("ì 기ì´" or "baby arrow" or sometimes "mini-arrow") or Pyeonjeon, (aka "(øì Â)", "Junjun") is a short arrow or bolt, shot using a longer bamboo arrow guide called the Deotsal (Tong-ah) in Korean archery. The tongah (aka "Tong-ah") allows one to draw a short arrow at a full draw length with a full sized bow, it is an overdraw device. A tongah used with a bow looks somewhat similar to a crossbow. The Japanese had a similar arrow called a "", that was loosed through a pipe.
Advantages
There are several advantages in shooting a shorter arrow, the shorter arrow is lighter (which means they're faster) and more aerodynamic. They shoot with a higher velocity which results in greater range and hits the target more quickly. Their speed and small size also made it harder for enemies to see them coming. Their higher speed and aerodynamic efficiency means they penetrate armour better at range. Broken arrows could also be recycled into short arrows.
In military archery, infantry troops with bows and arrows on the ground routinely used boys behind the front line to run and collect the arrows fired by the enemy that missed. This quickly re-supplied the front line troops with the missiles used against them that went too high or to the sides of the unit. A number of efforts over time were invented to prevent the enemy from responding with the arrows fired against them. The Pyeonjeon is one method, as opposing forces who lacked an overdraw device/tong-ah would be unable to use the short arrows on the field (though experienced opposition archers who figured out how the Pyeonjeon was fired or who were already equipped with an overdraw device similar to the tong-ah may have been able to re-use such arrows).
Historical use
Used by the Koreans, this weapon was considered a national secret during the Japanese invasions of Korea (1592-1598). Its traditional range is 350 meters, five times the effective range of Arquebus or Tanegashima. Further more, the short bolts had longer range and flatter trajectory with a faster velocity and penetrating power.
Tongah and pyeonjeon were part of the standard kit of Joseon era archers. Their quivers held 20 arrows and 10 pyeonjeon arrows.
Other similar devices
The Chinese bian jian(éÂÂç®Â), Byzantine solenarion and Turkish majra were all similar devices
In media
- The 2011 Korean film War of the Arrows depicted the protagonist fashioning a tongah while on the run in order to shoot some broken arrows.
- In the 2013 Korean drama Empress Ki, the protagonist Seung Nyang is an expert with the Pyeonjeon.
- In the 2014 Korean period action film The Fatal Encounter, the protagonist King Jeongjo uses the Pyeonjeon several times against long-range archers during an assassination attempt on him.
References
Bibliography
- ì´ÃÂÂì Â, and Lee Heon-jung. 2017. "ÃÂÂ÷ì¼ ì Âõê¶ÂìÂÂ(å¼Âç¢) ë¹ÂêµÂì°구ãÂÂ-øì Â(çÂÂç®Â)ê³¼ 구ë¤ì¼(管ç¢)를 ì¤Â쓼ë¡Â-". ì¼본근ëÂÂÃÂÂì°구. 57 ê¶ ê¶Â: 210. Abstract: ì Â(çÂÂç®Â)ì ÃµìÂÂë³´ë¤ ì§§ì ÃÂÂì´ì Ãµì ë£ì´ì ë°Âì¬ÃÂÂë Ã¹ìÂÂàÃÂÂÃÂÂì ÃÂÂì´ì´ë¤. ÃÂÂêµÂì 경ì° Ã¸ì Âì ëÂÂàì¬ë£Âê° ë§Âì¼며 ê·¸ ì ëÂÂì ìÂÂì¬젠ìÂÂìÂÂ를 ìÂÂìÂÂ보기ìÂÂë ì©ì´ÃÂÂë¤. 그둠øì Âì ìÂÂë 방ë²Âì ëÂÂôìÂÂë ìÂÂì¸Ã 기ë¡Âì´ ë¨ìÂÂìÂÂì§ ìÂÂì¼며 ì Âì¹ ëÂÂàëÂÂì´ì¡Â기ì Ã¸ì Âì¬ë²Âì 고ì¦ÂÃÂÂ기ìÂÂë ì´려ì´ ìÂÂéì´ë¼ àì ìÂÂë¤. ÃÂÂø ì¼본ì 경ì° Ã¸ì Âê³¼ ê°Âì ÃÂÂÃÂÂì ÃÂÂì´ì 구ë¤ì¼(管ç¢) ë¼ ë¶Â르고ìÂÂë¤. 그둠ì¼본ì 구ë¤ì¼ì ëÂÂàì¬ë£Âë ë§Âì§ ìÂÂì¼며 구ì ÂëÂÂì´ ì¤ë ê²Âì´ ë§Â기ìÂÂ, ê·¸ ì ëÂÂì ìÂÂì¬젠ìÂÂìÂÂ를 ì ÂÃÂÂàÃÂÂìÂÂ
