Maria Savia Viegas (born 30 October 1957) is an Indian artist, writer, curator and academic from the village of Carmona in South Goa. She is best known for her mixed-media works, including a project titled CarmonaâÂÂs Talking Quilt, that are a combination of community oral histories, up-cycled textiles and embroidery to explore Goan identity, memory and women's narratives.
Maria Savia Viegas was born on 30 October 1957 in the village of Xetmalem, Carmona, Goa. Her mother, Berta Elisa Viegas, taught embroidery locally and this influenced Savia's later artistic engagements.
Viegas completed her schooling at St Pius X Convent, Orlim, followed by college at Parvatibai Chowgule College and Elphinstone College in Mumbai. She later earned a doctorate in Ancient Indian Art.
Viegas married Anoop Bablani in 1979. They love cycling together and this inspired them to a write a book together, Bicycle Diaries, about the history of bicycles.
After a period working in Mumbai, Viegas returned to her ancestral home in Carmona in 2005, where she founded a pre-primary school, Saxtti Kids, and focused her energies on writing, painting and curatorial work.
One of Viegas's major works is Carmona's Talking Quilt, created in collaboration with her mother. It uses up-cycled denim from out-grown jeans, embroidered motifs, photographs and mixed-media panels to surface hidden stories of village life, memory and women's experience.
In a feature by The Hindu, she is described as using denim quilts, embroidery and archival photographs to unpack Goan village histories, gendered craft practices and processes of memory.
Besides her art practice, Viegas is active as a curator and educator, facilitating creative writing workshops and exhibiting works that engage local communities, women's craft traditions and sustainable reuse of materials.
Viegas's work often engages with the material traces of daily lifeâÂÂold jeans, embroideries, family storiesâÂÂand re-configures them into visual narratives about identity, heritage and transformation. She emphasises the value of craft traditionally seen as women's work, and uses it to articulate cultural memory and belonging.
Her exhibition Carmona's Talking Quilt was held at the Museum of Goa (MOG) in Pilerne, Goa, where viewers could engage with textile works, photographic montages and embroidery panels that decode village-level narratives of the Goan hinterland.
Critics and commentators note that Viegas's quilts and multimedia works offer an alternative archive of Goan rural life and women's culture, tapping into oral storytelling, craft and material reuse to challenge dominant historical narratives.