Ritual is an album of contemporary classical music written by Keith Jarrett and performed by Dennis Russell Davies on solo piano in June 1977 and released on ECM in February 1982.
In the original notes for the CD release, pianist Dennis Russell Davies wrote about his relationship with Jarrett, his music, and how this project came about:<blockquote>I first worked with Keith Jarrett while conducting a program of new music with The Ensemble at New YorkâÂÂs Lincoln Center in 1974. On this occasion, Keith played the solo part in Carla BleyâÂÂs "3/4". Aside from his enormous improvisatory skills, I was most impressed by his love for and playing of the concert grand piano, and what I sensed was a growing impatience with the electronic sound sources that seemed poised to take over not only jazz, but so-called "serious" new music as well. I felt that a collaboration between Keith and my orchestra at that time, the St. Paul Chamber Orchestra, would be an ideal way to explore the potential of combining KeithâÂÂs instrumental approach with that of a traditional chamber orchestra, particularly one with proven abilities in the music of our time.
During one of several intense rehearsal periods together, KeithâÂÂwho had heard my own piano playingâÂÂmentioned a new work, "Ritual", that he wanted me to perform.
As I worked with the piece, I received enormous satisfaction from the opportunity to express, through KeithâÂÂs music, my admiration for his artistry. And although I could never, in improvisation, begin to assume his qualities as a creative force, "Ritual" is a vehicle through which I can bring his spirit to the listener.
Those who know Keith will hear him in this musicâÂÂit couldnâÂÂt have been written by anyone else.</blockquote>
The AllMusic review by Richard S. Ginell noted, "Ritual has several of the characteristics of Jarrett's solo improvisationsâÂÂthe repetitive vamps and ostinatos, wistful lyricism, ruminative episodes developing organically out of what preceded themâÂÂbut without the jazzy/bluesy feeling that runs through the solo concerts. Also, the piece begins in a mournful way unusual for the usually optimistic Jarrett. In any case, it is a thoughtful, absorbing composition, thoroughly tonal harmonically, played with assured technique and appropriate use of classical expressive devices by Davies. Classical listeners as well as Jarrett devotees will find much to savor here."