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ÃÂÂÃÂÂì§ ìÂÂì ÃÂÂêµÂì Ã¸ì Âì¬ë²Âì 고ì¦ÂèìÂÂë ì ì©Ã ê²Âì´ë¼ ìÂÂê°ÂëÂÂì´ ÃÂÂì¬ ÃÂÂôì§Âë Ã¸ì Âì¬ë²Âê³¼ ë¹Âêµ ë¶ÂìÂÂÃÂÂìÂÂë¤. ê·¸ ê²°ê³¼ ÃÂÂì´ì Ãµì ë£ì´ ÃÂÂìÂÂìÂÂì 걸ìÂÂì ëÂÂ, ÃÂÂì´ ê¹Âì 방ÃÂ¥ì 차ì´갠ìÂÂìÂÂì ì ì ìÂÂìÂÂë¤. Pyeonjeon is a unique type of arrow. In order to shoot it, one needs to put short arrow-the pyeonjeon into a pipe. In Korea, there are various records regarding this unique arrow, making it available to study on its origin and historical significance. However, in case of specific archery method, no detailed records exist nor any remains are transmitted from the past. In case of Japan, there existed similar type of arrow which is called as Kudaya. However, there are only few records related to Kudaya, making it difficult to research into it. In addition, the existence of Kudaya is obscure, since Kudaya is mainly transmitted down by words, and the form of Kudaya in those words is rather `a separative arrow` than `an arrow in the pipe`, In this situation where we lack historical materials, the book Shinmei husinyuminosyo explains the archery method of Kudaya by pictures and writings. This will surely suggest clues to explain the archery method of Korean Pyeonjeon. By comparing Pyeonjeon with Shinmei husinyuminosyo, we figured out that the difference of Pyeonjeon and Shinmei husinyuminosyo lies in the direction of fletchings, when the arrow is put into a pipe and strung by the bowstring.
- 2007. "ãÂÂì¡°ì ìÂÂì¡°ì¤ë¡Â(æÂÂé®®çÂÂæÂÂ實éÂÂ)ãÂÂì 보ì´ë ì Âì¡°ëÂÂìÂÂ(æÂ£ç¥Â大çÂÂ)ì <ê¶Âì (å¼Âè¡Â)> ãÂÂ무(æÂ¦)ãÂÂì ì 체ì§Â(身é«ÂçÂÂ¥)". ÃÂÂêµÂì¬ÃÂÂì²´ì¡ÃÂÂÃÂÂì§ (Journal of Sport and Leisure Studies). 30: 111-129. Abstract: In this paper, the tacit knowledge of military arts in Lord King Jeongjo(æÂ£ç¥Â)`s archery(å¼Âè¡Â) has been studied. The following facts could be summarized. first, Lord King Jeongjo(æÂ£ç¥Â) compiled "Mu Ye Do Bo Tong-Ji(ãÂÂæÂ¦èÂÂÃ¥ÂÂèÂÂéÂÂå¿ÂãÂÂ)" - which is the one of his great achievement in Korean history - through the tacit knowledge of military arts in archery(å¼Âè¡Â). second, he taught principles and thoughts of the tacit knowledge to his "Mun Mu Beak Gung(æÂÂæÂ¦ç¾å®Â)" through the military affairs of archery(å¼Âè¡Â). third, he forth, Not his moral characters in the tacit knowledge of military arts in archery(å¼Âè¡Â) to civil ministers and developed martial spirit to his military officials. fourth, Not only he was a master of archery(å¼Âè¡Â) but also put on the best record among the kings of many generations in Cho Sun(æÂÂé®®). fifth, when he shot 50 arrows, he purposely shot one arrow into the sky in order to teach "Mun Mu Beak Gung(æÂÂæÂ¦ç¾å®Â)" about the man of honor. However, the other 49 shots hit very center of the target. These facts explain how valuable the tacit knowledge of military art was in Korean history. We need to realize how important and valuable our inheritance is and find out what the meaning of Korean martial art in the past was.
