is the main public square of Montevideo, Uruguay. It was laid out in the 19th century on the site formerly occupied by the Citadel of Montevideo, marking the transition between the old fortified city and the modern urban expansion.
Situated in Central Montevideo, at the boundary with the Ciudad Vieja, the square has long served as a venue for major political demonstrations and official public ceremonies. Notable buildings facing the square include the Palacio Salvo, the SolÃÂs Theatre, the Estévez Palace, and the Executive Tower.
Following the demolition of the colonial fortifications after the consolidation of independence, the former walled city was opened to urban expansion. In 1837, the Ciudad Nueva (âÂÂNew CityâÂÂ) was planned, and architect Carlo Zucchi laid out what would become Plaza Independencia, reportedly inspired by the Rue de Rivoli in Paris. During the 19th century, the square emerged as a focal point of national importance, particularly with the construction of the Estévez Palace, which served as the seat of the Uruguayan government. At the beginning of the 20th century, French landscape architect Carlos Thays was commissioned to design the squareâÂÂs landscaping, as the site had until then remained largely undeveloped. Thays introduced four French-style parterres with fountains and landscaped greenery, as well as a series of palm trees characteristic of his urban projects, which symbolically represent the Thirty-Three Orientals, leaders of the 1825 expedition that initiated UruguayâÂÂs struggle for independence.
In 1923, during the presidency of Baltasar Brum, a monument to General José Gervasio Artigas was inaugurated. The monument consists of a 17-metre bronze equestrian statue set upon a granite base sculpted by Angelo Zanelli.
On 27 September 1974, during the civic-military dictatorship, the construction of an underground mausoleum beneath Plaza Independencia for the remains of José Gervasio Artigas was formally approved. His remains had been placed in the National Pantheon of the Central Cemetery in 1972, after being repatriated from Paraguay, where he had died in 1850.
Designed by architects Lucas RÃÂos Demalde and Alejandro Morón, the mausoleum features two broad granite staircases leading to an underground chamber housing the urn containing ArtigasâÂÂs remains. A granite mastaba situated behind the monument above functions as a skylight for the subterranean space. The mausoleum was inaugurated and opened to the public on 19 June 1977âÂÂArtigasâÂÂs birthday, which is observed as a national holiday in Uruguay.
The site has a permanent honor guard from its body of soldiers (Cuerpo de Blandengues), the first in which Artigas served. The changing of the guard is a major ceremony and tourist attraction.
Surrounding the square are several of MontevideoâÂÂs most prominent landmarks. To the west stand the Gateway of the Citadel and the entrance to the Peatonal SarandÃÂ. To the east rise the Palacio Salvo and the beginning of 18 de Julio Avenue, the cityâÂÂs principal thoroughfare.
The SolÃÂs Theatre is located to the southwest, while the Executive Tower and the Estévez PalaceâÂÂboth seats of the Executive BranchâÂÂstand to the south. To the north is the Radisson Montevideo Victoria Plaza Hotel.
Since 2010, the square has served as the venue for presidential inauguration ceremonies, specifically for the public transfer of the presidential sash, owing to its central location and its proximity to the Executive Tower, the presidentâÂÂs official workplace. The formal swearing-in of both the President and the Vice President, however, takes place at the Legislative Palace. The square serves as a principal venue for public demonstrations, patriotic celebrations, and official ceremonies, and is also the site where visiting foreign dignitaries lay wreaths at the Artigas mausoleum as part of state protocol. It is likewise the starting point of the , an annual pride parade celebrating the LGBTQ community in Uruguay.
In May and June 2009 an exhibition of the "United Buddy Bears" was held in the square, for the second on the Americas.