Nery Evelio Cano Arreaga (Chiantla, Huehuetenango, May 26, 1956 - Guatemala City, July 29, 2021) was a Guatemalan conductor, composer and arranger. He was a well known trumpet player in Guatemala.
He was conductor in chief of the Symphonic Martial Band for 20 years of Military Services of Ministry of Defense and alsoÃÂ a trumpeter. Recognized in the Dictionary of Music of Guatemala of the University of San Carlos, he was a promoter of Jazz in Guatemala. He was a coordinator of several college education projects for the university career of Bachelor of Music in his country.
As a child, Nery showed a disposition and interest in learning to play different instruments. He was the youngest of nine children of the couple,àEvelio Cano Mérida and Adelina Natividad Arreaga Argueta.àBoth parents cultivated in their children the love of music.àThe sevenàbrothers and two sisters used to participate and promote artistic events in Chiantla, their home town. Later, Nery moved to Guatemala city to enter Military Music Schoolàat only 14 years of age,àwhere he graduated with honors as a Military Musician at 18 years. àLater he graduated as Teacher of Musical Education in the Normal School for Teachers of Music, "Jesús MarÃÂa Alvarado" and received the diploma of Specialization in Trumpet. At first, he was inclined to be a trumpet player and accordionist, and he played as trumpet player in the Symphony Martial Band of Guatemala.
In 1980, he married Bilsania Villatoro, and they had three daughters.
With his brothers, NeryÃÂ founded the Banda Canoa (from their surnames Cano Arreaga), which had a significant success in the late seventies and eighties, playing covers of bands like Chicago, The Manhattan Transfer, Led Zeppelin and Queen, among others. From the beginning, Nery was the director of the Canoa Band. His work in the band and his performances on the trumpet, led him to opt for the position of trumpet player in the National Symphony Orchestra of Guatemala.
In the eighties, he participated in Musical Theater production "This is Broadway!"ÃÂ as bothÃÂ director and arranger ofÃÂ the staging.
In 1991, he returned to the Martial Band when he won the tryouts for the General Directorate of the Centennial Symphony Martial Band, of which he served as the conductor and director for 20 years. ÃÂ As a result of his efforts, this Symphony Band achieved the declaration by the Government as "Cultural Heritage of the Nation"ÃÂ in 1995. At the same time, Nery Cano founded his own Big Jazz Band and the Primavera Chamber Orchestra.
In the late nineties, he moved to the city of Miami, Florida, where he was an arrangerÃÂ and trumpet soloist for the Ocean Sound Band on Miami Beach's Oceanside Street.
Later heÃÂ returned to Guatemala and merged his work as conductor of the Martial Symphony Band, producingÃÂ jazz, chamber music and pop opera events. With his nephew, the pop opera singerÃÂ Maximo Marcuso, a tenor in the California area, they offered together several events in Guatemala. Maestro Cano participated in various festivals and cultural events within the university environment, including exchanges with representatives of some universities such as Berklee College of Music, University of Oklahoma andÃÂ Autonomous University of Chiapas. He was invited to be an orchestra conductor and trumpeter to Mexico, Chile and Argentina.
In 1991, with the purpose of promoting the marimba, a Guatemalan national instrument, he created and produced a new show, "Maderas y Metales" (Wood and Metals), thus promoting the first Symphonic Ensembles in history,ÃÂ incorporating ten marimba ensembles (9 members per group) to the symphonic concept, filling the stage with about 200 musicians at the same time. He began a series of presentations with the Martial Symphony Band and later, with the National Symphony Orchestra. Ensembles with Marimba and Symphony music under the conducting of maestro Nery Cano were still presented with various directors as a tradition. In 2019, this Ensemble "Maderas y Metales" by Maestro Nery Cano was performed jointly with the Embassy of Japan.
Commissioned by the Presidency of the Republic, between 1994 and 1996, he produced a series of concerts for the Peace of GuatemalaÃÂ which culminated with the 1812 Overture by Tchaikovsky, accompanied by special effects, pyrotechnics and royal artillery salvoes.
On many occasions Nery Cano was a guest conductor of the National Symphony Orchestra of Guatemala.ÃÂ He was also a guest conductor of several Central American chamber and philharmonic orchestras. He participated as the main music director in the documentary "The force of work" produced by a Guatemalan bank.
He was a member of the Bob Porter Orchestra and Orchestra. He also participated as a producer of jazz andÃÂ rock shows with the Latin rock band Alux Nahual in 2015.
Another musical passion was the accordion and as a member and president of the Guatemalan Accordion Club, he organized events in which dozens of accordionists played in unison, performing national and international music, especially Argentine tangos. People still remember their presentation in the Big Hall of the Miguel Angel Asturias Cultural Center conducted by Nery Cano.
On July 29. 2021, Nery Cano died of respiratory failure at the Military Medical Center in Guatemala City. Obituaries and notes of sympathyÃÂ were published in the media and on social networks, by the Government of Guatemala, the Ministry of Culture and Sports, the Ministry of Defense and the Guatemalan Army, the National Symphony Orchestra, National Conservatory of Music,ÃÂ among many other institutions and companies.