Aventinus was a son of Hercules and the priestess Rhea mentioned in Virgil's Aeneid, Book vii. 656, as an ally of Mezentius and enemy of Aeneas (Dryden's translation):
Servius This passage speaks of an Aventinus, a king of the aboriginal inhabitants of Rome, who was killed and buried on the hill afterward called the Aventine Hill. This king may be conflated with the Aeneid figure or with Aventinus:
This Aventinus (the son of Hercules) is not mentioned elsewhere in classical literature.
Classical scholars generally assume that Virgil himself invented the character, either deriving the name from one of the Roman hills or drawing on an otherwise obscure source [4]. The researcher A. Grandazzi argues that Virgil intended to incorporate into his poem the figure of a legendary ruler buried on the Aventine Hill but, due to chronological inconsistencies, could not portray this figure as a king of Alba Longa. Consequently, Aventinus is presented as a son of Hercules. The poet may have justified this genealogy by the proximity of the tomb of King Aventinus to the Great Altar of Hercules.
In her analysis of Aventinus, R. Parks emphasizes the characterâÂÂs duality. On the one hand, he is depicted as a true heir of Hercules: a slayer of monsters and a victor in chariot races. On the other hand, the image of the Hydra on his shield may be interpreted to suggest that he himself represents one of the monsters destined to be defeated by the new hero, Aeneas. Parks further hypothesizes that the chariot of AventinusâÂÂdescribed as having âÂÂwon the palmâÂÂâÂÂwas drawn by the horses of Diomedes.
The Russian scholar A. Kuznetsov classifies the figure of Aventinus among the âÂÂunresolved enigmasâ of the Aeneid. Although the son of Hercules is presented as a figure of primary importance and, like Aeneas, wears a lionâÂÂs skin, he is not mentioned again later in the poem.
W. Warde Fowler suggested that lines 664âÂÂ668 of the Aeneid refer not to Aventinus but to the Sabine hero Ufens. He points to a dissonance in the description of the son of Hercules: Aventinus initially appears riding a war chariot in ceremonial attire, yet later he is unexpectedly depicted walking on foot in an animal skin among soldiers armed in the Sabine manner. According to Fowler, this confusion may have arisen through the work of the poemâÂÂs early editors. One possible explanation is that the Sabine hero, like Hercules, was also represented wearing a lionâÂÂs skin.