The Doña MarÃÂa de Aragón Altarpiece was an altarpiece painted between 1596 and 1599 by El Greco for the chapel of the Colegio de la Encarnación (also known as the Colegio de doña MarÃÂa de Aragón) in Madrid. The college was secularised during Goya's lifetime and the altarpiece was dismantled. There has been much speculation over which paintings belonged to the work. The consensus view is that it consisted of six large canvases and a seventh, now lost. Five of those six canvases are now in the Prado and the sixth is in the National Museum of Art of Romania in Bucharest.
In 1596 El Greco undertook to make the altarpiece for the church of the college, a seminary of the Augustinian order. The popular name alludes to MarÃÂa de Córdoba y Aragón, the patron who paid for the works, lady of Queen Anne of Austria and daughter of Don ÃÂlvaro de Córdoba, senior knight of Philip II. El Greco was commissioned by the Council of Castile, which had taken charge of the works after the death of Doña MarÃÂa. There are documents that attest that it was to be done in three years and the work was valued at just over sixty-three thousand reales, the highest price he got in his life. However, there are no references to the number of paintings that formed it, nor to the structure of the altarpiece, nor to the subject matter. Ceán Bermúdez, two centuries later, said that the paintings dealt with the cycle of the life of Christ.