Tsui Ka Ho (; born 30 September 1980), better known by his pen name Lam Yat-heiy (Chinese: æÂÂæÂ¥æÂ¦) or Roy Tsui, is a Hong Kong lyricist, who has composed over 80 pieces of lyrics since 2007. He is also a writer and the founder of Blackpaper Limited (Chinese: é»Âç´ÂæÂÂéÂÂÃ¥Â
ŒÂ¸), a local publisher involved in multimedia creation and advertising campaigns. Multiple business and media channels are owned by Tsui under Blackpaper Limited, including Whitepaper Publishing (Chinese: ç½å·åºçÂÂ社), periodical magazine Blackpaper (Chinese: é»Âç´Â), satirical weekly magazine 100 Most (Chinese: 100æ¯Â) and multimedia platform TVMost (Chinese: æ¯Âè¨Âé»è¦Â).
Tsui is also the author of columns for several papers, including the Mingpao Weekly and the Oriental Daily News.
Biography
Tsui was born in Hong Kong and grew up in a public housing estate in Tai Wo Hau with his parents, grandparents, and aunt. He changed schools numerous times due to his poor academic record and conduct. After secondary school, he took a 3-year graphic design course at IVE, but he later dropped out and did not pursue further higher education.
In 2003, Tsui joined Commercial Radio Hong Kong as a sound editor and later became the coordinator of their online forums, which Tsui convinced his boss & upper management to keep open. Tsui also allowed his boss, Yu, to see some lyrics he had been composing. Yu requested that Tsui compose 10 more sets of lyrics, which changed Tsui's career path from clerk to production staff. He recommended himself to be on the backstage design team for CR1 (FM 88.1âÂÂ89.5) éÂȌ°é·éÂÂ881 and CR2 (FM 90.3âÂÂ92.1) å±åÂÂ903.
Tsui then changed jobs every few months between the ages of 23 and 31. He was also creative director at Skyhigh Creative Partners. He quit in 2012, as he doubted his mentorship.
In 2007, Tsui composed the lyrics to the theme song "Gulugulu" for the movie '. This is considered his first signature piece. The song entered the Ultimate Song Chart in the same year.
In 2009, Tsui founded the creative unit "Black Paper" with Ah Bu and Chan Keung. He then started working on different creative projects, like publishing magazines, directing music videos, and graphic design.
Tsui published the one-page magazine Black Paper in January 2010. His career as a columnist at the Ming Pao Weekly and RoadShow, City Magazine newspapers, Oriental Daily News and Hong Kong Economic Times began in 2011. A year later, he published his first book, Idiot (ãÂÂç½ç´ãÂÂ). In March 2013, he published the magazine 100 Most, which reached the break-even point within half a year. Tsui also founded White Paper Publishing in 2013, focusing on publishing popular culture titles including fiction, prose, and picture books. In the same year, he published his second book, Green Veins (ãÂÂéÂÂçÂÂãÂÂ), and published Black Face (ãÂÂé»Âé¢ãÂÂ) a year later. He later published his first fiction novel, Happy Never After (ãÂÂå¿«æ¨ÂæÂÂéÂÂãÂÂ), then Excessively Romantic (ãÂÂèÂÂ麻ãÂÂ), and then published Grey Eurasian Collared (ãÂÂç°鳩ãÂÂ) in 2015. In 2015, Tsui and his team also created the TV website, TVMost.
