Nguyá» n Thắng, pen name Nguyá» n Khuyến, (15 February 1835 in àYên, Nam ÃÂá»Ânh – 5 February 1910 in Yên ÃÂá»Â) was a Vietnamese Ruist scholar, poet and teacher living in the 19th century.
Nguyá» n Thắng was born on 15 February 1835 in his mother's hometown VÃÂn Khế village, Hoàng Xá commune, àYên district, Nam ÃÂá»Ânh Province. His father's home town was Vàvillage, Yên ÃÂá» commune, Bình Lục district, HàNam Province. His father Nguyá» n Tông Khá»Âi (1796âÂÂ1853) was a teacher. His mother was Trần Thá» Thoan (1799âÂÂ1874) and her father was Trần Công Trạc. Nguyá» n Thắng studied to become a mandarin (the governing class of Vietnam). His first teacher was Phạm VÃÂn Nghá»Â. Although he was intelligent and knowledgeable, he did not initially fare well in his examinations. In 1864, he passed the Cá» nhân degree (or: Hðáng Cá»Âng, Chinese: éÂÂè²¢, the lowest degree of Vietnamese feudal educational system) at first-rate (Masters level) in HàNá»Âi. One year later, unfortunately, he failed his doctoral examination Há»Âi examination so he went to Hanoi to study at Quá»Âc Tá» Giám (National University).
To instil himself with iron discipline and motivate himself, he changed his given name from Nguyá» n Thắng to Nguyá» n Khuyến. In the Vietnamese language, Thắng only means success or victory but Khuyến has a stronger meaning implying inspiration or stimulation; Thắng is the result but Khuyến is the way toward the result (Vietnamese people have a tradition named "Khuyến Há»Âc"- Study Encouragement). After six years of preparation, he passed the Há»Âi Nguyên degree and the ÃÂình Nguyên degreeâÂÂhis doctorateâÂÂcontinuously in only one year in 1871. This was an extraordinary accomplishment rarely seen throughout history, so people gave him an honourable name: "Tam Nguyên Yên ÃÂá»Â" (Yên ÃÂá»Â's first-rate graduate in three times).
Nguyá» n Khuyến was a mandarin in the age of the French invasions. History unfolded like the text he wrote in his ÃÂình Nguyên examination twelve years before: "As a carriage does not come toward because the horses do not want to pull, the political situation does not improve when the people do not want it to. Are there no talents in life? It is completely untrue." When patriotic movements such as "Cần Vðáng" ("Helping the King") were extinguished and his dream of "Trá» quá»Âc, bình thiên hạ" (leading the country, pacifying the world) was not realized, he landed in an impasse. He recognized his powerlessness to change conditions in the country and was deeply aware of the decline of Vietnamese feudalism. He was one of the first Vietnamese people to criticize Vietnamese feudalism as conservative and unrealistic. In 1884, he withdrew from public life and moved back to his home town Yên ÃÂá» to support the Vietnamese resistance against the French enemy. There he found peace in his soul through a simple and tranquil life in the countryside.
The more adversity he met in his life, the more talented he became in his writing. He was the nexus between classical and modern Vietnamese literature. He was both a prominent lyric poet and an outstanding satirical poet. He reached the peak of Nôm letter's literature. He was the first Vietnamese poet who put opinions about current matters in classical poems. Among his best poems are: "Group of three poems about Autumn: Fishing in Autumn, Drinking in Autumn, Versing on Autumn" which express sadness and loneliness and "Paper Doctor" which ridicules incapable scholars. In addition, he was one of the few upper-class poets who wrote favourably about poor farmers. Throughout his life he taught his children to show deep gratitude toward farmers: "Even if you are a scholar, do not forget rice, beans and eggplants."
He died on 5 February 1910 in his hometown Yên ÃÂá»Â.