Mykola Holubets (; 15 December 1891 â 22 May 1942) was a Ukrainian historian, archivist, local historian, art historian, poet, prose writer, publicist, editor, translator, and bibliographer.
Biography
He was born on 15 December 1891 in Lviv. He was the illegitimate child of the priest Bohdan Eliashevskyi, the parish priest of the village of Zashkiv (Lviv Oblast), and Mariia Holubets, who was a servant in his house.
He graduated from the Lviv Academic Gymnasium and the Kraków Academy of Arts. He studied at the Faculty of Philosophy at the University of Lviv and at the University of Vienna.
During the World War I, from 1914, he volunteered for the Legion of Ukrainian Sich Riflemen. He held the rank of cadet and was an active member of the Press Apartment in Vienna. At the end of 1918, he was the commander of the fourth division of the newly created Ukrainian Galician Army, a participant in the fighting of the PolishâÂÂUkrainian War of 1918-1919.
From the 1920s, he was engaged in scientific, literary, and cultural activities: a member of the Shevchenko Scientific Society in Lviv's commission on the history of art, one of the organizers of the Association of Independent Ukrainian Artists.
In the 1930s, he lived at 33 Pasichna Street; in 1991, a neighboring street connecting Pasichna Street with the former village of Hory was named after him.
After September 1939, he worked at the Lviv City Archives.
During the Nazi occupation of Lviv, he founded the Literary and Art Club and worked on a three-volume history of Ukrainian culture.
Holubets died in 1942; he was buried at Lychakiv Cemetery.
Journalistic work
As a researcher of the history of Ukrainian art and the history of Ukraine, Lviv, and the region, he was the author of 84 books and brochures, and over 1500 articles. He also published a series of brochures and articles about Ukrainian artists including Oleksandr Arkhypenko (1922), Taras Shevchenko (1924), Luka Dolynskyi (1924), Petro Kholodnyi (1926), Mykhailo Havrylko, Lev Gets (1934), Teofil Kopystynskyi, Olena Kulchytska, Yurii Narbut, Oleksa Novakivskyi, Ivan Trush, and Pavlo Kovzhun (1939). During the 1920s he worked Worked closely with archaeologist, archivist and art historian Bohdan Yanush.
He also wrote guides to cities and villages including Lviv (guidebook, 1925), Lavriv (1926-1927), Belz, Buzke, Zvenyhorod (1927), PrzemyÃ
Âl, Terebovlia (1928), Sokal (1929), Zhovkva and medieval Halych (1937).
He was the publisher and editor of 14 weekly and daily newspapers, including "Svit" (1917âÂÂ1918), "Zhyttia i mystetstvo" (1920), "Kholodnyi" (1926), "Ukrainske mystetstvo" and "Nedilia" (1928âÂÂ1931).
He also edited the "Ukrainian Biblioteka", published by Ivan Tyktor.
Poet and a prose writer
He began his artistic career as a poet with collections of poems marked by minor moods, "Fragmenty" (1909) and "Buvaiut Khvyli" (1910). He is the author of the biblical epic poem "Moisei Bezumnyi" ("Moses the Mad", 1914). In the poems "Apostrofa," "Mykhailovi Yatskovu", and others, the poetic cycle "Vesnyani Vody," and the dramatic scene "Stricha" from the collection "Poeziyi", motifs of defiance against a difficult fate and the desire for social and spiritual harmony prevail.
Known for his prose works: the novella "Liudy i Blazni" (1927), sketches "Hei, Vydno Selo" (1934), and historical novels "Zhovti Vody" (1937) and "Plemia Chingiskkhana" (1938). He translated individual works by Gerhart Hauptmann ("The Sunken Bell"), Henrik Ibsen ("Peer Gynt", translated by Holubets as "Per Hint", 1921), Johann Wolfgang von Goethe (an excerpt from the fifth act of "Faust", 1937), Oscar Wilde, and others (unpublished). His renditions of Heinrich Heine's works were published in periodicals.
Main works
- ãúÃÂðÃÂýÃÂÃÂúõ üøÃÂÃÂõÃÂÃÂòþ: ÃÂÃÂÃÂÃÂÿ ôþ ÃÂÃÂÃÂþÃÂÃÂà(Ukrainian Art: an introduction to History). â ÃÂÃÂòÃÂò, 1918.
- ÃÂÃÂøÃÂøýúø ôþ ÃÂÃÂÃÂþÃÂÃÂàóðûøÃÂÃÂúþóþ ÃÂúÃÂðÃÂýÃÂÃÂúþóþ üøÃÂÃÂõÃÂÃÂòð. â â. 1. â ÃÂÃÂòÃÂò, 1920.
- ÃÂðÃÂõÃÂú ÃÂÃÂÃÂþÃÂÃÂàÃÂúÃÂðÃÂýÃÂÃÂúþóþ üøÃÂÃÂõÃÂÃÂòð. â ç. 1. â ÃÂÃÂòÃÂò, 1922.
