Néstor Almendros Cuyás, (30 October 1930 – 4 March 1992) was a Spanish cinematographer.
He was one of the most highly appraised contemporary cinematographers, having a working collaboration with filmmakers François Truffaut, ÃÂric Rohmer and Robert Benton, while winning an Oscar for Best Cinematography for Terrence Malick's Days of Heaven.
Néstor Almendros Cuyás was born in Barcelona, Spain, but at the age of 18, he moved to Cuba to join his exiled anti-Francisco Franco father. In Havana, he wrote film reviews. Then, he went on to study in Rome at the Centro Sperimentale di Cinematografia. He directed six shorts in Cuba and two in New York City.
After the 1959 Cuban Revolution, he returned and made several documentaries for the Castro regime. But after two of his shorts (Gente en la playa and La tumba francesa) were banned, he moved to Paris.
Almemdros became the favorite collaborator of French New Wave director ÃÂric Rohmer. In the early 70s, he also started working with François Truffaut, Barbet Schroeder and other directors.
Almendrosâ collaborations with Rohmer would prove particularly fruitful, and are considered amongst the finest works of both men. These include the four feature length works from RohmerâÂÂs Six Moral Tales series, La Collectionneuse (1967), My Night at MaudâÂÂs (1969), ClaireâÂÂs Knee (1970), and Love in the Afternoon (1972), in addition to La Marquise d'O... (1976), Perceval le Gallois (1978), and Pauline at the Beach (1983).
Almendros began his Hollywood career with Days of Heaven (1978), written and directed by Terrence Malick, who admired Almendros' work on TruffautâÂÂs The Wild Child (1970). Almendros was impressed by Malick's knowledge of photography and his willingness to use little studio lighting. The film's cinematography was modeled after silent films, which often used natural light. In 1979, Almendros won the Academy Award for Best Cinematography for Days of Heaven.
Along with three other nominations for Best Cinematography, Almendros became the Spanish person with the most nominations in Academy history.
In his later years, Almendros co-directed two documentaries about the human rights situation in Cuba: Mauvaise Conduite (1984) (Improper Conduct) about the persecution of gay people in Cuba; and Nadie escuchaba (Nobody Listened), about the alleged arrest, imprisonment and torture of former comrades of Fidel Castro. He also shot several prestigious advertisements for Giorgio Armani (directed by Martin Scorsese), Calvin Klein (directed by Richard Avedon) and Freixenet.
Human Rights Watch International has named an award after him by establishing the Nestor Almendros Award for Courage in Filmmaking and it is given every year at the Human Rights Watch International Film Festival.
In 1980, Almendros won the César Award for François Truffaut's The Last Metro.
In 1992, Néstor Almendros died of AIDS-related lymphoma in New York City at the age of 61.
Short film
Television
Film
Short film
Documentary short
Documentary film
Academy Awards
César Awards
New York Film Critics Circle
The Man Who Painted with Light(Documentary,119',2017) Direction,Production,Camera and Sound, Armando Linares Teijeiro