Works
Lyrics
2007
- Freeze â Stepping on the wire ('踩é¼綫')
- Freeze â Maria
- Terence Chi Iong CHUI(å°ÂèÂÂ¥) â Time Machines ('æÂÂÃ¥Â
Âæ©Â')
- Arumimihifumi(æÂÂè³éÂÂæÂÂ) â gulugulu (ï¼ÂæÂ±äº¬éÂ憭Âä¸Âï¼Â'gulugulu')
- Arumimihifumi(æÂÂè³éÂÂæÂÂ) â Last day Today ('æÂÂå¾Âä»Â天ï¼ÂæÂÂ亮çÂÂï¼Â')
2008
- At17 â The Date to the Moon ('é£天ç´Âä½ ä¸Â太空')
- I Love You BoyzãÂÂHotCha â Let's Play La La La ('ç«ç±æÂ¶æ£ÂLa La La')
- Square â ASAP
- Rannes Man (æÂÂæÂ©æ¾Â) â Entertainment('å¨Â人å¨Âå·±')
- Arumimihifumi (æÂÂè³éÂÂæÂÂ) â Sleepless Actress ('ä¸Âç åª伶')
- Eunix Lee (æÂÂÃ¥ÂÂåºÂ) â One on One('人éÂÂ人')
- Eric Suen (å«èÂÂå¨Â) â Story of seven million ('ä¸Âç¾è¬人çÂÂæÂÂ
äºÂ')
- Justin(å´ç°) â Cloud ('é²')
- Miriam Yeung(æ¥ÂÃ¥ÂÂå¬Â
) â La La Kua La La ('å¦å¦跨å¦å¦')
- Lowell Lo Feat. Farmer (ç§å 廷 Feat. 農夫) â 2050
2009
- Alex Fong (æÂ¹åÂÂç³) â Rush ('Ã¥ÂÂÃ¥ÂÂ')
- Alex Fong (æÂ¹åÂÂç³) â Butterfly Flies ('æÂ²ç¿¼è´è¶')
- Jonathan Wong Chee Hynn (çÂÂæ¢Âè»Â) â Roswell ('ç¾Â
è²å¨Âç¾')
- Jonathan Wong Chee Hynn (çÂÂæ¢Âè»Â) â In the Dark ('æÂ¸é»Â')
- Jonathan Wong Chee Hynn (çÂÂæ¢Âè»Â) â North South Pole ('Ã¥ÂÂÃ¥ÂÂ極')
- Jonathan Wong Chee Hynn (çÂÂæ¢Âè»Â) â 1+1
- Jonathan Wong Chee Hynn (çÂÂæ¢Âè»Â) â 300 Love Poems ('æÂÂ
è©©ä¸Âç¾é¦Â')
- Elanne Kwong(æ±ÂèÂ¥ç³) â Next, Please ('æÂÂè«Âä¸Âä½Â')
- Sukie Tong (Ã¥ÂÂç´ çª) â Clear ('æ¸Â
空')
- Janet Yung (ç¿ÂçÂÂçÂÂ) â Plan A ('Aè¨Âç«')
- Keeva Mak (麥家çÂÂ) â Detective ('ç¥ÂæÂ¢')
- Kearen Pang (å½Âç§ÂæÂ
§) â Goodbye
- Kearen Pang å½Âç§ÂæÂ
§) â Under the Moon ('æÂÂçÂÂä¸ÂçÂÂ人')
- Cilla Kung (æ¨Âç³) â Smiling Fish ('å¾®ç¬ÂçÂÂéÂÂ')
- Cilla Kung (æ¨Âç³) â Countdown of Death ('æÂ»äº¡åÂÂæÂ¸')
- (æÂÂæÂÂÃ¥ÂÂãÂÂé»Â貫ä¸ÂãÂÂå±å¤903 DJ) â The Great Teacher ('è¾²師表')
2010
- ToNick â T.O.N.I.C.K
- Jonathan Wong Chee Hynn (çÂÂæ¢Âè»Â) â East West ('æÂ񊝨')
- Fainche Che (è»ÂçÂÂéÂÂ) â Trophy ('æÂ°å©åÂÂ')
- Fainche Che (è»ÂçÂÂéÂÂ) â The Weather Girl ('天氣女éÂÂ')
- Edison Chan (é³å å¸Â) â Love in this World ('Ã¥ÂÂä¸Âä¸ÂæÂÂå¹¾å¤ÂæÂÂ')
- Jason Chan (鳿ÂÂå®Â) â Don't let it stop before sun rise ('æÂ¥åºåÂÂè®ÂæÂÂæÂÂå»¶çºÂ')
- Bosco Wong (é»Âå®Â澤) â The Master ('ä¸Â代å®Â師')
- Bosco Wong( é»Âå®Â澤) â Over the hills ('è¶ÂéÂÂé«Âå±±è¶ÂéÂÂè°·')
- Cilla Kung (æ¨Âç³ ) â Snowman ('éª人')
- Cilla Kung (æ¨Âç³ ) â Human Figure ('空氣人形')
- Cilla Kung (æ¨Âç³ ) â Christmas Nobody ('èÂÂèªÂ路人')
- Cilla Kung Feat. Luk Wing Kuen@Farmer (æ¨Âç³ Feat. é¸永@農夫 ) â Queen of himono-onna ('ä¹¾ç©女çÂÂ')
2011
- HotCha â Not Used To ('æÂªç¿ÂæÂ
£')
- ToNick â Day Dream ('ç¼你åÂÂ夢')
- Taichi (太極) â Alcohol this morning ('ä»ÂæÂÂæÂÂéÂ
Â')
- Yu Kiu, Ava (羽翹) â The Gorgeous-ist ('大è¯éºÂå®¶')
- Det Dik (çÂÂæÂÂéÂÂ) â Out of City ('ç¡åÂÂ')
- Mag Lam, Sheldon Lo, James Ng Yip Kwan, Stephanie Ho Ngan Si, Alfred Hui, Ryan Lam (æÂÂ欣彤ãÂÂç¾Â
Ã¥ÂÂÃ¥ÂÂãÂÂ峿¥Âå¤ãÂÂä½ÂéÂÂè©©ãÂÂ許廷éÂÂãÂÂÃ¥ÂÂå¨ÂçÂ
Â) â Super Voice ('é£Âè²')
- Mag Lam (æÂÂ欣彤) â Water ('ä¸ÂÃ¥ÂÂè¥水')
- Kate Tsui (å¾ÂÃ¥ÂÂçÂÂ) â 'Wax and Wane' Opening Theme Song ('Ã¥ÂÂÃ¥ÂÂ')
- Miya (å¼µéÂÂ) â Bearable('è½æÂ¨è½é¢')
- Alfred Hui (許廷éÂÂ) â Water ('ä¸ÂÃ¥ÂÂè¥水')
- Bosco Won g (é»Âå®Â澤) â Water ('ä¸ÂÃ¥ÂÂè¥水')
- Michael Tse Tin Wah (è¬Â天è¯) â Walking Alone ('ç¨è¡Â')
- Linda Chung, Ron Ng (é¾åÂÂ欣ãÂÂå³åÂÂç¾²) â 'L'Escargot' Opening Theme Song ('å·åÂÂè¨Â')
- Susanna Kwan (éÂÂèÂÂè±) â 'Curse of the Royal Harem' Opening Theme Song ('Ã¥ÂÂå®Â天å½')
2012
- Jonathan Wong Chee Hynn (çÂÂæ¢Âè»Â) â Online Game'Tales Runner'Theme Song 2012 ('éÂÂ
å½±ä¸Âç´Â')
- Det Dik,Rainky Wai (çÂÂæÂÂéÂÂãÂÂèÂÂé¨è¯) â Old Camera ('Ã¥ÂȍÂÂæ©Â')
- Mag Lam (æÂÂ欣彤) â 'Three Kingdoms'Ending Theme Song ('ä¸ÂçÂÂæÂÂ幸')
- Raymond Lam (æÂÂ峯) â End of Innocence ('å¹¼ç¨Âå®Â')
- Raymond Lam (æÂÂ峯) â Same Forest ('Ã¥ÂÂæÂÂ')
- Yu Kiu, Ava (é¨åÂÂ) â Escape ('éÂÂ亡')
- Myolie Wu, Johnson Lee (è¡æÂÂÃ¥Â
ÂãÂÂæÂÂæÂÂæÂ·) â 'Wish and Switch' Opening Theme Song ('交æÂÂå¿«æ¨Â')
- Joey Yung (容ç¥ÂÃ¥Â
Â) â 'The Hippocratic Crush 2'Sound Track ('é£çºÂÃ¥ÂÂ')
- Sita Chan (é³åÂÂÃ¥ÂÂ) â Noise ('Ã¥ÂÂ')
- Sita Chan (é³åÂÂÃ¥ÂÂ) â For Thousands of Years ('Ã¥ÂÂç§Â')
- William Chan (é³åÂÂéÂÂ) â Queen ('女çÂÂ')
- William Chan Feat. (é³åÂÂé Feat. æ³³åÂ
Â) â Who Am I ('æÂÂæÂ¯èª°')ï¼ÂRap Lyrics: 馮æÂ¦å¦¤ï¼Â
- Wayne Lai, Wu Ting Yan Nancy (é»ÂèÂÂ祥ãÂÂè¡å®Â欣) â 'The Confidant'Ending Theme Song ('æÂ¥æÂÂ')
- Fiona Sit (èÂÂå±çª) â 'Silver Spoon, Sterling Shackles'Opening Theme Song- At This Very Moment ('æÂ¤æÂÂæÂ¤å»')
- Michael Tse Tin Wah, Niki Chow (è¬Â天è¯ãÂÂå¨éºÂæ·Â) â 'Sergeant Tabloid' Opening Theme Song ('æÂÂå¾Âå¿Â')
- Linda Chung (é¾åÂÂ欣) â 'Missing You' OpeningTheme Song ('幸ç¦ÂæÂÂ')
- Shirley Kwan (éÂÂæ·ÂæÂ¡) â 'The Confidant'Opening Theme Song ('ç¸濡以沫')
2013
- J.Arie â 'A Secret Between Us'Theme Song ('æ¯Âä¸Â次é½æÂ¯ä½ ')
- Jonathan Wong Chee Hynn (çÂÂæ¢Âè»Â) â 'Midnight Munchies'Opening Theme Song ('è¶Âå¤Âè¶Âå¿«æ¨Â')
- Joey Yung (容ç¥ÂÃ¥Â
Â) â 'The Hippocratic Crush 2'Opening Theme Song â Sequel ('çºÂéÂÂ')
- Niki Chow (å¨éºÂæ·Â) â 'A Change of Heart 'Opening Theme Song ('å¿Âè®Â')
- Mag Lam (æÂÂ欣彤) â University of the Weird ('æÂªç¸大å¸')
