḥat. These compartments are reserved for the eternal punishment of the gravest sinners, especially apostates and the foreign nations responsible for the destruction of the Jerusalem Temples.
In deliberate symmetry, the corresponding heaven (Sheḥaqim) houses the reward of the righteous, including the heavenly Jerusalem, the heavenly Temple, and the manna prepared for the just in the world to come. Through this pairing, Seder Rabbah di-Bereshit distributes punishment and reward across matched heavenly and earthly realms.
In its most expansive passages, the text extends the cosmos beyond the traditional seven heavens, describing additional realms above the heads of the Ḥayyot, culminating in the Throne of Glory and God enthroned in overwhelming light. This extension explicitly contradicts earlier rabbinic cautions against speculation beyond the permitted limits and signals the bold cosmological ambition of the work.