Number 10 is the tenth studio album by American singer-songwriter J. J. Cale, released on November 10, 1992.
Number 10 was Cale's second LP for Silvertone. Compared to his albums in the 70s and 80s, he employs fewer session players for this album, yet still achieves his signature sound. Before releasing 1989's Travel-Log, he went on hiatus, not releasing an album in six years. Notoriously wary of the spotlight, Cale quietly went about his own business his way, and in an era of fuzz guitar and grunge, he delivered his own unique blend of musical styles augmented by his laid-back vocal delivery. In his AllMusic review of the album, Roch Parisien contends:
The song âÂÂTracesâ features Christine Lakeland on synthesizer and foreshadows the synth-heavy material Cale would produce on his next two albums. Cale, who started his career as an engineer in Leon Russell's home studio in the late sixties, told Vintage Guitar in 2004, âÂÂI love the engineering part; thatâÂÂs why I put out a lot of synthesizer-type records â I like that sound. Trouble is, everybodyâÂÂs doing that now. On the radio, chances are you wonâÂÂt hear a real drummer. I was doing that all the way back to âÂÂCall Me The Breeze' and âÂÂCrazy Mama.â Those were drum machines.â Most of the songs on Number 10 deal with the joys of love (âÂÂShady Grove,â âÂÂFeeling in Love,â âÂÂLow RiderâÂÂ) or the loss of it (âÂÂPassion,â âÂÂSheâÂÂs in Love,â âÂÂTracesâÂÂ). The prophetic âÂÂDigital Bluesâ bemoans the loss of individuality in the face of advancing technology, with Cale singing, âÂÂI got the digital blues, my soul is just another number,â while the wry âÂÂTake Out Some Insuranceâ addresses the theme of mortality.
AllMusic stated âÂÂit would be easy to imagine Number 10 getting completely buried behind a wash of '90s white noise, but for those prepared to kick off their boots and sit a spell, Cale's latest offers up some seductive rewards.âÂÂ
Production