- ì ìÂÂì , and Won Seon Sin. 2015. "ì¼ë°ÂëÂ
¼ë¬¸ : <ìµÂì¢Â
ë³Â기 ÃÂÂ>ì 구ÃÂÂë 민족주ì ì½ÂëÂÂì ë ìÂÂìÂÂ". ÃÂÂëÂÂìÂÂÃÂÂì°구. 21 ê¶ ê¶Â, no. 1 ø ø: 91. "General Papers: Two Aspects of Nationalistic Codes Implemented in 'The Last Arms'" Abstract: This study examined the internal and external meanings of nationalist codes observed in War of the Arrows a history movie about QingâÂÂs invasion in 1637. With regard to the internal pattern of nationalist codes, this study examined the meanings of Joseon as a sacred space of the nation and the Bidulginang Fall (Pigeon Cliff Fall). The movie tells the story that Joseon people who had been taken captive to China in QingâÂÂs invasion in 1637 were attempting to go back to their homeland Joseon. To them, Joseon or Hanyang was not merely a state or a capital city but existed as a sacred space of the nation that would restore their identity. The Bidulginang Fall had also a meaning as a sacred place of the nation where the tiger of Mt. Baekdu, which saved the life of hero Nam-yi, lived. With regard to the external pattern of nationalist codes, this study examined the meanings of traditional archery that had already been stopped and Manchu that was virtually a dead language. The movie shows restored horseback archery, run archery, mini arrow, etc., which are our traditional archery discontinued long ago. Among them, mini arrow, which is called baby arrow, is a Korean national arrow symbolizing peopleâÂÂs power that looks weak but is actually strong. The restoration of mini arrow shows clearly the nationalistic aiming point of this movie. In consideration that our national power comes from Hangeul preserved by our people, the restoration and representation of Manchu itself stimulates the audience's nationalistic sentiment.
