Okayama (岡山) is a Japanese kà Âwaka-mai of the hà Âgan-mono genre (works about Minamoto no Yoshitsune) composed in the Muromachi period.
It tells the story of the bereaved relatives of Satà  Tsugunobu and Satà  Tadanobu, two of Yoshitsune's retainers. The text of the work has been connected to a passage in the Gikeiki, and it is a sequel to the kà Âwaka Yashima. The libretto survives in a single manuscript in the holdings of Tenri Central Library.
Okayama is a kà Âwaka-mai of the hà Âgan-mono genre. Hà Âgan-mono refers to works on the theme of the 12th-century military general and folk hero Minamoto no Yoshitsune, who late in his career held the office of captain of the guard (å¤宠hà Âgan or hangan).
At Takadachi, Yoshitsune is asked by Nikà  (尼堬, an honorific title for a noblewoman who has become a nun), the mother of his fallen retainers Satà  Tsugunobu and Satà  Tadanobu, to act as the ' for the two brothers' fatherless children. Yoshitsune agrees to sponsor them in their genpuku ceremony, and names the two Yoshinobu (義信) and Yoshitada (義忠). Fujiwara no Hidehira welcomes the two into his house. Tsugunobu and Tadanobu's widows become nuns with the assistance of Musashibà  Benkei, and the two women join their mother-in-law Nikà  and travel as pilgrims around Mutsu Province until they come to a place called Okayama, where they build a hut and die peacefully together.
The dance forms a pair with the other kà Âwaka known as Yashima, and combined form a kind of "Tale of Nikà Â" (尼堬ç©èªÂ).
Book eight of the Gikeiki contains a passage that is nearly identical to the first half of this work.
Only one manuscript of the libretto survives: the Bunroku-bon (æÂÂç¦ÂæÂ¬) copied by Ueyama Munehisa (ä¸Âå±±å®Âä¹ ), which is in the possession of the Tenri Central Library. The library published a facsimile in it Mai no Hon Bunroku-bon (ge) (èÂÂã®æÂ¾ÂÂç¦ÂæÂ‹Â»ä¸Â).