- Raymond Lam (æÂÂ峯) â BBï¼ÂèÂÂèÂÂå¾ÂÂãÂÂæÂÂ峯åÂÂå¡«ï¼Â
- Edwin Siu (èÂÂæÂ£æ¥ ) â 'A Great Way To Care II'Opening Theme Song ('Ã¥ÂÂçÂÂ')
- Alfred Hui (許廷éÂÂ) â 'Will Power'Opening Theme Song ('éºç©')
- Bosco Wong (é»Âå®Â澤) â Final Blessing ('æÂÂå¾Âç¥Âç¦Â')
- Cai Jun Tao (è¡ä¿Â濤) â 'Detectives and Doctors'Opening Theme Song ('ä¸Âé»ÂéÂÂ')
- Rainky Wai (èÂÂé¨è¯) â 'Knock Knock Who's There' Theme Song ('ç¡話å¯說')
- Miriam Yeung (æ¥ÂÃ¥ÂÂå¬Â
) â Classmate ('Ã¥ÂÂå¸')
- Ruco Chan, Edwin Siu (é³å±Â鵬ãÂÂèÂÂæÂ£æ¥ ) â 'Brother's Keeper'Opening Theme Song ('巨輪')
- Ryan Lau (Ã¥ÂÂå¨ÂçÂ
Â) â 'When Lanes Merge'Opening Theme Song ('ä¸Âæ£Âä¹Âä¸Âé¢')
- Shirley Kwan (éÂÂæ·ÂæÂ¡) â 'Always And Ever' Opening Theme Song ('實屬巧åÂÂ')
2014
- Mag Lam (æÂÂ欣彤) â Safety Zone ('å®ÂÃ¥Â
¨å°帶')
- Rainky Wai (èÂÂé¨è¯) â Toys ('ç©åÂ
·')
2015
- Jan Lamb (æÂÂæµ·å³°) â TV Most 'Time of Dog'Theme Song-Heartless Years (æÂ²æÂÂæ¯ÂæÂÂ
)
- Raymond Lam (æÂÂ峯) â 'Detectives and Doctors'Opening Theme Song- Interlinked hearts ('å¿ÂæÂÂéÂÂçÂÂ')
- Eunice Chan (é³詩欣) â Drama of Love ('æÂÂæÂÂ
æÂ²')
- Eunice Chan (é³詩欣) â Stupid ('è ¢')
- Gloria Yip (èÂÂèÂÂÃ¥ÂÂ) â Rashomon of Women ('ä¸Â女ç¾Â
çÂÂéÂÂ')
- Stephanie Cheng (éÂÂèÂÂ) â The God of Black Face ('é»Âé¢ç¥Â')
- Tang Chi Wai (é§æÂºåÂÂ) â Epic ('å²詩å¼Â')
- Michael Lai (é»ÂæÂÂé½) â Slow Happiness ('å¿«æ¨Âå¾ÂæÂ
¢')
- Michael Lai (é»ÂæÂÂé½) â Near ('æ°¸é å¾Âè¿Â')
- Michael Lai (é»ÂæÂÂé½) â Escalator ('Ã¥ÂÂéÂÂæ©Â')
- Michael Lai (é»ÂæÂÂé½) â The Strange Familiar ('æÂÂéÂÂçÂÂçÂÂçÂÂæÂÂ人')
- Michael Lai (é»ÂæÂÂé½) â Hong Kong Outstanding Junk Youngsters ('é¦Â港åÂÂåº廢éÂÂ')
- Michael Lai (é»ÂæÂÂé½) â Fell Right Where I Fall ('éÂÂ度起身éÂÂ度è·Âè¿Âä½Â')
- Michael Lai (é»ÂæÂÂé½) â Real Fake Literary Youngsters ('çÂÂ彿ÂÂéÂÂ')
2019
- Lam Yat-hei (æÂÂæÂ¥æÂ¦) â Little Person ('å°Â人ç©')
Magazines
Black Paper is a magazine criticising the 'normal' society. It is a one-page A5-size magazine with one side of pictures of people and the other side filled with âÂÂblack sentenceâÂÂ. âÂÂBlack sentenceâ is a short sentence about the monthly theme. His idea is to make the sentences as short as possible so that people will have the patience to finish reading them. The overall style of the magazine is meant to be humorous and critical.
100 Most is a lifestyle magazine that was started by Roy Tsui, Bu and Chan Keung in 2013. The magazine is mainly about popular culture in Hong Kong.
Multimedia channel
Tsui stated that âÂÂA single sheet of paper could be a magazine, so why must TV be on TV?âÂÂ. He started the TV website, TVMost.
