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Phoenician Adoration steles

The Phoenician Adoration steles are a number of Phoenician and Punic steles depicting the adoration gesture (orans).

In Umm al-Amad, Lebanon, 23 such steles have been found. These date to between 100 and 400 BCE. Many of the steles contain inscriptions; these usually reference religious titles such as "priest", "chief", or "chief of gates". Of the males depicted, most images show the person in a long robe holding a bowl with an elongated handle in the shape of a naked girl considered to be the Ancient Egyptian .

Baalyaton stele (KI 15)

The Baalyaton stele is a stele dated to 150BC found in 1900 in three parts at Umm al-Amad, Lebanon.

On the front side is a representation of a man in bas-relief, with a three-line inscription engraved below the left hand. At the top is solar disk, in Egyptian style, flanked by two uraeuses (cobras). The main portrait is full length, beardless, in a tunic down to bare feet; the open right hand stretched forward in the habitual gesture of adoration.

The three line inscription is known as KI 15. The inscription has been translated as follows: “This is the memory stone of Baalyaton, son of Baalyaton hrd/b”

It was discovered by local antiquities dealers in c.1902-03, apparently on the encouragement of Charles Simon Clermont-Ganneau, and acquired by Jacobsen. It is currently at the Ny Carlsberg Glyptotek in Copenhagen.

KI 14 or RES 307 (at the Louvre)

The same 1902-03 unofficial excavations uncovered a number of additional steles, which were acquired by the Louvre. One of these, in three fragments, later known as KI 14 or RES 307, was dedicated to Baalyaton, priest of Milkashtart. On the upper part of the arched stele appears a dedicant wearing a polo shirt raising his hand in a sign of adoration. His feet and the inscription are on another fragment of the stele.

Gallery

Bibliography

General

  • Caubet, Annie ; Fontan, Elisabeth ; Gubel, Eric, Art phénicien : la sculpture de tradition phénicienne (Paris, Musée du Louvre), [Musée du Louvre/Département des Antiquités orientales], Paris, RMN/Snoeck, 2002, Disponible sur : M:\AO\Ouvrages numériques\Caubet-Fontan-Gubel_ArtPhénicien_2003.pdf, p. 144, n° 157
  • Maës, Antoine, « Le costume phénicien des stèles d'Umm el-'Amed », dans Lipinski, Edward (dir.), Phoenicia and the Bible, Louvain, Peeters, (Studia Phoenicia, 11), 1991, P. 209–230, p. 212-213, fig. 2
  • Maximilian F. Rönnberg, Bemerkungen zur phönizisch-punischen Priesterikonographie, Zeitschrift des Deutschen Palästina-Vereins, Bd. 133, H. 1 (2017), pp. 84–105
  • Henrike Michelau, Hellenistische Stelen mit Kultakteuren aus Umm el-Ê¿Amed, Zeitschrift des Deutschen Palästina Vereins 130/1, 2014, 77-95
  • Henrike Michelau, Adorantendarstellungen karthagischer und phönizischer Grabstelen, in: H. Töpfer / F. Schön (ed.), Karthago-Dialoge. Karthago und der punische Mittelmeerraum – Kulturkontakte und Kulturtransfers im 1. Jahrtausend vor Christus (RessourcenKulturen, 2; Tübingen), 137–158.

Baalyaton stele (KI 15 or RES 250)

KI 14 or RES 307 (at the Louvre)

References