- èõòÃÂõýúþ â üðûÃÂÃÂ. â ÃÂÃÂòÃÂò, 1924.
- ÃÂðûøÃÂÃÂúõ üøÃÂÃÂõÃÂÃÂòþ, ÃÂÃÂòÃÂò, 1926.
- ãúÃÂðÃÂýÃÂÃÂúøù úøûøü. â ÃÂÃÂòÃÂò, 1927.
- ÃÂð ÃÂúÃÂðÃÂýÃÂÃÂúøù ÃÂÃÂòÃÂò: ÃÂÿÃÂ÷þôø ñþÃÂþÃÂÃÂñø XIIâÂÂXIII òò. â ÃÂÃÂòÃÂò, 1927.
- ÃÂõû÷, ÃÂÃÂÃÂÃÂú, ÃÂòõýøóþÃÂþô. â ÃÂÃÂòÃÂò, 1927. â 32 ÃÂ.
- ÃÂÃÂôø àñûð÷ýÃÂ. â ÃÂÃÂòÃÂò, 1928.
- áûÃÂôðüø Ã¥üõûÃÂýøÃÂÃÂúþóþ àÃÂÃÂòþòÃÂ. â ÃÂÃÂòÃÂò, 1928.
- ÃÂõÃÂõüøÃÂûÃÂ. â ÃÂÃÂòÃÂò, 1928
- ÃÂþûÃÂü'ÃÂýøù 1848 ÃÂÃÂú: ÃÂðÃÂÃÂøýø ù õÿÃÂ÷þôø. â ÃÂÃÂòÃÂò, 1929.
- ÃÂÃÂþÃÂðÃÂýàûõóõýôð [ÿÃÂþ òø÷òþûÃÂýà÷üðóðýýÃÂ]. â ÃÂÃÂòÃÂò, 1933.
- ÃÂõù, òøôýþ ÃÂõûþ⦠[ÿÃÂþ ÿõÃÂÃÂàñþàãáá]. â ÃÂÃÂòÃÂò, 1934.
- ÃÂõûøúð ÃÂÃÂÃÂþÃÂÃÂàãúÃÂðÃÂýø (Great History of the Ukraine). ÃÂÃÂòÃÂò, 1935.
- ÃÂÃÂÃÂþÃÂÃÂàÃÂúÃÂðÃÂýÃÂÃÂúþàúÃÂûÃÂÃÂÃÂÃÂø (ÃÂþ÷ôÃÂû ëÃÂøÃÂÃÂõÃÂÃÂòþû). â ÃÂÃÂòÃÂò, 1937.
- ÃÂþòÃÂàÃÂþôø: ÃÂÃÂÃÂþÃÂøÃÂýøù ÃÂþüðý. â ÃÂÃÂòÃÂò, 1937; ÿõÃÂõòøôðýþ 1997.
- ÃÂûõü'àçøýóÃÂ÷ÃÂ
ðýð: ÃÂ¥ÃÂþýÃÂúð XII ò. â ÃÂÃÂòÃÂò, 1938.
- ÃÂþûÃÂñõÃÂàÃÂ. ÃÂðòûþ ÃÂþòöÃÂý / ÃÂøúþûð ÃÂþûÃÂñõÃÂÃÂ. â ÃÂÃÂòÃÂò: ñ. ò., 1939. â 31 ÃÂ.
Family
Mykola Holubets was the first husband of (sister of Lesia Bachynska), who, after his death, married Samiilo Pidhirskyi. Lesia was shot by the Gestapo for her connection with the Ukrainian Insurgent Army, and subsequently, their daughter with Mykola, Nana, and her husband were also killed. Natalia Yakhnenko describes this in her memoirs: "God granted that no one from our family perished upon the return of the Bolsheviks. It was different for Samiilo Pidhirskyi's family: in the last weeks in our city, his wife Lesia, Mrs. Dontsova's sister, was shot by the Gestapo for her connection with the UPA, and then her daughter Nana from her first marriage to M. Holubets, and her husband".
Mykola Holubets is the father of Zenon Holubets, a sculptor and painter from Lviv.
References
Bibliography
- ÃÂýÃÂøúûþÿõôÃÂàÃÂúÃÂðÃÂýþ÷ýðòÃÂÃÂòð : áûþòýøúþòð ÃÂðÃÂÃÂøýð : [ò 11 ÃÂ.] / ÃÂðÃÂúþòõ ÃÂþòðÃÂøÃÂÃÂòþ ÃÂüõýàèõòÃÂõýúð ; óþû. ÃÂõô. ÿÃÂþÃÂ., ô-àÃÂþûþôøüøàÃÂÃÂñÃÂùþòøÃÂ. â ÃÂðÃÂøö â ÃÂÃÂÃÂ-ÃÂþÃÂú : ÃÂþûþôõ öøÃÂÃÂÃÂ, 1955âÂÂ1995. â ISBN 5-7707-4049-3. â â. 2. â á. 408.