- ìµÂÃÂÂêµÂ, and Hyeong Guk Choi. 2015. "18ì¸기 ÃÂÂìÂÂ기(Ã¥ÂÂå¼Â) ìÂÂ련방ìÂÂê³¼ ê·¸ ì¤젠-ãÂÂ림ìÂÂê²½ì Âì§Â(æÂÂÃ¥ÂÂç¶Âæ¿Âå¿Â)ãÂÂãÂÂì ìÂÂì§Â(éÂÂèÂÂå¿Â)ãÂÂå°Â訣ì ì¤Â쓼ë¡Â". ÃÂÂë¼문ÃÂÂ. 50 ê¶ ê¶Â: 234. Abstract: 본 ì°구ë ãÂÂæÂÂÃ¥ÂÂç¶Âæ¿Âå¿Âã ãÂÂéÂÂèÂÂå¿ÂãÂÂì ìÂÂë¡Âë å°Â訣ì ì¤젠ìÂÂë ¨ì ë°ÂÃÂÂì¼론ÃÂÂ몸 문ÃÂÂì ê´Âì ÂìÂÂì ë¶ÂìÂÂÃÂÂì¬ 18ì¸기 ÃÂÂìÂÂ기 ìÂÂ련방ìÂÂê³¼ ê·¸ 무ìÂÂì¬젠ìÂÂ미를 ì´Ã´보ìÂÂë¤. ëÂÂàãÂÂå°Âæ³Âç§Â峿ÂȍÂÂãÂÂì ãÂÂì¡°ì ì ê¶Âì ã 줠å°Âæ³Âè¦Â訣ì Ã´ë¹ÃÂÂë ë¶Âë¶Âì ìÂÂë¡ ë¹ÂêµÂÃÂÂì¬ ì Âõ ÃÂÂìÂÂ기ì 보ø젠ùì±ì ì´Ã´보ìÂÂë¤. ãÂÂìÂÂìÂÂê²½ì Âì§ÂãÂÂì ì ÂìÂÂì¸ ìÂÂì 구ë ëÂÂÃÂÂì Âì¸ 京è¯ä¸ÂæÂÂì¼론家å¸ì¼론ì Âô짠ëÂÂìÂÂ
ì ëÂÂàê´Â쓠õô ÃÂ¥ì´ÂìÂÂÃÂÂì ÃÂÂìÂÂà쑬 ê°Âì§ ì¼ë¤ì ì´릴 ì Âë¶Âð ì Âàì ìÂÂìÂÂë¤. ëÂÂàê´Âì§Âì ì¤른 ÃÂÂìÂÂë ìÂÂ창군ìÂÂ를 ë¹Â롯àÃÂ¥ì´Âì¬ÃÂÂì ì¼ì ì§Âì  ì´Ã ì ìÂÂë ê´Âë ¥ì´ ìÂÂìÂÂëÂÂê° ÃÂÂë©´, é£è£ì¼론ìÂÂì ëÂÂìÂÂë ìÂÂë§Âì ìÂÂì Âë¤ì ê·ÂìÂ¥ê°Âì´ë¼ë 거ëÂÂàì§ÂìÂÂì§ÂéìÂÂ를 ê´Â리ÃÂÂ기ì 백과ì¬ì Âì  ê³µë¶Â를 ì§ÂÃÂÂàì ìÂÂìÂÂë¤. 그리고ãÂÂéÂÂ禮åÂÂç·¨ã ë± ë¤ìÂÂàìÂÂì Âë¤ì Ã¸찬ì ë´ë¹ÃÂÂë©´ì ìÂÂë¡Â를 ë¹Â롯àì Âõì§ÂìÂÂì 물론ì´고, ì²ÂëÂÂë¼ìÂÂì ìÂÂìÂÂ
àìÂÂë¡Âì´ 實å¸æÂ¸ë¤ì ì Â리ÃÂÂë 과ì ÂìÂÂì ì§ÂìÂÂì 체ê³Âì Âì¸ ê´Â리ì ì Âë³´ì ì¤ÂìÂÂì±ì ì¸ìÂÂÃÂÂì¬ ãÂÂìÂÂìÂÂê²½ì Âì§ÂãÂÂ를 ì Âì ÃÂÂê² ëÂÂìÂÂë¤. ãÂÂìÂÂìÂÂê²½ì Âì§Âã 줠ì¬결ìÂÂë ë¹ë ÃÂÂìÂÂ기ì ìÂÂ련방ìÂÂê³¼ ÃÂÂê³¼ ÃÂÂì´ì ì Âì¡°ÃÂÂë ê²Âì ì´르기ê¹Âì§ ÃÂÂìÂÂ기ì ê´Â련àë¤ìÂÂàì Â보를 ìÂÂë¡ÂÃÂÂê³ ìÂÂë¤. ùàìÂÂì 구 ìÂÂì ì´ ÃÂÂìÂÂ기를 ì Âì ëÂÂë¶Âð ìµÃÂÂê³ , ÃÂÂìÂÂ기 ìÂÂì 家å¸ì¼론ì¬겨짠ë§Âü ì§ÂìÂÂì 거ì 모ë ì‘´ë¤ì´ ìµÃÂÂ기ì 보ë¤ ì¤ì©ì Âì¸ ë¶Âë¶Âì ì¤Â쓼론체ê³ÂÃÂÂìÂÂì ì ìÂÂìÂÂë¤. ì´ë¬Ã ì¬결ì ë´ì© 줠ì¤젠ÃÂÂìÂÂ기 ìÂÂë ¨ì ëÂÂÃÂÂëÂÂë ë¤ìÂÂà몸문ÃÂÂì Âì¸ 측면ì ìÂÂì¦Âì ÃÂÂìÂÂ기ì ë¹Âêµ ë¶ÂìÂÂÃÂÂë©° ì Â리ÃÂÂìÂÂë¤. ì´를 õô ãÂÂìÂÂìÂÂê²½ì Âì§ÂãÂÂì ì¬결ì ì¤린 ÃÂÂìÂÂ기ì 모ìµì´ ë¹ëÂÂì 몸문ÃÂÂ를 ê°ÂìÂÂ¥ ì ë°ÂìÂÂÃÂÂê³ ìÂÂìÂÂì ÃÂÂì¸Ã ì ìÂÂìÂÂë¤. In this research, we observed archery training methods in the 18th century and its military artistic meaning from somatic cultural perspective by reviewing Sagyul(å°Â訣, instructional description on archery collected in ãÂÂImwonGyeongjejiãÂÂ(æÂÂÃ¥ÂÂç¶Âæ¿Âå¿Â, encyclopedia written by Seo Yu-gu) Yuyeji (éÂÂèÂÂå¿Â, arts and crafts of gentry class). In addition, this study recognized universal characteristics of Korean traditional archery by examining related contents including Sabupbijeon-gongha(ãÂÂå°Âæ³Âç§Âå³åÂÂçÂÂãÂÂ, book on archery published by Pyongyang-Gamyeong in late Joseon dynasty) and Sabup-yo-gyul(å°Âæ³Âè¦Â訣, condensed archery manual) collected in ãÂÂArchery of JoseonãÂÂ, which