Scar Tissue, Michael IgnatieffâÂÂs second novel, was published in 1993 and was shortlisted for the Man Booker Prize of the same year.
The book details one womanâÂÂs struggle with Alzheimer's (or dementia, itâÂÂs not clear) and how her family respond to it. In particular, it is one of her sonâÂÂs voice the reader hears since he is narrating it. Another son isnâÂÂt involved so much as he is living in Boston practicing as a neuroscientist. So it is the narrator who bears most of the burden. And all the while, he is trying to work on his marriage and his career as a philosophy professor. His own family life is hardly acknowledged and tears in his marriage begin to show, towards his wife; there for moral support but can't come to terms with him not being a consistent, central figure at the moment.
While her illness begins with her repeating stories ad nauseam, things get much worse as she starts to be incapable of recognizing her own family. Thus the prime caretaker â the son â ends up separating from his wife and living in derelict conditions. Nonetheless, he remains positive about the nature of life and death, even once he has lost both his parents, concluding that he âÂÂknow[s] that there is a life beyond this death, a time beyond this time. I know that at the very last momentâ¦I will be face to face at last with a pure and heartless reality beyond anything a living soul can possibly imagine.âÂÂ
The themes of the book are: mental illness, Alzheimer's, aging, adolescence, survival, suffering, familial relationships, love, marital discord, father-son relationship, chronic illness, nursing.
Shortlisted for the Booker Prize (1994) and Whitbread Awards.
Scar Tissue has received substantial acclaim. It was described as: âÂÂpowerful Alzheimer's novel [that is] searing and autobiographicalâ by Marsha Lederman. She adds that the book is: âÂÂintense, unblinking and beautifully written, the novel was written in a three-month burstâ in the early 1990s, as Ignatieff struggled with his motherâÂÂs Alzheimer's (she was still alive when he wrote it) and the death, in 1989, of his father.â According to Frederic and Mary Ann Brussat, âÂÂIgnatieff has written a fierce novel about loss.âÂÂ
Kirkus Reviews wrote: âÂÂDisease not as a metaphor but as a prescription for living in a book that confronts our worst fears with bracing insight and finely tuned emotion. A tough read but worth it.â A review in Literature Annotations pointed out: âÂÂA hauntingly beautiful narrative, written on several levels from flashback, to pop-scientific journalism (including allusions to the writings of Oliver Sacks), to academic speeches and essays on the nature of death, composed by the protagonist for his students, public, and publishers.âÂÂ
The Sunday Telegraph said that Scar Tissue was âÂÂmoving and intellectually challenging. The New Statesman claimed that âÂÂno recent British novel has traversed the world of reason and emotion, the human presence and its annihilation, so effectively and directly.â According to Connor Taylor, âÂÂthis novel seems to exhibit his impressive fiction-writing skills.â He added: âÂÂThough at times the novel seemed almost overly dramatic, Scar TissueâÂÂs emotional depth and intellectually stimulating content result in a stunning success for IgnatieffâÂÂs second foray into fiction.âÂÂ
Scar Tissue was adapted for theatre and shown at the Arts Club Theatre Company's Revue Stage in Vancouver.