Rosalind Beckford Brooke (née Clark) (5 November 1925 â 17 November 2014) was a British medieval historian and art historian. She was an expert on St Francis of Assisi and wrote several books on the Franciscan order. Brooke taught medieval history at Liverpool, London, and Cambridge universities.
Born Rosalind Beckford Clark in Chipstead, Surrey on 5 November 1925, to Leslie H.S. Clark, a hospital physicist with expertise in medical radiology, and Doris F. Clark, a teacher. Brooke attended St Leonards School in St Andrews, before undertaking an undergraduate and postgraduate doctoral degree at Girton College, Cambridge in 1943. At this time, women were not awarded degrees at Cambridge; the policy was changed in 1948, allowing her to pursue a PhD. After completing her undergraduate studies she enrolled for PhD under the supervision of David Knowles. She wrote her doctoral thesis on Brother Elias.
In 1950 Brooke finished her doctoral thesis, which she developed into her first book, Early Franciscan Government, published in 1959. She dedicated sixty years to the study of St Francis and the Franciscan Order. In 2006 at the age of 81, Brooke published her final work, The Image of St Francis: responses to sainthood in the thirteenth century, which expanded her study of St Francisâ image to explore visual depictions of the saint as well, drawing on documentary, literary, architectural, and artistic sources together.
Brooke's early works explored the hagiographies of St Francis, engaging with, albeit indirectly, the Franciscan Question. In Early Franscican Government, for example, she contrasted Thomas of CelanoâÂÂs Vita Prima and Vita Secunda, noting that Brother Eliasâ fall from grace, an event that occurred between the authorship of the two texts, impacted how Elias was depicted by Thomas of Celano, and therefore impacted the reliability of both sources. In her translation of the Scripta Leonis, Brooke argued that we are given access to St Francisâ mind and heart. Regarding BonaventureâÂÂs Major Legend, she suggested the work was an elegant pastiche of earlier Lives, which in turn reflected what she noted as an admiration and veneration of St Francis âÂÂbut as an inspiration rather than as a modelâÂÂ. The Image of St Francis examined how stained glass and frescos that depicted the saint also passed on his spirit and teachings. In her examination of the various texts and images of St Francis, she demonstrated a âÂÂreal image of St Francisâ that shone through the myriad sources of his life.
In Early Franciscan Government, Brooke also sought to de-mythologise Brother Elias, second Minister General of the Order of Friars Minor, making a cautionary âÂÂhermeneutical reconstruction of the historical EliasâÂÂ. She evaluated in relentless detail the consistencies and differing perspectives that characterise Brother Elias in the Vita Prima and Vita Secunda of Thomas of Celano, and the chronicles of Jordan of Giano, Thomas of Eccleston, and Salimbene. She concluded that later writers intensified Eliasâ wickedness and exaggerated his importance, characterising him as âÂÂthe Judas who betrayed St Francisâ idealâÂÂ. She argued instead that Elias made no very deep imprint, except in legend, and was not alone responsible for modifications to the Rule under him.
Brooke spent her academic career in Cambridge, Liverpool, and London where her husband Christopher Brooke held permanent posts. She ran tutorials when she began her academic career in Cambridge, and took up further supervision work with students when she returned later in her career. While in London, she held an academic post at University College London, teaching history. She and Christopher moved to Cambridge in 1977.
Brooke and her husband Christopher often collaborated and supported one another with their academic work. Both of them referenced one another in their acknowledgements frequently, often with great wit and humour. For The Coming of the Friars Brooke thanked Christopher âÂÂfor his constant, unstinted collaborationâÂÂ. In the Scripta Leonis, after expressing a debt âÂÂimpossible to acknowledge fullyâ she remarked that âÂÂmany a problem became clearer in trying to explain it to himâÂÂ. In turn, Christopher also noted his great debt to Brooke for her collaboration and support, thanking her in the preface to the Twelfth Century Renaissance for âÂÂmuch encouragement and penetrating criticismâÂÂ, from which âÂÂthis the book has greatly benefittedâÂÂ. Brooke co-authored two works with her husband: a book titled Popular Religion in the Middle Ages: Western Europe 1000âÂÂ1300 and a chapter titled âÂÂSt Clareâ in Medieval Women, edited by Christopher. She dedicated her final work The Image of St Francis, to Christopher with the following passage:
This was written on her 80th birthday.
In 2007 Brooke was conferred with a D.Litt. award as a mark of âÂÂher sterling contribution to the debates surrounding St Francis and the early history, hagiography and art of the Franciscan communityâÂÂ. On 17 November 2014, Brooke died in Cambridge at the age of 89.
Brooke was introduced to her future husband Christopher Brooke through their joint acquaintance with David Knowles, and they were married in Cambridge on 18 August 1951. Their marriage lasted 63 years until her death in 2014. Christopher died on 27 December 2015, a year after Brooke. They were survived by two of their three children and seven grandchildren.
Co-authored with C.N.L. Brooke