is an instructional book on archery written in 20th century. Seo Yu-gu, the writer of ãÂÂImwonGyeongjejiãÂÂ, was a representative Kyung Hwa Sa Gok(京è¯士æÂÂ, privilege rank that monopolized an honor and an official post in the 18th in Korean governing class). Affected by agricultural academic tradition of his family, he was able to experience variety of things necessary to rural environment. Furthermore, after filling the office, he had an authority to take care rural society directly including Sunchang District Governor. When he worked in Gyujanggak (å¥Âç« é£, royal library built in late Joseon dynasty), he even arranged encyclopedic research as he managed all the databases collected in the library. In the process of handling various book publication including ritual book such as ãÂÂHyangryehap-pyunãÂÂ(éÂÂ禮åÂÂç·¨, integrated book on rural ritual) and arranging new practical science books imported from Qing dynasty, he felt necessity of systematic management of knowledge and information and its outcome was ãÂÂImwonGyeongjejiãÂÂ. In Sagyul, there are different kinds of information on archery from training types to manufacturing methods of bow and arrows. Especially, he organized it by putting more stress on practicality as Seo Yu-gu himself trained archery since childhood and almost every men in his family mastered it in their life. According to this, various somatic cultural aspects that appeared in Sagyul were examined by comparing current archery.
- æÂ ç¦é¨. 2012. "ãÂÂ御å°Âå¤風å¸ÂãÂÂ(1791-1792)ã«ã¿ãÂÂ18ä¸Âç´ÂæÂ«ã®æÂÂé®®å¼Âè¡ : å¼Âè¡Â種ç®ã¨å¼ÂÃ¥Â
·ã«çÂÂç®ãÂÂã¦". ä½Âè²å¦ç Âç©¶. 57, no. 2: 501-513. Notes: Korean traditional archery in the late 18th century as described in the "records of the old custom of King's archery", focusing on archery events and equipment ã ã´ ã·ã£ ã³ãÂÂã¦ã¸ã§ã¦ ãÂÂ(1791-1792)ã ãÂÂã« 18ãÂȋ¤ãÂÂãÂÂã ã ãÂÂã§ã¦ãÂȋ³ ãÂÂãÂ¥ã¦ã¸ãÂ¥ã : ãÂÂãÂ¥ã¦ã¸ãÂ¥ã ã·ãÂ¥ã¢ã¯ ã ãÂÂãÂ¥ã¦ã° ã ãÂÂã£ã¯ã¢ã¯ ã·ã ã go sha kofujo ãÂÂ(1791-1792)Ni miru 18seikimatsu no chosen kyujutsu : Kyujutsu shumoku to kyugu ni chakumoku shite.