- Holubets Mykola / V. M. Khanko // Encyclopedia of Modern Ukraine [Online] / Eds. : I. ÃÂ. Dziuba, A. I. Zhukovsky, M. H. Zhelezniak [et al.] ; National Academy of Sciences of Ukraine, Shevchenko Scientific Society. â Kyiv : The NASU institute of Encyclopedic Research, 2006.
- ÃÂøúþûð ÃÂþûÃÂñõÃÂÃÂ. ãúÃÂðÃÂýÃÂÃÂúøù úøûøü. ÃÂÃÂòÃÂò, 1936.
- ÃÂþÃÂþ÷ ÃÂ. ÃÂ. ÃÂþûÃÂñõÃÂàÃÂøúþûð // ãúÃÂðÃÂýÃÂÃÂúð ûÃÂÃÂõÃÂðÃÂÃÂÃÂýð õýÃÂøúûþÿõôÃÂà: à5 ÃÂ. / ÃÂõôúþû.: ÃÂ. ÃÂ. ÃÂ÷õòõÃÂÃÂý (òÃÂôÿþòÃÂô. ÃÂõô.) ÃÂð ÃÂý. â ÃÂ. : ÃÂþûþò. ÃÂõô. ãààÃÂü. ÃÂ. ÃÂ. ÃÂðöðýð, 1988. â â. 1 : ÃÂâÂÂÃÂ. â á. 448.
- ÃÂþûÃÂñõÃÂàÃÂøúþûð // ÃÂøÃÂÃÂõÃÂÃÂòþ ãúÃÂðÃÂýø : ÃÂÃÂþóÃÂðÃÂÃÂÃÂýøù ôþòÃÂôýøú. / ÃÂÿþÃÂÃÂô.: ÃÂ. ÃÂ. ÃÂÃÂôÃÂøÃÂÃÂúøù, ÃÂ. ÃÂ. ÃÂðñÃÂýÃÂÃÂúøù ; ÷ð ÃÂõô. ÃÂ. ÃÂ. ÃÂÃÂôÃÂøÃÂÃÂúþóþ. â ÃÂøÃÂò : ëãúÃÂðÃÂýÃÂÃÂúð õýÃÂøúûþÿõôÃÂÃÂû ÃÂüõýàÃÂ. ÃÂ. ÃÂðöðýð, 1997. â á. 162âÂÂ163 . â ISBN 5-88500-071-9.
- áòðÃÂýøú ÃÂ. ÃÂþûÃÂñõÃÂàÃÂøúþûð // ÃÂþòÃÂôýøú ÷ ÃÂÃÂÃÂþÃÂÃÂàãúÃÂðÃÂýø. â 2-óõ òøô. â ÃÂ., 2001. â á. 169.
- ÃÂõÃÂðÃÂøüþòð ÃÂ. ÃÂ. ÃÂþûÃÂñõÃÂàÃÂøúþûð // ÃÂýÃÂøúûþÿõôÃÂàÃÂÃÂÃÂþÃÂÃÂàãúÃÂðÃÂýø : à10 ÃÂ. / ÃÂõôúþû.: ÃÂ. ÃÂ. áüþûÃÂù (óþûþòð) ÃÂð ÃÂý. ; ÃÂýÃÂÃÂøÃÂÃÂàÃÂÃÂÃÂþÃÂÃÂàãúÃÂðÃÂýø ÃÂÃÂàãúÃÂðÃÂýø. â ÃÂ. : ÃÂðÃÂúþòð ôÃÂüúð, 2004. â â. 2 : àâ ÃÂ. â á. 148âÂÂ149. â ISBN 966-00-0405-2.
- ÃÂÃÂÃÂÃÂøý ÃÂ. ÃÂþûÃÂñõÃÂàÃÂøúþûð // ãúÃÂðÃÂýÃÂÃÂúð öÃÂÃÂýðûÃÂÃÂÃÂøúð ò ÃÂüõýðÃÂ
. â ÃÂøÿÃÂÃÂú 2. â ÃÂÃÂòÃÂò, 1995.
- ÃÂþûþòðÃÂÃÂúøù ÃÂ. ÃÂõÃÂþ ÿÃÂþ ÃÂøúþûàÃÂþûÃÂñÃÂà// ÃÂÃÂÃÂþÿøàçõÃÂòþýþàÃÂðûøýø. â 1998. â â. 9.
- Matelski D. Anatomia grabieÃ
¼y. Polityka Rosji wobec polskiego dziedzictwa kultury od XVII do XXI wieku [ÃÂýðÃÂþüÃÂàóÃÂðñÃÂýúÃÂ. ÃÂþûÃÂÃÂøúð àþÃÂÃÂàÃÂþôþ ÿþûÃÂÃÂÃÂúþàúÃÂûÃÂÃÂÃÂÃÂýþàÃÂÿðôÃÂøýø ÷ 17 ÿþ 21 ÃÂÃÂþûÃÂÃÂÃÂÃÂ]. â Kraków : Avalon, 2021. â S. 287.