Rodolfo Parada Lillo is a Chilean musician, composer, engineer and anthropologist. Parada joined Quilapayún in 1968, which made the group into a sextet - the formation which recorded the âÂÂCantata Santa MarÃÂa de Iquique. Upon joining the group he became the major solo voice of the ensemble (e.g. in âÂÂDicen que la patria esâ¦âÂÂ, âÂÂPor que los pobres no tienenâÂÂ, âÂÂPlegaria a un labradorâÂÂ, âÂÂVamos mujerâÂÂ. A fan of the âÂÂchanson françaiseâ he decided to reduce his activity as a student leader while the group was at its popularity peak during the Salvador Allende Government. He first composed âÂÂAusenciaâ for the group in their âÂÂQuilapayún 5â album with assistance from Eduardo Carrasco.
Whilst in exile he composed the instrumental music pieces: âÂÂSusurroâ and "El paso del ñandu", plus he also composed music for Pablo Neruda's poem "El arbol de los libres" and for Rafael Alberti's "La primavera". After exile his voice register underwent a change and he assumed a lower vocal range e.g. âÂÂRonda del ausenteâÂÂ, âÂÂLuz negraâÂÂ; âÂÂComplainte de Pablo Nerudaâ - inter alia.
After Eduardo Carrasco left the band in 1989 and became the group director and principal composer. During this period he earned a doctorate in anthropology from the Sorbonne in Paris, and when the activity of the band decreased he worked in the French Ministry of Culture. Parada was awarded the Ordre des Arts et des Lettres (order of arts and letters) which is a national order of merit the French Republic grants individuals recognized for their outstanding contribution to the development of culture.