- ì´찬ì°, and Chan Woo Lee. 2014. "ãÂÂê¶ÂëÂÂê°Âì¢Â(å¼ÂéÂÂè¬Â座)ãÂÂì 보ì´ë 조ì (æÂÂé®®)ì ê¶ÂìÂÂ(å¼Âç¢)". ì²´ì¡ì¬ÃÂÂÃÂÂì§Â. 19 ê¶ ê¶Â, no. 2 ø ø: 59. Abstract: ê¶Âì ì 조ì ì ëÂÂÃÂÂì Âì¸ 무ìÂÂë¡ ë²ÂìÂÂÃÂÂìÂÂì¼ëÂÂ, ê·¼ëÂÂì ë¤ì´ 實ç¨æÂ§ì åª失과 ëÂÂë¶Âì´ ê¸Â격à衰éÂÂÃÂÂì¬, ê·¸ 문ÃÂÂê° ì¨ì Âàì ÂÃÂÂì§ ìÂÂëÂÂë¤. 본 ì°구ìÂÂìÂÂë 근ëÂÂÃÂÂì ÃÂÂêµÂì Âì ìÂÂìÂÂì 亡失ë å¼Âè¡ÂìÂÂë£Â를 ë³´ìÂÂÃÂÂê³ ìÂÂ, æÂ¥æÂ“ ê¶Âì ìÂÂë£Âì¸ ãÂÂå¼ÂéÂÂè¬Â座ãÂÂì ìÂÂë¡Âë ãÂÂæÂÂé®®ã®å¼Âç¢ãÂÂ를 è§£è®Â÷åÂÂæÂÂÃÂÂì¬, ì¡°ì ì ì Âõ젠å¼ÂÃ¥Â
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Âë çÂÂç®Âê³¼ì ë§Âì°°ê³¼ ìÂÂë ¥ì 견ëÂÂê³ è½ç®Âì 방ì§ÂÃÂÂ기 ìÂÂô ùì´Ã ì¬ì§Âê³¼ 구조론ëÂÂì´ ìÂÂìÂÂë¤. ë¥근 ì´Âì´ ì´ë ê¹Âì´ ë°ÂÃÂÂìÂÂì´ 굵고무거ì´ Ã¥Â
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©ç®Âì ì¬거리보ë¤ ÃÂÂê´´ë ¥ì ì¤ÂìÂÂà구조ìÂÂë¤. æÂÂé®®éÂÂ信使를 õô ì Âô져 1ì¸기 ì Âì æÂ¥æÂ“ÂÂì ì¶ÂÃÂÂë ì´ ì¬ë£Â를 õô, æÂÂç²ì ì©ëÂÂë å¸Â帿ì 그려짠é¢å¦ì ìÂÂ미 ë± ÃÂÂì¬ ÃÂÂêµÂì å°ÂäºÂìÂÂì ìÂÂÃÂÂì ¸ë²Â린 æÂÂé®® å¼Âè¡ÂæÂÂÃ¥ÂÂì ä¸Â端ì ì¿볼 ì ìÂÂìÂÂë¤. The archery that prospered as Korean representative martial arts, suddenly declined with the loss of the utility in modern times, and there are a lot of things to unknown. This paper tried to investigated about Korean traditional archery equipments through decoding and historical consideration of âÂÂBows and Arrows of Joseonâ which is included in the âÂÂKyudo KouzaâÂÂ, to make up for the lost historical materials of archery during modernization and Korean war. It became clear the detail sizes, weights, quality of the materials, the center of gravity through the survey results of each equipments. Particularly, the Whistling Arrow was used to threaten a wild beast, the Arrow Pipe was framed of unique material and structure for endure the friction and pressure, and the Big-iron Arrow was structured for enhance destructive power than shooting range. Through this historical material which was published about one century ago, we could peeped into some of the lost Korean traditional archery culture.
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