Books
Columns
- Column at Sharp Daily (HK) â White Paper (Stopped Publication)
- Column at Apple Daily â Sink All Other than Books (Stopped Publication)
- Column at MingPao Weekly â Drama of Relationship
- Column at RoadShow â Farewell Love
- Column at City Magazine â Bookstory
- Column at Oriental Daily News â Why not idiotic
- Column at Hong Kong Economic Times â Off Topic
Talk show
In December 2019, Lam Yat-hei held his personal talk show, Sad But True (æÂ²ä½ÂçÂÂ), as promised one year ago, which had allowed ticket reservations one year before the performance. There were 13 sessions from 11âÂÂ22 December, including new-added sessions at MacStadium. All the tickets were sold out on 17 September. In the talk show, he talks about how an incident made him and his friend feel embarrassed when they were with each other. Then he found his friend again during the preparation of this talk show. He initiates mentioning that incident, and his friend is no longer mad at him. Secondly, he thought that he failed to play guitar because his guitar was borrowed by his classmates and he did not return it. Then, he started learning guitar again before the talk show and played guitar during his show to promote his new song, "Little person".
Influences
He switched his secondary school five times and decided to drop out of IVE himself. For his career path, he first worked as a clerk, later as a producer, and later as the owner of two magazines and a publisher.
Family
His father thinks that the secondary school Tsui chose for himself does not fit him, he gives a simple criticism of his decision. He thinks it is alright to challenge authorities with one's own reason. This view is solidified after he reads the book ', published in 1895.
Others
Chan Wai Yee (Chan Wai) is the writer who influenced him most. He started reading extensively in his gap year after his decision to drop out of IVE. The stories written by Chan Wai are like everyday life, which is the reason why Tsui likes her books. Another artist that he finds interesting is Hsia Yu. There is one particular work Tsui admires, which is her collection of poems, Pink Noise.
Lin Xi is often considered his mentor in his writing of lyrics, though he never admitted it. Tsui first met Lin Xi at a meeting called by Winnie Yu after he submitted his lyrical works to her.
Winnie Yu also gives him the chance to switch from clerk to production.
References