Only the Brave is a 1994 Australian film directed by Ana Kokkinos. It focuses on two young Greek Australian friends, Alex (Elena Mandalis) and Vicki (Dora Kaskanis) in MelbourneâÂÂs Western suburbs. It received acclaim upon release, winning Best Film at the Melbourne International Film Festival and Best Short Film at the 1994 Australian Film Institute Awards.
Several of the actors (Mandalis, Kaskanis & Eugenia Fragos) were later cast in Greek Australian roles in Kokkinos' 1998 drama film, Head On.
Two adolescent second generation Greek Australian friends, Alex and Vicki, live in Melbourne's Western suburbs. Vicki has a challenging home-life, she is sexually abused at home by her father and bored at school. Alex, meanwhile, misses her mother and is struggling with her sexuality as she becomes attracted to her teacher, Kate, and falls in love with Vicki. Amid these struggles, the girls hang out, commit arson and find solace in spending time together.
The film received premieres and screenings at many film festivals around the world, including: Sundance Film Festival, 1994 Toronto International Film Festival, 51st Venice International Film Festival, Chicago International Film Festival, London Film Festival, Vancouver International Film Festival, Cork Film Festival, Thessaloniki International Film Festival, Antipodean Film Festival, Frameline Film Festival and the Seattle International Film Festival. It was also showcased in Strictly Oz: A History of Australian Film, a feature exhibit at the Museum of Modern Art in Manhattan.
In Australia, the film premiered at the Melbourne International Film Festival.
The film received acclaim, with film critic Emanuel Levy writing in Variety: "A harrowing, ultra-realistic coming-of-age portrait of a group of tough teenage girls, âÂÂOnly the Braveâ is a new Australian film of astonishing, raw power." Levy continued to praise the "sharply observant script" and how it has "the novelty of portraying alienation and rites of passage among girls whose ethnic minority (Australians of Greek descent) accentuates their marginal positions and feelings." Levy also praised Kokkinos' direction: "in congruence with her brilliantly naturalistic direction, Kokkinos imbues the picture with alert intelligence and depth, successfully resisting the more clinical strategy of American movies of the week."
Australia's National Film and Sound Archive curator and film critic, Paul Byrnes writing: "it was clear evidence that a major new voice (Kokkinos) had arrived in Australian film... the film showed that Kokkinos had an uncompromising ambition to tell powerful and personal stories."
It also went on to win several awards: