Urakusai Nagahide (Japanese: æÂÂ楽æÂÂãÂÂé·ç§Â), was a designer of ukiyo-e style Japanese woodblock prints who was active from about 1804 to about 1848. He is also known as Yà «rakusai Nagahide (æÂÂ楽æÂÂãÂÂé·ç§Â), Nakamura Nagahide (ä¸ÂéÂÂãÂÂé·秠or ä¸ÂæÂÂãÂÂé·ç§Â), Chà Âshà « (é·ç§Â), and as Chà Âshà «sai (é·ç§ÂæÂÂ). âÂÂNagahideâ and âÂÂChà Âshà «â are written with the same kanji. The ending âÂÂsaiâ means studio or hall, and is added or omitted at will by many Japanese artists.
Nagahide worked in both Kyoto and Osaka. His early prints resemble those of his teacher Ryà «kà Âsai Jokei, but were also influenced by Shà Âkà Âsai Hanbei. Such a radical change occurred in NagahideâÂÂs style that some scholars believe that the body of works signed âÂÂNagahideâ may actually have been created by two different artists. From the 1810s to the 1830s, Nagahide was the most prolific designer of stencil prints (kappazuri) depicting the annual costume parade in the Gion district of Kyoto, and he continued producing kappazuri long after full-color woodblock prints (nishiki-e) had become the standard for Japanese woodblock prints. His students include Nagashige, Hidekatsu, Hidekuni, Hidemari, and Naniwa Nagakuni.